Original oversize etching by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated '61 l.r. 23 1/2" by 35 1/4", image alone. For information regarding the works of Wendell H. Black currently offered on this website please contact us, or check "The Lost Prints of Wendell H. Black" by Henry Sayre.
Original etching on copper by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original condition, roughly 4' by 6". Titled and numbered 7/25 l.l. Also signed and dated '61 l.r.
This work is also signed and marked "imp" by Berk Chappell. cf: "The Lost Works of Wendell H. Black" by Henry Sayre, plates 7 and 8--plates are misattributed in the book, since GH III should be plate 8, and GH IV should be plate 7.
Original engraving on copper by Wendell H. Black )American, 1919-1972), first edition, printed posthumously by Berkley Chappell. 6 1/4" by 8 1/4" image alone. Titled an numbered 7/25 l.l. Signed and dated 1965 l.r. This etching is illustrated (plate 3) in "The Lost Works of Wendell H. Black" by Henry Sayre.
Original etching with aquatint by Wendell H. Black (American, 1919-1972), first edition, posthumously printed by Berkley Chappell. Excellent original unframed condition. Titled and numbered 7/25 l.l. Signed and dated "65" l.r.
4" by 6" image alone. For information regarding this artist please see "The Lost Prints of Wendell H. Black" by Henry Sayre. (this work is plate 1 in "The Lost Prints...)
Original etching on copper by Wendell H. Black (American, 1919-1972), first edition, printed posthumously by Berkley Chappell. In excellent original condition, titled and numbered 9/25 l.l. and signed and dated l.r. Also signed and inscribed "imp" by Berkley Chappell. cf: "The Lost Prints of Wendell H. Black" by Henry Sayre.
Original engraving on copper by Wendell H. Black (American, 1919-1972), first edition of 25 printed posthumously by Berkley Chappell, and signed by Elaine Black the artist's wife. In excellent unframed condition. Titled in pencil l.l. and numbered 7/25. Signed and dated in pencil l.r. :Wendell Black '54 by Elaine. Also signed by Berkley Chappell and marked "imp".
7 3/4 by 13 1/2 image alone. For information regarding this artist and this print please see "The Lost Prints of Wendell H...
This c.1925 etching by William Meyerowitz measures 7 7/8 x 9 7/8 inches, plate and pencil signed, framed. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.
"Sellier-Carossier, Berline Campagne a 4 Portiers".
16" x 13 1/2".
with frame: 25 1/2" x 23"
"Sellier-Carossier, Diligence a Cul de Singe
16" x 13 1/2".
with frame: 25 1/2" x 23"
Prints come from the "Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers, par une Société de Gens de lettres"...
Chest Top Buddhist Shrine
Oil-on-canvas, signed and dated “1936”
Painting: 23 ½” x 20 ¼”
Frame: 30” x 25 ½”
Netherlands artist, Dirk Schäfer was born in The Hague in 1864. He studied at the Academy in the Hague under Fr. Becker from 1880-1886. He later worked in The Hague, Amsterdam and Voorburg, painting still lifes, genre scenes and portraits...
This etching with drypoint on copper by Frank Benson measures 4 x 5 inches, pencil signed, 1931, cat: Ordeman-312, edition of 300. Benson was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds...
This 1928 etching by Harold Kerr Eby measures 7 x 15 inches, pencil signed and edition of 90, cat: Giardina-124, state IV. Kerr Eby was a remarkable printmaker and a member of the Cos Cob Art Colony and friends with many of the important artist of the day, including Childe Hassam and John Taylor Arms. This print was based on Eby's World War I experiences in France.
Etching by the American artist Levon West measuring 8 7/8 x 10 7/8 inches, 1927, pencil signed, titled and numbered 70/100, printed by West. Levon West was a watercolorist, printmaker and photographer, studying at the Art Students' League and then with Joseph Pennell. A great admirer of Whistler, West created his own "Venice Set" in 1931, along with a series of five etchings of native life in Hudson Bay...
A beautiful antique Italian Neapolitan gouache painting grand tour era 19th century. Depicting the bay of Naples in the Moonlight with a couple on a bridge Mt. Vesuvius Erupting in the distance. Image 6"L x 9"W. Matted and framed overall size 13" L x 16" W.
"Inlet Light" by the American artist Stow Wengenroth measures 8 1/8 x 12 3/4 inches and is pencil signed, 1938, cat: Stuckey-75, edition of 181. Wengenroth studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock, NY and George Ennis in Eastport, ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.
A lovely etching by the American artist Warren Davis, measuring 8 1/4 x 6 7/8 inches, pencil signed. Warren Davis studied at the Art Students League in New York and became known for his etchings of idealized female figures, many of which were used on the covers of Vanity Fair and Life magazines. Later in his career Davis exhibited in Europe and the United States including the Pennsylvania Academy and the Salmagundi Club.
Commissioned portrait of a beautiful chestnut brown slim rescue shelter dog whose reversed dark spinal fur resembles that of a Rhodesian Ridgeback.
When this painter spent time with her, Sofie struck such a stance as if reviving an ancestral show pedigree pose...
Fine Modernest Abstract Figural Form Bronze having alternating planes of smooth and textured surfaces. Mounted on a wood base. Unsigned. Mid 20th Century
Height of bronze: 15.25"
Over all Height: 22"
**For other mid-20th Century artwork in our inventory, type “modern” into the search box.
A very rare lithograph by the British artist Edmund Blampied measuring 17 1/2 x 14 inches, pencil signed and numbered 3/3. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker. He was an important figure in the 'British Etching Revival' of the early 20th century, and was elected to the Royal Society of Painter-Etchers and Engravers in 1920.