Original copper engraving by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In excellent original condition. Titled "Predella" and inscribed a/p l.l. Also signed "Wendell H. Black '54 by Elaine" l.r. Also inscribed bottom right of the sheet "Berk Chappell-imp". Provenance available.

Winter is one of the most recognized works of Bohemian engraver Wencesclaus Hollar (1607­–1677). It is the final image in a series of etchings portraying each of the four seasons as embodied by a female figure. In Winter, the woman is almost entirely covered by layers of furs and warm fabrics, staving off seasonal frigid temperatures...

An unframed woodblock print by the hand of one of the masters of 20th century Japanese printmaking, 12 1/2" by 17 3/4" inside the existing mat (the full sheet 16 5/8" by 21 1/2", as permanently laid down on a board), signed in pencil by the artist at lower right and bearing his red seal. The image is of a major traditional multi-tiered temple, perhaps the famous one at Himeji on Honshu, shown in winter with snow on the nearby pines. Sekino was creating art before age 20...

This is a large lithograph, 32 1/2" by 22 3/4", unframed, the subject a reclining nude in a claustrophobic room hung with framed artworks, signed at lower right in pencil by the artist WILLIAM BRICE, and numbered at lower left 5/20 examples. The work was created in 1962 and bears the blindstamp of Tamarind, as well as another unidentified blind stamp on the front and an ink stamp of a gallery, or printer, on the reverse...

Stephen Parrish, American, 1846-1938, "A Fishing Hamlet- Bay of Fundy, 1882," Etching, image size 5 1/4 x 8 1/8 inches, 1882, plate signed l.l. "S Parrish" and "68" l.r., pencil signed l.r. "Stephen Parrish". This etching was made by Parrish after his painting, "A Fishing Hamlet, Bay of Fundy--Evening, which was shown at the National Academy of Design in March 1882.

Original etching LA REVUE (The Review) by Jacques Callot printed in 1627, second state of two, Lieure catalog number 592. The print was done just before Callot started working on a huge print “Le Siege de Breda” and must have been done for better understanding of military formations. The print is in excellent condition, framed and glazed, not inspected outside of frame. Plate size 12.0 x 16.0 cm (4 3/4 x 6 5/16 inches), frame size 8 3/4 x 11 3/4 inches...

The size of Sheet: 13 1/2"H x 13" W
Image size:. 8 3/8" H x 9" W
Artist: Jo Ann Mulroy
Medium: Serigraph
The Title: One Two More I
The condition: Excellent. It never been framed
The year of Serigraph: 1990
Edition No.: 6/20
Signed on lower right in pencil by Artist: Jo Ann Mulroy
This is very unique Serigraph work first time showing in our website. The condition of Serigraph is excellent. It never been framed...

Scene from a Noh play, published 1922-1926

Signed Kogyo on lower left, fan-shaped publisher’s seal, fine impression and color, visible woodgrain, lacquer printing on lower stage platform, light mica dust on edge of mountains, very slight wrinkles to lower corners, overall good condition

Oban tate-e: 10 x 14 ¾ in.

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 5 1/2" by 8", respectably matted but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "Ferry Boat" and pencil signed at lower right by the artist. The artist depicts the old ferry in front of the Oakland Bay Bridge. Before the construction of the bridge in the mid 1930's, ferry boats took passengers and vehicles across the bay from Oakland...

A vintage, 1972 re-issue of the Maurits Cornelius Escher print "Metamorphose" (1939-40), possibly a posthumous or commemorative printing, as its date coincides with the year of Escher's death. The publisher is given at far right margin as G. W. Breughel, and this was printed in Holland. Measurements are an unusual 8 3/4" by 41" in the narrow black metal frame (presently no glass). The work has been laid on foamboard...

The Forge James Abbott McNeill Whistler This is an original etching and drypoint by American artist James M Whistler. The title is "The Forge", An interior view of the Blacksmith and his apprentices. The image printed on a thin Japan type paper has in image size of 7 5/8X12 1/2 inches. Extensive use of plate tone, a rich impression, This impression is the 6th state of 6 prior to the cancellation of the plate...

This is a matching PAIR of prints, one of shorebirds like snipe, the other of partridge-type fowl, each print measuring 13 1/2" by 19 1/2" inside the mat (18 1/2" by 23 1/2" as framed), both by ALEXANDER POPE, JR. (1849-1924), a noted American artist from Boston who is known for his Harnett style trompe l'oeil paintings of harvested wild birds, and sporting and wildlife art. Pope was from an upper class background, and he had a lot of time to paint...

Picasso photolithograph poster for an exhibition held in early 1956 at the Galerie Lucie Weill in Paris. The measurements are 24 1/2" by 16 3/4". There is a narrow inexpensive black frame, and no glass. On the reverse of the framing materials is written in pencil, "Picasso/Papiers colles dessin M.F./photolitho 67 x 46 cm./1000 copies"...

Nineteenth century French engraving of the Monastery at Cluny by artist, engraver and etcher Charles K. 31”x25”

Capt Cook "Habitations and People of the Island of Atooi" c 1790 , the Third Voyage of Captain Cook. Medium: Engraving Year: published in 1790 Size: Plate mark: 8.5 x 14.25 inches. Sheet: 9.5 x 15.25 inches Description: Landscape engraved by S. Middiman, figures engraved by J. Hall. Drawing by John Webber

Silkscreen print by Hopi artist Kyrat Tuvahoema (1914-1942)...

Mary Stevenson Cassatt 1844-1926 American This is a fine original etching by American Ex Pat, Mary Cassatt. The title is: Looking into the Hand Mirror, No. 3. It was created and printed in 1905, done in drypoint on an antique thin laid type paper, unsigned as typical of this image. The image measures 8 3/4X5 1/4 inches. This image appears in the Breeskin catalog as image number 202. Very light toning to the sheet, some imperfections in the paper from when it was produced, unobtrusive . ...

Circa 1850 lithograph with hand coloring, titled at bottom "The Flight into Egypt", published by the noted American lithographer James Baillie. Baillie began his career in the late 1830's as a picture framer in New York City, and then worked as a colorist for the Currier and Ives firm. By 1843 or 1844 he had struck out on his own, producing a wide range of lithographed images in the style of his former employer. At first glance most of Baillie's product looks like a Currier; only close inspec...