Late in life, circa 1999, Japanese master print maker, Haku Maki, did this shikishiban print. It is called Z1-12 (WAZA); 7.25'' x 8.25''; Shikishiban is a nearly square format. Shikishiban are often mounted on a thick, light cardboard. Japanese people like to give them as presents. The print is in the US and will be shipped from there.

Etching titled in pencil by the artist "Stairway, San Gabriel Mission", late 1920's or 1930's, signed in the plate lower left by listed California artist WILLIAM A. ESKEY (1891-1937), 12 1/2" by 7 3/4" as framed in vintage wood. The scene is an iconic one, often captured by artists enamored of the charm and romance of California's early days. Eskey was born in West Virginia and served in the military in France...

The striking kanji means Rising. Maki produced this image in 1970 as a modest black on white print. This print is Poem 70- 48 (rising): The kanji,which is the print's core theme, is reiterated in the title. When this print first came out, it must have in a winner: 59/151 . This print has a golden yellow sun and a light blue tear or splash to give it verve. This is the Maki style. A year later in 1971 Maki produced a Big Red, the same character shown here was done as a Red kanji in striking image...

A fine old wood engraving dating to the sixteenth century, the title apparently "Saint Paul Giving a Letter to a Messenger" according to handwritten notes on the backing, which also relate that this is from the Biblia series. The artist HANS BROSAMER (circa 1506-1554) was born at Fulda in central Germany. He became known for his fine oil portraits, but also for his wood engravings and copper engravings, many produced for various editions of Luther's German Bible...

Charity in the Cellar Engraved by Leney, after Hogarth's painting Heath edition The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art...

Etching of the famous Chicago River surrounded by the classic skyscrapers, signed in the plate and dated 1927 at lower right, by the listed artist OTTO J. SCHNEIDER (1875-1946). The print does not appear to be pencil signed. Note the fine detail and the 1920's automobiles in the image at right corner. Schneider was born in Illinois and is most closely associated with that state. He exhibited at the Louisiana Purchase Exposition of 1904, and the Panama Pacific Exposition of 1915...

This is an unframed lithograph print of a female nude in an interior suggested by a door and bed headboard, 23" by 29", signed in pencil illegibly at lower right and numbered there 49/97. I think the work American and have tried various likely signatures such as "Czech" or "Bech" without determining who the artist might be---I am pretty sure that it is a listed artist. The print is unframed and can be easily rolled in a tube for shipping...

Poem 69-13 is an old embossed print. Created in 1969, it is in excellent condition. It measures 11 1/8in W x 15in H and is number 61 of an edition of 82.

Poem 68-40—strongly related to Poem 69-13 which is posted below on this site—is an old embossed print. Created in 1968, a year before its “cousin,” it is similarly in excellent condition. Poem 68-40 measures 11 3/8in W x 15in H and is number 29 of an edition of 72.

Titled at lower left "Seven Sisters", numbered lower center 54/180, and signed at lower right by the artist, this is a serigraph print consisting of a commonly seen motif of the Pacific Northwest Coast art, a stylized orca killer whale, surrounded by also stylized human faces. The artist is HEBER REECE (1955-) of the Tsimshian peoples of northern British Columbia, Canada. Reece was born near Bella Bella, B.C...

It has taken some research on the net to determine that this unusual item is apparently an early 20th century facsimile of an incunabula (pre 1500 printing) leaf from a book. JOHANN GRUENINGER (1455-1533) was a major, prolific early German printer and publisher, who developed an innovative method for illustrating books. This sheet on rag type paper measures 11" by 8". There is text in old Latin, and an image of the Trojan Horse outside of Troy, the soldiers entering his side...

A woodcut print featuring an ecclesiastical scene of five monks in a breezeway or arcaded hall, with the artist's signature and date 1922 within the circular image. Additionally the piece is pencil signed by the artist at right just below the image and titled "The Cloister" at top right in pencil. The artist is New Jersey-born HENRY J. GLINTENKAMP (1887-1946)...

Signed artist's proof entitled "Cake Dreams"...A contemporary, award- winning artist, Leviten (1928-2014) was known for her abstract monoprints and collages. Exhibitions: RISD Museum, El Paso Museum, Dan Forth Museum and in the Institute del Arte La Paz, Mexico. Leviten was also an active member of the Providence Art Club. Frame measures 15" x 16"; print approximately 8" x 10"

The paper size: 23" W x 35" H (with border margin)
Unframed Original Lithograph by Artist, Charles Cobelle, (1902-1994)
The title, "Casino Paris"
Medium: 100% Rag content Acid Free Paper.
Condition: excellent, never been framed...

An offset limited edition pencil signed print of St. Michael's Church in historic downtown Charleston, South Carolina, pencil signed by the artist, Charleston's long time fixture VIRGINIA FOUCHE BOLTON (1929-2004). The 13 1/2" by 20 3/4" print (22 1/2" by 29" framed) is numbered near the signature at bottom center 622/2000. Bolton (often more commonly known as Fouche) was well known in the Charleston area for her sensitive depictions of Charleston, the surrounding country, and other scenes of ...

A hand colored lithograph by Currier and Ives titled, “The Narrows, New York Bay/ from Staten Island.” The scene depicts a nearly rural Staten Island in the foreground with part of the harbor in the middle and the narrows, now home to the Verrazano Bridge in the distance. Currier and Ives in the lower left below the image and their Nassau Street address in the lower right. Kennedy Galleries label taken from the earlier back board, now on the new backing. Sight size 9 ¼ x 13 inches, overall ...

An example of the circa 1870's Currier and Ives American lithograph "Summer in the Woods", 11 3/4" by 16" inside the mat, 17 1/4" by 21 1/4" as framed. The print is in good antique condition (not examined out of frame) with a faint damp stain at upper left margin and some foxing and slight discolorations at lower area. An old typed sheet on letterhead of Charles Sessler, Bookseller and Printseller, 1308 Walnut Street, Philadelphia, gives the title and says "This view is thought to be a scene a...

This is an offset poster issued by the Long Beach Museum of Art in 1984, for an exhibition of that year of the works of the conceptual and abstract artist JENNIFER LOSCH BARTLETT (1941-). Measuring 24 1/2" by 33 1/2" (32" by 40 1/2" in its blond wood quality frame), this is a very clean and fresh work ready for the wall. The complementary signature makes for an affordable way to approach the work of a woman artist whose works have exceeded $100,000 at major auctions in New York and London. Ba...

Interesting and unusual print by a so far unidentified artist, 10 1/4" by 8" inside the mat, 15" by 12 1/2" simply framed, the subject a white-haired fiddler seated in a chair. The Mark Twain-appearing man vaguely resembles figures you've seen in prints by Thomas Hart Benton, and the print REALLY resembles a work by artist Eric Bransby (born 1916), recently recognized with an exhibition at a well-known Denver gallery. I submitted images of the print to the gallery to ask them if they thought t...

Japanese Etching by "Norikane Hiroto",(1949 - ) "Shiragawago" signed by pencil and numbered "121/500" by artist, frame size - 9" x 6 1/2", image size - 3 3/4" x 5 1/2", beautiful historical World Heritage Site "Shiragawako" farm house with thick forest mountain behind, framed by Kanda Gallery (B-O-Q) in double mats and rounded corner black wooden frame, the condition is in excellent condition.

"William Hogarth" The Shrimp Girl The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches see ...

"William Hogarth" Frontispiece to Dr. Brook Taylor's Perspective The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size...

"William Hogarth" The Politician The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches see i...

"William Hogarth" The Pool of Bethesda Invented and Painted by William Hogarth Engraved by Ravenet and Picot The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplat...

Offered together as a pair, these are hand colored stipple engraving botanical prints, one titled "Neottia speciosa", the other "Paonia albiflora", by the highly important Belgian-born botanical artist of the late years of the 18th century and early years of the 19th, PIERRE-JOSEPH REDOUTE (1759-1840). The original drawings from which the images derive were created sometime around 1810. Redoute was renowned in his own time for his skills, patronized by none other than Marie Antoinette and the ...

Contemporary Japanese limited edition etching titled “Twilight” by Ryoko Hirone depicting a woman drinking a cup of tea observing a scene outside her window with a coyote and rabbit among leafless trees. Pencil-signed, titled, and numbered 7/30 in the lower margin. Paper size: 9 5/8" x 13 7/8" (image: 7 1/2" x 6 3/4"). Very good overall condition. An exhibit of mezzotints and etchings by Ryoko Hirone was held in Japan at Gallery Saoh & Tomos in 2003. This etching is estimated to date from ...

An oversized framed Presidential Christmas card/print from Jimmy Carter. Facsimile signatures of both the President and his wife, Rosalyn."Thanks for your friendship and support. With our best wishes..." The gunmetal frame measures 12" x 14-1/4" with the picture fitting snugly into it. Mounted under glass.

Pencil signed color print, 1992, issued by Greenwich Workshop, numbered also in pencil 15856/48000, by the noted contemporary American western artist BEV DOOLITTLE (1947-). The print is titled "Eagle Heart" and shows a Native American Indian chief on a white horse in a carefully arranged late autumn landscape, the snow patches on the rocks, in shadow, shown as an electric blue color, the central subject standing out dramatically. Doolittle is said by some to be a "camouflage" artist, arranging...

"William Hogarth" "Bambridge on Trial for Murder by a Committee of the House of Commons'" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — ov...

Engraving with hand coloring, 4 3/4" by 8 3/4" inside the mat, 9 3/4" by 12 3/4" in interesting old framing, the work trimmed on all sides, including the title "The Beverley Shore", after the important nineteenth century American artist JOHN FREDERICK KENSETT (1816-1872). Kensett is famed for his luminist technique and the almost spiritual stillness of some of his coastal landscape paintings, which have exceeded one million dollars at major auctions. He worked in his father's engraving shop in...

Lithograph titled in pencil at lower margin "Going Home", pencil signed at lower right by the artist, JOHN EDWARD COSTIGAN (1888-1972). The print measures 9 1/2" by 14 3/8" inside the mat, 16 3/4" by 20 3/4" framed. The original Associated American Artists labels remain on the backing paper, as shown. Costigan was known for his sympathetic portrayals of what he knew and loved best, the people and countryside of upstate New York, where he lived on a farm in Orangeburg. A native of Providence,...

"William Hogarth" Simon Lord Lovat The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches see...

This is an example of Haku Maki’s production of small prints that were known as San Mon Ban. These prints were usually 2in x 2in but there were instances of larger ones. This one measures 6in x 6in. Dan Tretiak writes that Haku Maki began creating San Mon Ban in early 1975, a set of seven volumes of small prints. For some he used themes from the past, others were new themes that he used again and again in succeeding years. A small rendering for collectors to add to their holdings.

Japanese woodblock print by Katsuyuki Nishijima (b. 1945) depicting a shop front. This is an original, kanji titled, pencil-signed, limited edition print numbered 21/500 in the bottom margin. Late 20th century. Paper size 17" x 12 3/8" (image: 15 7/8" x just under 11 1/4"). Full margins. Excellent condition. There is one small piece of tape at the top back margin edge.

Etching of an old style bridge spanning a small body of water, signed in pencil at lower right and signed in the plate there and dated 1962 by well listed Hungarian artist ISTVAN BALDIZSAR (1897-1984). The print, measuring 5 1/2" by 10" inside the mat, 14 1/4" by 19" simply framed, has a 19th century feel (or, earlier, actually). The artist has sensitively portrayed a familiar scene of his homeland. Baldizsar was born at the end of the 19th century and by 1918 was studying at the Academy of F...

Nineteenth century English hunting scene after the noted English artist who specialized in equestrian, racing, coaching and hunting scenes HENRY ALKEN (1785-1851). Alken's oil paintings sell for large sums at auction, and his prints are popular with interior decorators seeking that traditional look through sporting art. According to the fine print at bottom center this engraving was printed in the the year 1838 in London. Alken, himself a huntsman, is the best known of a family of prominent E...