5.75 x 8.5 in. ai in Japanese The white background is punctuated by a yellow sun and a red splash --true Maki style. Frame 5 shows Sanae’s careful translation and explanation of this print – and her intuition as to what Maki-san may have meant when he created this image 41 years ago. Copyright 2012 Sanae Nakajima Chambers and Daniel Tretiak

Stephen Parrish, American, 1846-1938, "Evening- Gloucester," Etching, image size 8 5/8 x 14 inches, 1883, cat: Schneider-77, plate signed "Stephen Parrish" l.l. "77"(reversed) l.r.

Peter Moran, American, 1842-1914, "Crossing the Ford," Etching, image size 15 3/4 x 23 3/4 inches, c. 1886-87, cat: Wright-98, pencil signed l.r, remarque of a hay wagon l.l.

Louis Auguste Mathieu Legrand, French, 1863-1951, "Frio," Etching, aquatint and drypoint, image size 7 1/2 x 12 inches, 4th state, "Louis Legrand" pencil and plate signed l.r., Arwas A74.

William Woollett, British, 1735-1785, "Solitude," Engraving by William Woollett after the painting by R. Wilson, image size 15 1/4 x 21 inches, published June 4 1778, titled "Solitude" with a remarque of a shield in the lower center margin. This is a rare early proof before additional lettering.

In 1976 Haku Maki did three pairs of prints in which the black and white were reversed. One set is shown here. The cement blocks were used to print the white on black, then cleaned to do black on white. These were done in such themes as Mind Wind and Cloud. These are strong sweeping images in rather large prints. The two Wind images here are typical of the type. They are all about 15" x 20" and in editions of 150.

Ovesized Japanese limited edition copperplate etching titled “Takafune Village” by Tanaka Ryohei (1933-2019). Pencil-signed, dated 2004, and numbered 8/100 in the lower margin. Paper size: 22 1/8" x 14 3/4" (image: 18 1/4" x 10 3/4"). This etching was never framed and is in excellent condition.

Haku Maki did a wide range of works: prints of many sizes, book plates, greeting cards, and postcards. Here are four postcards that he did in 1999. They are lithographs, each signed and with a Maki seal. They also appeared as prints at the same time. Haku Maki or his family produced them in the last year or so of his life.

Poem 72-47 (road) 32 X 21.5 inches textured paper The sun is the inner part of the kanji for road. This is a very big and stunning Maki print It was done in 1972 at the height of his artistic powers. It depicts the kanji for Road or Way, e.g.the Way of Taoism (Daoism). As if done with a brush, the character whooshes across the well-textured paper. At the middle of the print, Maki has added a White Sun.

A mid-Victorian chromolithographic print c1860-80 in a period gilt frame depicting two kissing children with a doll. This unsigned 7-1/4 x 5-1/2" print is mounted on a lined mat and encased on a period 11 x 9" gilt wood frame with original glass; it is in excellent original condition with no rips, tears, foxing, staining, fading, losses, damage or repairs other than a small water stain to the mat on the lower right corner and some minor scrapes to the gilding on the frame...

In 1960 Maki did the image shown. It is called Symbol. In all the years of collecting Maki prints and images I have never seen this one again. It is quite large but seems cluttered. Forty years later he did it as a print and a post card even as one friend has suggested he did the print before 1999, the date on the print. The seals are authentic not printed, and they are original Maki seals from well-used chops.

Joseph Pennell, American, 1857-1926, "Up to the Woolworth," etching, image size 11 3/4 x 7 3/8 inches, 1915, edition of 75, pencil signed "J Pennell imp".

persimmons galore. 81-3 added. * means I own it.

Wolgfang Roth - 20th century German/American

Color lithograph entitled "Elephant Ballerina" from the "Circus Suite" c...

Lovis Corinth, German, 1858-1925, "Dame im Gartenstuhl," Etching and drypoint, early proof of this rare image, image size 7 7/8 x 11 7/8 inches, 1911, cat: Schwartz-76, inscribed "probedruck" (test print) l.l. and signed l.r. both in red crayon, blindstamp l.l. just below image. Corinth began his art career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris...

Haku Maki did many prints some with interesting backgrounds some not. This modest run of rather large pints had a special black background: it is the texture of old leather. . Maki created and used this technique only in 1981 prints and mainly in persimmons. The persimmons are plump and meaty the green leaves of the fruit are nicely proportioned. Maki did only a few twin persimmon prints and none after 1980 except this one. 81-10 is in frame 2...

Work 73-12A is a firm and strong dragon not fierce not wimpy. The central kanji is offset by a small yellow Maki sun at the top left and a red splash on the right. They counterbalance each other and give color and verve to the whole print.

Maki's Emanation series may well have been 100 different images. This is an early one. It shows a young man ready to grope a woman’s breasts. Who is the man and who is the woman? Adam and Eve? Maki and his wife? Maki and another woman? It measures 16" x 16". Here I show images of the current emanation and single images of other prints in the Emanation series. The last frame is Emanation 100.