An example of the desirable original Currier & Ives lithograph print of 1864, "The U.S. Sloop of War 'Kearsarge' 7 Guns, Sinking the Pirate "Alabama" 8 Guns, measuring 9 1/2" by 12 1/2", plus gray 20th century frame about 5/8" wide. There is hand coloring of the blue sea, blue of the flag, and a little yellow and pink hue in the explosion on the foreground ship...

Antique (19th century) hand-colored print of flowers, possibly columbine among them, in a contemporary gold frame with contemporary expensive hand-drawn "French panel" mat. The print and mat and frame are in exceptional, wall-ready condition. Measurements 9 1/4" by 7 1/4" (19" by 17" framed). See other botanical prints in my shop. Allow for a number of reflections in the glass in some images.

A color lithograph print, circa 1930 I believe, pencil signed at lower left margin and with printed signature in the margin at right, by the noted Israeli artist ABEL PANN (1883-1963). The subject is a group of primitively-dressed people near a knoll by a body of water surrounded by trees and hills; the central figure seems to be playing a lute in this poetic, Arcadian place. The print may possibly be from the artist's "Bible" series of 1930. Pann was born in Latvia or Belarus...

An original 17th century etching, "God Appears to Moses in the Burning Bush", plate 30 from the well-known series of 52 published in 1615 in Rome by Giovanni Giacomo Rossi, the artist being ORAZIO BORGIANNI (1578-1616). These works are after the frescoes by Raphael on the second floor of the Apostolic Church in the Vatican. Borgianni, a Baroque painter who adopted the style of Caravaggio after settling in Rome in 1604, turned to etching in the final years of his short life...

From our European Collection, a very good 17th century copper plate engraving, most likely English circa 1650-1700, depicting a Chinese official accompanied by his entourage, with subjects kowtowing in the foreground and a crowd of spectators to the rear.

Size and Condition: 7 inches by 5 1/4 inches, very well preserved with only slight creasing.

TWO wood engraving prints of the posthumous late 1960's/early 1970's edition of "L'Enfant", each sheet 16 1/2" by 12 7/8", with stamp signature in lower margin, by the important French twentieth century artist ANDRE DERAIN (1880-1954). These are from The Collectors Guild, New York edition, the imagery in red on a black background, each stamped lower right margin "a. Derain". They were found without glass so are in good presentable condition though not mint...

Poem 69-13 is an old embossed print. Created in 1969, it is in excellent condition. It measures 11 1/8in W x 15in H and is number 61 of an edition of 82.

Poem 68-40—strongly related to Poem 69-13 which is posted below on this site—is an old embossed print. Created in 1968, a year before its “cousin,” it is similarly in excellent condition. Poem 68-40 measures 11 3/8in W x 15in H and is number 29 of an edition of 72.

The paper size: 23" W x 35" H (with border margin)
Unframed Original Lithograph by Artist, Charles Cobelle, (1902-1994)
The title, "Casino Paris"
Medium: 100% Rag content Acid Free Paper.
Condition: excellent, never been framed.
Edition number : 174/500, on lower left in pencil.
Signed Cobelle in pencilon lower right.
Edition size 500 plus some aritist proof existing.
It was published in 1979 by The Graphic House...

A woodcut print featuring an ecclesiastical scene of five monks in a breezeway or arcaded hall, with the artist's signature and date 1922 within the circular image. Additionally the piece is pencil signed by the artist at right just below the image and titled "The Cloister" at top right in pencil. The artist is New Jersey-born HENRY J. GLINTENKAMP (1887-1946)...

Signed artist's proof entitled "Cake Dreams"...A contemporary, award- winning artist, Leviten (1928-2014) was known for her abstract monoprints and collages. Exhibitions: RISD Museum, El Paso Museum, Dan Forth Museum and in the Institute del Arte La Paz, Mexico. Leviten was also an active member of the Providence Art Club. Frame measures 15" x 16"; print approximately 8" x 10"

An offset limited edition pencil signed print of St. Michael's Church in historic downtown Charleston, South Carolina, pencil signed by the artist, Charleston's long time fixture VIRGINIA FOUCHE BOLTON (1929-2004). The 13 1/2" by 20 3/4" print (22 1/2" by 29" framed) is numbered near the signature at bottom center 622/2000...

Titled at lower left "Seven Sisters", numbered lower center 54/180, and signed at lower right by the artist, this is a serigraph print consisting of a commonly seen motif of the Pacific Northwest Coast art, a stylized orca killer whale, surrounded by also stylized human faces. The artist is HEBER REECE (1955-) of the Tsimshian peoples of northern British Columbia, Canada. Reece was born near Bella Bella, B.C...

It has taken some research on the net to determine that this unusual item is apparently an early 20th century facsimile of an incunabula (pre 1500 printing) leaf from a book. JOHANN GRUENINGER (1455-1533) was a major, prolific early German printer and publisher, who developed an innovative method for illustrating books. This sheet on rag type paper measures 11" by 8". There is text in old Latin, and an image of the Trojan Horse outside of Troy, the soldiers entering his side...

A hand colored lithograph by Currier and Ives titled, “The Narrows, New York Bay/ from Staten Island.” The scene depicts a nearly rural Staten Island in the foreground with part of the harbor in the middle and the narrows, now home to the Verrazano Bridge in the distance. Currier and Ives in the lower left below the image and their Nassau Street address in the lower right. Kennedy Galleries label taken from the earlier back board, now on the new backing...

An example of the circa 1870's Currier and Ives American lithograph "Summer in the Woods", 11 3/4" by 16" inside the mat, 17 1/4" by 21 1/4" as framed...

This is an offset poster issued by the Long Beach Museum of Art in 1984, for an exhibition of that year of the works of the conceptual and abstract artist JENNIFER LOSCH BARTLETT (1941-). Measuring 24 1/2" by 33 1/2" (32" by 40 1/2" in its blond wood quality frame), this is a very clean and fresh work ready for the wall. The complementary signature makes for an affordable way to approach the work of a woman artist whose works have exceeded $100,000 at major auctions in New York and London. Ba...

"William Hogarth" Simon Lord Lovat The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches see...

An example of the 1976 poster for the Pasadena Art Center College of Design exhibition of the works of then-already famous American fashion and portrait photographer RICHARD AVEDON (1923-2004), measuring 26 1/4" by 19 1/2", unframed. The stark black and white imagery features photos of artist Willem de Kooning at his Long Island studio (1969) and dancer John Martin (1975). Avedon hand-signed in marker with his typical sweeping, dramatic signature, at lower center. The work was found unframed,...

Engraving with hand coloring, 4 3/4" by 8 3/4" inside the mat, 9 3/4" by 12 3/4" in interesting old framing, the work trimmed on all sides, including the title "The Beverley Shore", after the important nineteenth century American artist JOHN FREDERICK KENSETT (1816-1872). Kensett is famed for his luminist technique and the almost spiritual stillness of some of his coastal landscape paintings, which have exceeded one million dollars at major auctions. He worked in his father's engraving shop in...

Photo print, 22 3/4" by 19 1/8" inside the mat (31" by 27" as framed), pencil signed at lower right by the noted artist of the American West JOE BEELER (1931-2006), and numbered at lower left 58/300. The subject is a monument to the American West: a cowboy on his horse, a butte in the background as he pursues stray cattle with his lasso on a spring or late winter day. This is a clean print and is ready for the wall. Not knowing the print's colors, I feel it possible there might be a touch o...

A fine woodcut print on Japan type thin, delicate paper, 8 1/2" by 6 1/2" inside the mat, no frame, signed in pencil at lower right and dated there 1931, a monogram in the printed image at lower left, adn inscribed "To Hal" at lower left, by the well listed artist IGNATZ SAHULA-DYCKE (1900-1982). The dramatic subject is mysterious and difficult to describe: a woman, perhaps somewhat sinister or even possibly Death, comforts a young girl, as a younger boy looks on from the right lower corner. ...

A color poster issued by the Amon Carter Museum of Art in Fort Worth, Texas, 31" by 35" in attractive black framing, titled at bottom "AMON CARTER MUSEUM JULIAN ONDERDONK/A Cloudy Day, Bluebonnets near San Antonio, Texas". This attractive image captures the wonderful blues that Onderdonk made famous with his paintings of the Texas countryside, some of which have exceeded $300,000 at auction. Onderdonk is considered today the "Gold Standard" when it comes to Texas classic impressionist art. He ...

This is an example of Haku Maki’s production of small prints that were known as San Mon Ban. These prints were usually 2in x 2in but there were instances of larger ones. This one measures 6in x 6in. Dan Tretiak writes that Haku Maki began creating San Mon Ban in early 1975, a set of seven volumes of small prints. For some he used themes from the past, others were new themes that he used again and again in succeeding years. A small rendering for collectors to add to their holdings.

Etching of children in a landscape, 8 1/4" by 10 3/4" inside the present mat (the full sheet 14 1/2" by 17"), not signed but printed information on mat provides artist name, a possible title "Hagyateki Anyaga" and possible edition ("5/50"). The artist is ISTVAN SZONYI (1894-1960). A student of Karoly Ferenczy at the Academy of Fine Arts in 1913, he had early exposure to the art colony at Nagybanya and its prominent and gifted figures, including greats such as Vilmos Aba Novak. Szonyi had his ...

"William Hogarth" "Bambridge on Trial for Murder by a Committee of the House of Commons'" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — ov...

Chromolithograph late 19th century print after a work by the noted German landscape artist THEODORE WEBER (1838-1907), the scene of the Italian coast, figures walking up a hillside road leading away from the sea, an ancient church steeple at left. The piece measures 18 3/4" by 12 1/2" inside the old mat, 28" by 21" in old gold frame, which shows its age with various chips and losses. Weber's oils and watercolors sell to about the $10,000 level at auctions. His style was finely detailed and ac...

A woodblock print on hand-made paper, the subject a female nude, as originally published in 1921 in the French language literary and art magazine Les Cahiers d'Aujourd'hui. According to information affixed to the backing, this is "original work done on hand laid paper", which was "string-tied" into the hand-bound booklet. CARL HOFER (1878-1955) is today considered a German Expressionist; his finest paintings have exceeded $500,000 at auctions. Hofer was in Paris from 1908 to 1913, after which...

Etching of an old style bridge spanning a small body of water, signed in pencil at lower right and signed in the plate there and dated 1962 by well listed Hungarian artist ISTVAN BALDIZSAR (1897-1984). The print, measuring 5 1/2" by 10" inside the mat, 14 1/4" by 19" simply framed, has a 19th century feel (or, earlier, actually). The artist has sensitively portrayed a familiar scene of his homeland. Baldizsar was born at the end of the 19th century and by 1918 was studying at the Academy of F...

Nineteenth century English hunting scene after the noted English artist who specialized in equestrian, racing, coaching and hunting scenes HENRY ALKEN (1785-1851). Alken's oil paintings sell for large sums at auction, and his prints are popular with interior decorators seeking that traditional look through sporting art. According to the fine print at bottom center this engraving was printed in the the year 1838 in London. Alken, himself a huntsman, is the best known of a family of prominent E...

Contemporary Japanese limited edition etching titled “Twilight” by Ryoko Hirone depicting a woman drinking a cup of tea observing a scene outside her window with a coyote and rabbit among leafless trees. Pencil-signed, titled, and numbered 7/30 in the lower margin. Paper size: 9 5/8" x 13 7/8" (image: 7 1/2" x 6 3/4"). Very good overall condition. An exhibit of mezzotints and etchings by Ryoko Hirone was held in Japan at Gallery Saoh & Tomos in 2003. This etching is estimated to date from ...

Wood engraving on paper, unframed and in a shrink wrap sleeve, 14" by 9 1/4" inside the present mat, signed in the print at lower left and titled at bottom "Approach of the British Pirate Alabama", by the famed American artist WINSLOW HOMER (1836-1910). The well-known image was published on April 25, 1863. This is a classic example of Homer's Civil War period wood engravings in Harper's Bazaar newspaper, which was one of the most avidly followed periodicals in a now unimaginable age when elect...

This is a work by highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971), titled in pencil "Rockport" at lower left and signed at lower right "TWNason (M.W.N.)". This would appear to be a posthumous signature by a relative after the artist's death. This example measures 4 1/4" by 6 1/4" inside the mat and 11 1/4" by 13 1/4" framed. The print appears to be in generally good condition with some scattered foxing, especially in the margin area. The burl wood framing is simple and attra...

A black and white poster from the Susan Spiritus Gallery of Newport Beach, California, for an exhibition held in the spring of 1983 of the works of noted American photographer HENRY GILPIN (1922-2011), the poster **hand signed** by Gilpin at bottom center. The image featured is perhaps the best known photo by Gilpin, "Highway #1", the world-famous, dramatic coastal highway hugging the Central California coast. Gilpin, born in Ohio, served as a pilot in Europe during World War II. Following t...

Japanese limited edition color etching and aquatint titled "Le Tournoi II" (The Tournament II) by Taiwan artist Shaih Li-fa (Xie Lifa) dated 1968. Pencil-signed, titled, and numbered 3/25 in the bottom margin. Xie Lifa (b. 1938) studied drawing and sculpture in Paris in the 1960s before relocating to the U.S. in 1968 to focus on printmaking. Paper size: 17 1/2" x 15" (plate: 11 1/2" x 9 1/4"). Printed on heavy rag paper with large margins. Very good overall condition. There is a visible ma...

Japanese woodblock print by Katsuyuki Nishijima (b. 1945) depicting a shop front. This is an original, kanji titled, pencil-signed, limited edition print numbered 21/500 in the bottom margin. Late 20th century. Paper size 17" x 12 3/8" (image: 15 7/8" x just under 11 1/4"). Full margins. Excellent condition. There is one small piece of tape at the top back margin edge.