Edmund Blampied, British, 1886-1966, "A Jersey Shore," etching, plate measures 7 3/8 x 10 7/8 on 10 1/4 x 15 1/2 inch laid type paper. Hand signed in pen and ink and numbered 61 in an edition of 100. Plate signed and dated 1929. This is an atmospheric print with excellent chiaroscuro.
Jean Emile Laboureur, French, 1887-1943, "La Grande Bergère," etching, plate measures 9 1/2 x 6 1/4 inches on 15 x 9 5/8 inch watermarked wove type paper. Collector's stamp on back. This print has very fine engraved lines and a very whimsical style. Laboureur studied at the Academie Julian under Auguste Lepere before traveling extensively throu Print 61 in an edition of 75. Signed in the lower left, editioned in the lower right. Plate initialed and dated "1926" in the lower right. Second state...
Manuel Robbe, French, 1872-1936, "Claudine," colored etching and aquatint, plate measures 12 x 9 3/4 inches on 24 x 17 3/8 inch arches laid type paper. Print 26 in an edition of 65. C. 1903. Published by Sagot, Paris. Robbe studied at the Academie Julien and the Ecole des Beaux Artes, becoming a master of the aquatint medium. He developed much of his own aquatint techniques, which enabled him to create his uniquely painterly, richly colored images.
John Taylor Arms, American, 1887-1953, "The Doorway of the Bishop, Palencia Cathedral", etching, plate measures 13 3/4 x 6 7/8 inches on 16 1/2 x 9 3/4 inch watermarked laid type paper. Pencil signed and dated "1950" in the lower right. Third state. Edition of 308. Number 15 in his "Spanish Church" series. Catalog: Fletcher 418. This is an exquisitely detailed print with strong contrast!
Harold Kerr Eby, American, 1889-1946, "Little Franklin," etching and sandpaper ground, Plate measures 8 1/2 x 14 1/2 inches on 11 x 17 3/4 inch wove type paper. C. 1937. Trial proof. Pencil signed "Kerr Eby imp", the "imp" indicating that Eby printed this impression himself. This print is a lovely atmospheric impression with skillful platetone and intricate linework in the waves.
David Roberts original colored print depicting "The Grand Entrance To the Temple of Luxor," Published by F.G. Moon, 20 Threadneedle St., August 1, 1848. From the original folio series "Egypt and Nubia." Matted and framed. Frame measures 26 inches X 20 inches. Separate from matting, print measures 20 inches X 15 inches. Professionally framed.
David Roberts was a Scottish painter...
Print "The natives of Otaheite attacking Capt Wallis" c 1780. Trimmed copper plate engraving. Published London 1780 size 8.5" by 6.75"
Engraving "The natives of Otaheite Attacking Capt Wallis" C1780 . Copper plate London 1780 engraving size 8" by 6.75"
c.1780 "View of the Fleet of Otaheite" printed London 1780 . Capt Wallis discovery of Tahiti. size 9" by 6.5"
C 1780 " View of the Island of Otaheite" Capt Wallis printed London 1780 size 9" by 6.5"
Daniel Tretiak wrote about prints that were new to him (in 2017) that included, in my (LDT)view, one of the strangest, hard-to-decipher prints that the artist ever did, Bai-1. It was an early one, created in 1958.
A large aquatint with hand coloring titled, “LORD NELSON’S FUNERAL PROCESSION BY WATER, FROM GREENWICH HOSPITAL TO WHITE HALL, JAN.8TH, 1806.” The print was published March 1 1806 by Edward Orme. The following are printed on the print, “Turner pinxt.” Lower left, “Published and sold March 1 1806, by Edwd. Orme Engraver_Printseller to the King and Royal Family, 59 Bond Street London.” center and “J. Clark & H. Merke sculp.” lower right...
Charles Daubigny, French, 1817-1878, "Le Berger et la Bergère ( The Shepherd and the Shepherdess)," etching, 10 x 7 3/4 inches on 16 1/4 x 12 1/8 inch watermarked laid type paper. State V/VIII. One of his six final plates, later chosen for publication in the review "L'Art" in 1904, volume LXIII. Catalog: Melot 122. Circa 1877. Printed in the lower right: "Ch. Daubigny. del. et. sc", in the lower right: "F. Lienard. Imp. Paris."
Offered is a genuine photograph (not print) of General Appleton Nelson Miles, (August 8, 1839 – May 15, 1925) who was a United States general who served in the American Civil War, Indian Wars, and the Spanish-American War...
Edmund Blampied, British, 1886-1966, "Ostend Horse," etching, 7 x 9 inches on 9 1/4 x 12 3/4 inch watermarked wove type paper. Print 33 in an edition of 100. Pencil signed and editioned. Plate signed and dated 1926. Catalog: Appleby 125. Featured in Fine Prints of the Year 1927.
George Vernon Stokes, British, 1873-1954, "Greyhounds", etching, 9 1/2 x 12 1/2 inches on 10 1/2 x 13 1/2 inch laid type paper. Circa 1935. Print 21 in an edition of 68. Pencil signed in the lower right, editioned in the lower left. Plate signed in the lower left.
Karl Dehmann, German, 1886-1974, "Woolworth Building Through the Arch," etching, 9 3/4 x 7 inches on 15 x 12 inch laid type paper.
Printed in brown-toned ink. Pencil signed in the lower right. C. 1925.
Stephen Parrish, American, 1846-1938, "Trenton Winter, 1883," etching, 9 1/2 x 16 3/4 inches on 15 x 22 inch wove type paper. Rare print with remarque from 1883, plate signed in the lower left. Catalog: Schneider 78. Edition of 30 with remarque. This is an atmospheric print with lovely plate tone.
Albert W. Barker, American, 1874-1947, "Upper Barn, Winter," etching, 8 3/4 x 7 1/2 inches on 14 x 11 1/2 inch watermarked wove type paper. C. 1932. Initialed and dated on stone in the lower right, pencil signed in the lower right. Edition of 55. Catalog: Barker 122. The dark outline of the barn, with its modernistic texture and shadows, contrasts with the luminous winter sky. One of Barker's best prints.
John Taylor Arms, American, 1887-1953, "Église Saint Gervais, Gisors," etching, 10 x 8 1/4 inches on 18 x 11 1/4 inch watermarked laid-type paper. Pencil signed and dated. Ed. 100 in pencil in the lower left. Cat: Fletcher 249. C. 1932 French Church series #35.
Arthur Heintzelman, American, 1891-1965, "La Femme à la Mêche Tombante," drypoint etching, 8½ x 11-3/8 inches on 16 1/2 x 13 3/4 inch laid type paper. C. 1929. Editioned in pencil in the lower left, signed in the lower right. Edition of 75. The subject is the artist's wife, Katherine Sloman Heintzelman. Catalog: Smith 142.
Arthur R. Middleton Todd, British, 1891-1966, "Strolling Players", etching, 6 3/4 x 5 3/4 inches on 11 1/2 x 9 1/4 wove type paper. Pencil and plate signed in bottom right. Featured in Fine Prints of the Year in 1927.
John Taylor Arms, American, 1887-1953, "Cathedral of St. Cyr and Ste Julitta, Nevers," etching, 1929, pencil signed and dated. From his French church series, 1929. Image size 13 x 5 1/2. Edition of 100.
Alphonse Legros, French, 1837-1911, "Le Matin sur la Rivière", etching, 7 x 7 inch on 8 3/4 x 11 1/2 inch watermarked wove-type paper. Pencil signed in the lower right, plate initialed in the lower left. 1st state, C. 1898. Catalog: Bliss 593.
William Lee Hankey, British, 1869-1952, "Evening," etching, image size 9 x 9 7/8 inches on 10 7/8 x 11 7/8 wove-type paper C 1919. Pencil signed. Artist blindstamp, plate initialed in the lower right.
Aloys Wachelmayr, Austrian, 1892-1940, "The Guitar Player," etching, pencil signed, image size is 6 x 7 3/8 inches on 9 3/4 x 14 3/4 inches wove-type paper. Circa 1917.
Albert Abramovitz, Latvian/American, 1879-1963, "The Family," etching, 10 1/2 x 8 inch linocut on wove-type paper. Pencil signed and titled. C. 1932. Plate initialed in the lower right corner.
Robert Moony, British, 1879-1946, "The Witches Fire," woodblock, framed, printed in 1925, 8 1/4 x 10 1/2 inches on 9 x 11 1/4 Japan-type paper. Pencil titled and signed.
Edmund Blampied, British, 1886-1966, "Jersey Milkmaid," etching, pencil signed in the lower left. Etching measures 9 3/4 x 6 3/4 inches on 15 1/4 x 10 inch handmade watermarked J. Whatman paper. Printed in 1920. Edition of 100. Catalog: Appleby 60.
Chauncey Foster Ryder, American, 1869-1949, "European Village Scene," etching, pencil signed in the lower right. An inscription in the lower left of the paper reads "Wine Shop at Royalbourne," a possible title. Plate size measures 10 7/8 x 8 7/8 inches on 16 3/4 x 12 1/4 inch medium-weight wove-type paper.
Kyra Markham, American, 1891–1967, "The Fit Yourself Shop," lithograph, image size: 12 1/2 x 9 1/2 inch in 18 1/2 x 15 inch frame. Pencil signed in the lower right and dated 1935. Print is number 19 in an edition of 50.
Harold Kerr Eby, American, 1889-1946, "The Lobster Fleet," etching, 9 3/8 x 11 1/2 inch etching and sandpaper ground on wove type paper, ed. 100. Cat: Giardina 193. Printed in 1937. Pencil signed "Kerr Eby imp", the "imp" indicating that Eby printed this impression himself.
Kerr Eby was a remarkable printmaker and a member of the Cos Cob Art Colony and friends with many of the important artist of the day, including Childe Hassam and John Taylor Arms...
This, like many of his research notes, was an addendum to his book, The Life and Works of Haku Maki, which he published in 2007. He wrote an Appendix to the book called Chasing Maki. It is his story of buying prints and collecting images of Maki prints. This research note, written 10 years later, is about one of his chases, a chase that failed. Dan wrote: Please enjoy.
John Stockton deMartelly, 1903-1979, American, "The Evangelist". Framed lithograph from 1941. Number 27 in an edition of 100. Pencil titled, editioned, signed and dated by the artist. Image measures 13 9/16 x 9 7/8 inches in 21 1/4 x 26 1/2 inch frame. The subject is deMartelly's New Hampshire neighbor, Lizzie Osgood. The Osgood sisters had a reputation for their devotion to the Bible, which deMartelly makes light of in this picture...
View of the Capitol at Washington in 1892
Studio Antiques has found the original engraved copper printing plate of the “Capitol at Washington” done by Max Franke in 1892. We are offering a limited edition re-strike engraving of this print, handpulled from the original plate by master printmaker Roger Bailey. It will be limited to a numbered edition of only 350 and will not be republished...
Mortimer L. Menpes, English, 1860-1938, "Goring Church, Goring-on-Thames". Printed on laid-type paper. Pencil signed with an "imp" after his name indicating he was the printer. Inscription in the lower left says "Rose." Image is 11 2/8 x 12 3/8 inches on 11 3/4 x 14 1/2 paper. c. 1910.
Tavik Simon, Czech, 1877-1942, Color etching printed in 1925 on watermarked laid-type paper. Ed 280, cat: Novak 437. Artists' cipher in two places. Pencil signed and titled. Measures 17 x 22 inches.
T.F.Simon was born in Bohemia, now the Czech Republic. He studied at the Academy of Fine Arts in Prague and traveled extensively throughout Europe, as well as Asia and the U.S...
Julius Komjati, English, 1894-1958, "Woodcutter". Etching, image size 15 7/8 x 11 1/8 inches. Pencil titled and signed. Printed on watermarked medium weight laid type paper.
James McBey, Scottish, 1883-1959. Etching from his Venice series of etchings. Done in 1925. Number 21 out of the edition of 80, this etching appears in the Hardie catalog as image number 250. The image measures 7 1/8 x 15 3/4 inches. J Whatman watermark laid-type paper. Collector's annotations in pencil at the lower edge of the sheet.
Kyra Markham, American, 1891–1967, "And he Said". Lithograph from 1943, print 8 of an edition of 50. Image size is 12 1/8 by 9 6/8 inches. The print depicts an operation on her husband, American author Theodore Dreiser.
Herbert Ogden Waters, American, 1903-1996, "Les Smith's Barn". This is an original wood engraving, image size 9 1/2 x 7 3/8 inches, printed on arches wove-type paper size 14 1/2 x 1/8 inches. The print is plate initialed and pencil signed and titled. It was printed and created in 1981, print 101 in an edition of 125.
Kaiko Moti, Indian, 1921-1989. Original color aquatint etching. This is hand signed and editioned as Eprevues d'artist, artist proof. EA, lower left. The image measures 17 3/4 X 25 1/4 inches. Printed on wove-type paper.
Jean Raffaëlli, French, 1850-1924. Color etching and aquatint on Japan paper, signed in pencil, from an edition of 62. 3rd and final state. Provenance Gerhard Wurzer Gallery. Print measures 6 1/2 x 9 1/8 inches.
Gatja Rothe, German, 1935-2007. Mezzotint created and printed in 1982, print 158 in an edition of 200. Rothe studio blindstamp in the lower right. Printed on medium weight wove-type paper. Image size is 15 3/4 x 10 7/8 inches, sheet size is 24 x 18 1/2 inches.
Edgar Chahine, French, 1874-1947. Framed etching on laid paper, image size 10 7/8 x 7 3/4 inches, 1904, cat: Tabanelli-135, plate signed, pencil signed and titled. An early signed proof, which was later published in "Revue de l'Art," 1905. From an edition of 50. Provenance Gerhard Wurzer Gallery.
Louis Auguste Mathieu Legrand, French, 1863-1951. Etching printed November 1st, 1911.
Plate signed and pellet stamped, print 56 of an edition of 60. State 2. Printed on velin. Image measures 7 7/8 x 6 1/4 inches. Catalog reference: Arwas 429.
Louis Auguste Mathieu Legrand, French, 1863-1951. Drypoint from May 25th, 1909. Pencil signed and editioned, with pellet stamp. Plate signed in the upper right corner. Print 22 of an edition of 50. Image measures 8 1/4 5 3/4
Catalog reference: Arwas 379. 4th state, printed on velin.
Louis Auguste Mathieu Legrand, French, 1863-1951. Etching printed on May 6th, 1908. 2nd state. Pencil signed and pellet stamped. Plate signed and dated. Large remarque of a beetle in the right corner. Image measures 11 1/8 x 5 1/2 inches. Catalog reference: Arwas 353.
Rare oversize original etching by Frank Brangwyn (England-Wales, born in Belgium, 1867-1956) of Notre Dame De Paris. Signed in pencil by the artist lower right. This work is #231 in the Catalogue Raisonne, and dates from 1914. 22" by 29" etching alone, 35" by 42" in its period frame. Brangwyn is an important artist of the Arts and Crafts period.
This research note looks at rarely seen Maki prints including early ones like Work Mu 2, done in 1961, and Symbol 2 from 1957.
Large extremely rare oversize woodcut by Wendell H. Black (American, 1919-1972). This is a rare proof printed and signed by the artist himself. It is illustrated in "The Lost Prints of Wendell H. Black" by Henry Sayre, Figure 9. Laid down, presumably by the artist, to safeguard its integrity. This work measures 46" by 22". It is titled in pencil by the artist's hand lower left, and is signed and dated lower right. Black only printed a few examples, and did not complete an edition in his lif...
Original intaglio by Wendell H. Black (American, 1919-1972). First edition, and a rare example of a work actually printed and signed by the artist (This first edition was later completed posthumously by Berkley Chappell.) Titled "S/P '50-'55" lower left, numbered 4/25 center, and signed W. Black '55 lower right. In a period mid-century frame. 22 by 15 image alone, 33 by 24 in the frame. Provenance available.
This 1927 etching by the American artist Roland Clark measures 7 7/8 x 9 3/4 inches, pencil signed and titled. Roland Clark studied at The Art Students League with J. Carroll Beckwith in New York. An avid outdoorsman he combined his love of the outdoors into his many paintings and etchings. Selected to do the 1938 Federal Duck Stamp Design, he also wrote and illustrated books about his hunting experiences.
This 1903 etching by the American artist Joseph Pennell measures 5 1/2 x 12 inches, pencil signed, cat: Worth-282, Frederick Keppel label on back, artist proof, framed. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes.
Original etching by Stephen Parrish, "Low Tide Bay of Fundy", 1881, 3rd state of 3. Image size is 12 X 19 inches, hand signed in pencil lower right border. Catalog: SP64. Printed with sepia toned ink on wove type paper. Sheet size is 14 1/4 X 21 inches.
This etching by the British artist Edward Julius Detmold, measures 7 3/4 x 16 inches, pencil signed and numbered 44/60, 1927, framed. Edward Julius Detmold's artistic talents were apparent at an early age. He and his twin brother, Charles Maurice Detmold, were both considered well beyond their years in their artistic abilities, their watercolors were being exhibited at the Royal Academy by age 13, the youngest artists to be admitted at the time. They were raised by their uncle, a wealthy physici...
This etching by the British artist, Edward Julius Detmold measures 8 1/4 x 15 3/4 inches, pencil signed and dated 1927, numbered 13/75, framed. Edward Julius Detmold's artistic talents were apparent at an early age. He and his twin brother, Charles Maurice Detmold, were both considered well beyond their years in their artistic abilities, their watercolors were being exhibited at the Royal Academy by age 13, the youngest artists to be admitted at the time. They were raised by their uncle, a wealt...
Original deep etching on copper by Wendell H. Black (American, 1919-1972). First edition posthumously printed by Berkley Chappell. 18 1/2 by 27 image alone. In excellent original condition. Titled and inscribed a/p in pencil l.l. Also signed "Wendell Black '51 by Elaine" l.r. Also inscribed "Berk Chappell Imp" bottom right of the sheet. A wonderful allegorical portrait of Elaine Black. Plate 21 in "The Lost Works of Wendell H. Black" by Henry Sayre.
Original deep etching on copper by Wendell H. Black (American, 1919-1972). First edition printed posthumously by Berkley Chappell. In original unframed condition. 17 by 23 3/8 image alone. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '52 by Elaine" l.r. Plate 15 in "The Lost Works of Wendell H. Black" by Henry Sayre.
Original etching by Wendell H. Black (American, 1919-1972). First edition printed posthumously by Berkley Chappell. In original unframed condition. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '56 by Elaine" l.r. Plate 14 in "The Lost Works of Wendell H. Black" by Henry Sayre.