This note was written by Robert Craft and discusses Maki's use of an archaic form of Chinese script called seal script.

This Guest Note was written by Bob Craft in December 2018. It discusses Haku Maki's use of ancient calligraphy in Poem 69-47.

This note discusses Haku Maki's Poem 70–14. Poem from the Manyoshu, and the sources of the kanji he used to create the print. The note was written in August 2019 by Robert Craft.

Antoni Waterloo 1609-1690 Dutch This is an original period printing of The Antoni Waterloo etching, Mercury and Argus. This etching is the 2nd state of three showing the artist initials upper left corner, a proof before letters, The image is in the Barsch catalog as image number 127ii. The image measures 11 1/2X9 1/2 inches. The sheet measures 14X11 1/8 inches. Collectors annotations and stamps on the back of the sheet, From the A. Coppenrath and Frierich Kalla, Moscow collection...

Departing from 874 AD, the German text develops the context of the 5th Council of Constantinople, held 879/880 AD – an initiative of Pope Johannes VIII to appease the Byzantines and obtain their aid against the Saracen threat in Italy.
The hand-colored woodcut of the council shows the pope and a large group of clergy under the blessing of the Holy Spirit, who is depicted as a dove.
On the right, woodcuts of contemporary popes Johannes VIII, Martinus II, Hadrianus III and Stephanu...

The main woodcut shows the enchantress Circe in front of Odysseus and one of his crew members changed into a swine. Circe holds a beaker, which stands for her vast knowledge of potions and herbs.
The woodcut below depicts Samson with remains of the Philistine temple. Further vignettes show the descendants of Eli, and depictions of four Jewish judges...

The Latin text discusses the origins of Turkish people and shows a man wearing a kaftan-like garment and a pointed hat. He is armed with a scimitar suspended from his twisted belt.
On top the hand-colored woodcut of king Pepin the Short (714-768 AD) holding sceptre and globe. Pepin was the first Carolingian king and father of Charlemagne.
Below is the figure of St...

A large poster, 38" by 28" inside the mat window and 49 1/2" by 39" in silvery, attractive, quality frame, signed discretely at upper left center by listed Italian artist MARIO BORGONI (1869-1950). Printed by Richter & Co. of Napoli, the subject is a handsome young man, sword in hand, partially draped in the green, white and red of the Italian flag. The poster, "Prestito Nazionale", was created to drum up patriotic feeling to help fund, through bonds, the war activities in 1916...

Rare woodcut of Imperator Julius Caesar seated in front of the city of Rome.
Caesar is represented by a contemporary ruler wearing a crown and heavy armour...

Double-page with woodcuts from popes, kings and famous people of the second half of the 10th century AD.
As part of the world’s sixth age, the chapter deals with the origins and formation of the German Empire.
The Nuremberg Chronicle was published in 1493 by Anton Koberger in an edition of 2000 copies.
Beautiful late Gothic style. The fold paper sheet covers the pages 178/179 and 181/182...

The page deals with the creation of nature and of Adam on the sixth day of Genesis.
Important woodcut with God the Father creating Adam from a lump of clay...

SALVADOR DALI

"INFERNO 24"

from the series "The Divine Comedy"

ORIGINAL INDIVIDUAL MAT-SLEEVE COLOR WOOD ENGRAVING ON BFK RIVES PAPER with 'Les heures claires" Watermark

Hand-Signed in Red Pencil by Salvador Dali

Numbered 150/150, in Red Pencil, by the author

In accordance with The Official Catalog of Graphic Works of SALVADOR DALI, by Albert Field, page 189

Valued at $6,500, in accordance with the "Print Price Guide to the Graphic Wor...

An Old Master woodcut illustration of Theuerdank defeating another knight, one of 118 cuts illustrating one of the greatest books of the German Renaissance, going by that same name, Theuerdank. The book is considered something of a chivalric romance, relating the fictionalized, romanticized adventures of Maximilian I in the course of his journey to the Netherlands in 1477 to fetch his bride, Mary of Burgundy...

Nicolas Mignard, French, 1606-1668, "Odysseus Escaping Polyphemus". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Johannes Wierix, Flemish, 1549-1618, "The Crucifixion", "Pilate Washing His Hands". This is a rare 16th century engraving with an image printed on both sides of the sheet. One side has 'The Crucifixion' by Johannes Wierix, after Pieter van der Borcht, the other side has 'Pilate Washing His Hands' engraved by Pieter Huys after Pieter van der Borcht. Each image measures 4 1/2 x 2 7/8 inches, published c...

PAIR of copper engravings by the early Flemish artist JOHANNES STRADANUS (also known as Johannes van der Straet), born 1523, died 1605. Each measures 8" by 10 1/2" (16" by 18" in identical silvery contemporary frames). One image is titled "Staphae, Sive Stapedes", the other "Ser Sive Sericus Vermis". These works date to about the year 1590 or 1591. They are numbered 8 and 9, part of Nova Reperta, a series of 20 images that illustrated important discoveries of the Renaissance...

Jacques Callot, French, 1592-1635, Engraving, "Scenes From the New Testament", image size: 2 5/8 x 3 7/16 inches, 1635, inscribed: "Jesus adductam ad se mulierem adulteram absoluit."

Winter is one of the most recognized works of Bohemian engraver Wencesclaus Hollar (1607­–1677). It is the final image in a series of etchings portraying each of the four seasons as embodied by a female figure. In Winter, the woman is almost entirely covered by layers of furs and warm fabrics, staving off seasonal frigid temperatures...

A very fine engraving by the 17th Century artist Hollar measuring 5”. 7” and framed size is 11” x 15”……. Winter is one of the most recognized works of Bohemian engraver Wencesclaus Hollar (1607­–1677). It is the final image in a series of etchings portraying each of the four seasons as embodied by a female figure. In Winter, the woman is almost entirely covered by layers of furs and warm fabrics, staving off seasonal frigid temperatures. She protects her furs by lifting them off ...

Important woodcut of God the Father creating Eve from Adam’s rib.
According to Genesis, God the Father created Adam and placed him in the Garden of Eden. There he was given dominion over the animals, which he named. But he himself had no mate. God made Adam fall into a deep sleep and created his mate Eve from one of his ribs.
The recto with two blocks of Latin text.
Page from Hartmann Schedel's Liber Chronicarum, more commonly known as the Nuremberg Chronicle. The Latin ve...

2nd Ed. wood cut page #108 printed by Schoensperger. size page 9" by 13.5" mat 14" by 19.5" good condition see images. The work celebrates the exploits and heroic feats of the Emperor Maximilian I in overcoming the difficulties he faced on his journey to seek the hand in marriage of Queen Ernreich (Mary of Burgundy) in 1478.The fraktur type used in the Theuerdank was based on letter forms from a manuscript writing book compiled between about 1507 and 1517 by Leonhard Wagner, possibly for prese...

A fine old wood engraving dating to the sixteenth century, the title apparently "Saint Paul Giving a Letter to a Messenger" according to handwritten notes on the backing, which also relate that this is from the Biblia series. The artist HANS BROSAMER (circa 1506-1554) was born at Fulda in central Germany. He became known for his fine oil portraits, but also for his wood engravings and copper engravings, many produced for various editions of Luther's German Bible. This example appears to have ...

Double-page with woodcuts from Hartmann Schedel's Nuremberg Chronicle.
The principal woodcut refers to the 5th Council of Constantinople, held 879/880 AD. It depicts the pope and a large group of clergy under the blessing of the Holy Spirit, who is shown as a dove.
Departing from 874 AD, the Latin text develops the context of the 5th Council of Constantinople, an initiative of Pope Johannes VIII to appease the Byzantines and obtain their aid against the Saracen incursions into Ita...

Original antique 16th Century woodcut Engraving by Virgil Solis C.1550 signed with monogram lower left. Text on versoImage measures 4.25" x 3" Presented Matted and framed overall size 7" x 9". Bio. Virgil Solis or Virgilius Solis (1514 – 1 August 1562), a member of a prolific family of artists, was a German draughtsman and printmaker in engraving, etching and woodcut who worked in his native city of Nuremberg. Solis’ early drawing style employed strong outlines and simple hatching and h...

Very RARE Engraving of Charles V, Holy Roman Emperor. Bust length portrait facing left, wearing armor and the badge of the Order of the Golden Fleece. The portrait sits within an oval frame bearing the Latin inscription 'IMP. CAES. CAROLVS V. AVG.' The frame has been set into an alcove featuring fluted Doric columns, an eagle, swags of fruit and allegorical female figures, such as those of Germany and Africa at the bottom of the plate. In the background are battle and pastoral scenes. The plate ...

An Old Master woodcut, likely one of 118 images illustrating one of the greatest books of the German Renaissance, going by that same name, Theuerdank. The book is considered something of a chivalric romance, relating the fictionalized, romanticized adventures of Maximilian I in the course of his journey to the Netherlands in 1477 to fetch his bride, Mary of Burgundy. Apparently Maximilian, also known as the Holy Roman Emperor (1459-1519), wanted to achieve a measure of immortality. Wanting to gl...

Hand-colored page with an attractive woodcut showing heavily armed Amazons, who must have appeared very alien at the time. The text portrays the exotic peculiarities and cruel habits of these women as well as their relationship with the ancient Greeks.
Below the recurring woodcut of a city not mentioned here by name.
The prior page (folium XIX) describes different islands known at the time.
Page from Hartmann Schedel's Nuremberg Chronicle published in 1493 by Anton Koberger ...

David Teniers the Younger (Dutch 1610-1690) copper plate engraving of men and perhaps a woman gathered around a table in a house with a rough floor, a bed alcove and some implements on shelves and hooks. The focus of the print is a man playing a violin while a standing man with drink in hand addresses him, perhaps singing, as is a seated man. Another man, behind the musician, reads and possibly sings from what looks like a broadside. Signed in the plate on the lower left outside the image, “D ...

17th Century Map of Asia In Full Color 20x22 inches , in Latin script most likely Dutch.

A fine copper engraving of the year 1596, by the noted Old Master JAN PIETERSZ SAENREDAM (1565-1607), featuring young couples in a festive mood, in a Dutch town at the end of the sixteenth century. The print (Hollstein catalogue raisonne #133) is titled "Feiernde und Tanzende Junge Paare" (roughly, "Celebrating and Dancing Young Couples"). It measures 12" by 15 3/8" inside the present mat and the piece is 18 1/2" by 24 3/4" in the contemporary strip gold framing. It is in remarkable condition...

A 17th century Wenceslas Hollar "Trinitarianus" hand coloured engraving in frame. This finely detailed etching has a sight size of 10-3/8 x 6" with a plate size of 10-1/8 x 5-5/8". It is marked "Trinitarianus 831 W. Hollar fecit" and it is plate 831. It is on laid fibrous paper and it was from the series/portfolio "The Antiquities of Warwickshire Illustrated" printed in London, England 1656 (Hollar (1607-1677) was from Prague, Bohemia. It could be from the second state used in Dugdale's Mona...

Jacob Matham, European, 1571-1631, Engraving after Goltzius, "Saint Mary Magdalen Penitent", First state, image size: 10 1/8 x 7 3/8 inches, Fogg Museum provenance, J W Randall collection #1953

Moses and the Brazen Serpent c 1597 Francesco Villamena (Italian, 1566–1624), After Ferraù Fenzoni (Italian, 1562–1645 Italian). Fantastic Renaissance engraving, there are only 3 copys I could find one in the Metropolitan Museum, one on the Boston Museum of art and One in the Royal Collection Buckingham Palace. Good condition framed , size 20" by 15"

Engraving with German head line reading: Survey of silver pagan tableware and coins, so found in 1633 at Wettingen under the earth and excavated.
The treasure was hidden in the wake of the Alemannic incursions of the 3rd century AD.
Matthaeus Merian was commissioned to document the finds before they were melted down and distributed among the Swiss cantons of the time.
The large size plates were carefully decorated and inscribed. The tableware had a total weight of three kilo...

Etienne Picart, French, 1632-1721, engraving, "The virgin, St. John and the Christ Child", image sizE: 15 x 18 3/4 inches, LeBl 5 and 4, Provenance: J.W. Randall collection #2490, Picart was a student of Francois de Poilly and is also know as "Le Romain"

Jacques Callot, French, 1592-1635, engraving, "Port Scene", image size: 4 x 5 11/16 inches

Engraving, by the noted AEGIDIUS SADELER (1570-1629), possibly titled "Cottage Partly Built on Piles", from set of six landscapes, after a painting by the noted Flanders Golden Age artist, ROELANT SAVERY (1576-1639). Savery was an important Old Master of the Netherlands, and his original paintings sell for large sums at auction. Sadeler was a talented engraver, in demand by various artists who wished to have their original works translated into graphics. This print has been tightly trimmed to...

Seventeenth Century Lithograph of Carol of Souther Bremen c.1630 Measuring 14x10”

Johannes Wierix, Flemish, 1549-1618, "The Betrayal of Christ, Agony in the Garden". This is a rare early engraving by Johannes Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin. One side of the sheet shows the 'Betrayal of Christ', the other 'Agony in the Garden'.

Cornelius Visscher, Dutch, 1629-1658, "Het Gesprek (The Conversation)". This 17th century engraving by the Dutch artist, Cornelius Visscher, measures 9 7/8 x 8 1/2 inches, c.1655, on laid paper with partial collectors seal on back. "A.V. Oftade pinxit et excud., C. Visscher fecit aqua forti. and Ger. Valk Excudit" printed on bottom margin. Born into the city of Haarlem during the early decades of the 17th century where a diverse artistic community prospered, Visscher became one of the most accom...

Italian lithograph titled TABULA VII showing an ancient mythology scene on fine laid paper with a strong impression

Divinity School Lithograph,English Seventeenth Century 13x16” A beautifully matted and framed work with inscription in Latin. Collection of J. Hirsh

An example of the etching "Signorum Veterum Icones", published 1668, after the artist's own drawings and those of other artists of the time who studied the classical statuary of the ancient world, with initials of the artist, JAN DE BISSCHOP (1628-1671) (also known as JOHANNES ESCOPIUS). The work measures 10" by 5" inside the mat and 15 1/2" by 9 3/4" in pleasant contemporary gold frame in excellent condition. Print itself appears to be in excellent condition with just a small brown foxing mar...

Gerard Audran, European, 1640-1703, "The Triumph of David". This early triptych by Gerard Audran of "The Triumph of David" is taken from the ceiling of the Sacchetti Palace in Rome. The image sizes are 21 1/4 x 13 3/4 inches with a sheet size of 21 3/4 x 16 1/4 inches, 23 3/4 x 12 3/8 inches with a sheet size of 24 3/4 x 16 1/4 inches and 21 3/8 x 13 5/8 inches with a sheet size of 22 x 16 1/4 inches, all on early laid paper. Created in 1668, after Charles LeBrun. The middle plate contains a par...

Hieronymus Wierix, Flemish, 1553-1619, "Moses and the Israelites Beside the Red Sea", "Moses Leading the Israelites out of Egypt". A rare early engraving by Hieronymus Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin. Both images are scenes from Exodus; one side is titled 'Moses and the Isr...

Leaf of the Margarita philosophica, a general encyclopedia written by Gregor Reisch between 1489 and 1496 in Latin and first published in 1503.
Our sample was edited in March 1504 and printed by Johann Schott, a student of Gregor Reisch.
The sheet is from Chapter VI, which deals with geometric solids and their properties.
To illustrate the three dimensions of space, the author chooses the image of a naked man pierced by three spears, standing for length (longitudo), width (l...

A group of three engravings probably by Johannas and Raphael Sadeler of Christian anchorites or hermits. The prints are after Maartin De Vos. These images were widely circulated in the early 17th century and printed and re-engraved by engravers other than the Sadelers. Interestingly of the three in this group two have no title, though they are trimmed right to the image and perhaps the title was removed. All three are laid down on early laid paper card, with the colorful surrounds painted adjace...

It has taken some research on the net to determine that this unusual item is apparently an early 20th century facsimile of an incunabula (pre 1500 printing) leaf from a book. JOHANN GRUENINGER (1455-1533) was a major, prolific early German printer and publisher, who developed an innovative method for illustrating books. This sheet on rag type paper measures 11" by 8". There is text in old Latin, and an image of the Trojan Horse outside of Troy, the soldiers entering his side. Note the vivid ...

Woodcut entitled ‘Vates Sibyllinae’, showing three naked prophetesses next to a tree. This may be an early representation of the ‘Three Graces’ so fashionable in Renaissance art.
The print is taken from a Latin edition of Münster's Cosmography one of the most influential geographical works of the 16th century.
Sebastian Münster (1488-1552) was a cosmographer and professor of Hebrew who taught at Tübingen, Heidelberg, and Basel. He settled in the latter in 1529 and died t...

A large engraving of a mythological scene of Venus after her bath getting ready for a date with Adonis. The print was made by Etienne Baudet the French engraver who also worked in Rome. It is dated 1672. The print is after one of a series of 4 paintings by Francesco Albani that were commissioned by the Duke of Mantua in 1621. The painting that is the source of this print is now in the Louvre. Sight size 23 ¼ by 27 inches (59 by 68 cm), overall 28 ¼ by 32 ¼ inches (72 by 82 cm). The painter an...

Unusually large detailed engraving, 31 1/4" by 20 1/8", laid down on board, of Christ coming down off the Cross, this example engraved by Nicolaus Dorigny (1657-1776), and possibly after Daniel Ricciarelli (1509-1566), in turn after a painting by Raphael. The work is dated 1720 at lower left. There's a lot of text in Latin at bottom, and a close look reveals the names of the two above artists. The print has gone evidently a long time without glass protection, so has acquired a few nicks and ...

c 1614 Engravings Portraits Prince of Orange and his wife Elenora. Dutch origin, one signed Ant. Sanderus (Ant. Sanderus Gandensis). Fine condition. Each approximately 5 x 7.5".

From our European Collection, a very good 17th century copper plate engraving, most likely English circa 1650-1700, depicting a Chinese official accompanied by his entourage, with subjects kowtowing in the foreground and a crowd of spectators to the rear.

Size and Condition: 7 inches by 5 1/4 inches, very well preserved with only slight creasing.

Two antique prints circa 17th century, matted together, one featuring profiles of a man's head (6 1/2" by 9 1/2"), the other a study of a bare foot and a foot in a sandal (6 1/2" by 4 1/2"), the head profiles, originally drawn by Annibale Carracci (1560-1609) for his "Livre de Portraiture", subsequently transferred into engravings, likely by Jan Van Haelbeck (fl. 1600-1630) and published in Paris in 1667 by Francois de Poilly. Carracci's name is at lower left, and de Poilly at lower right. The ...

Three engravings, from a set (consecutively numbered in Roman numerals), but separate though loosely framed together, margins for the most part tightly trimmed, each measuring roughly 6 1/2" by 5 1/2". The scenes of the old towns are named in Latin, German, and French. Judging from the architecture, the towers and buildings are certainly from the northern part of Europe, most likely Germany. Artist is undetermined at this point. Some research could reveal that information. The prints are lo...

Lady Seated, Contemplating is the title of this Ming Dynasty, Chong Zheng Ren Wu period (1642) painting on silk. Signed with red seals by the artist LAN MEI WEI

Hand-colored page with extensive woodcut depicting the genealogical tree with the offspring of Japheth, one of the three sons of Noah, and of his wife Funda.
The verso with further descendants as well as exponents of the line of Christ (Sale, Leber, Phaleg, Reu or Regau).
Page from Hartmann Schedel's Nuremberg Chronicle published in 1493 by Anton Koberger in an edition of 2000 copies.
Tower with battlements as watermark.
Rare hand-colored version. Beautiful late Gothi...

Woodcut with the martyrdom of Apollinaris outside the city walls of Ravenna.
Taken from a book with legends of the saints in Latin. Apollinaris was considered the founder and bishop of the Christian community of Ravenna. According to the legend, Apollinaris was apprehended at the gates of the city and brutally beaten to death.
Believers venerate Apollinaris a helper against epilepsy.
The text shows different font sizes as well as red text sections and initials. The top of t...

Original etching by Jacques Callot LE MASSACRE DES INNOCENTS printed in 1622 in Nancy. Lieure catalog number 427, second state of two, good size margins, excellent impression of this important print. Small crown watermark on the paper, slight darkening in the corners where the print was mounted, overall in excellent condition. Plate size 134x110mm, paper size 157x127mm.

Nicolas Mignard, French, 1606-1668, "Odysseus and the Sirens". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.