Futonji with two faces which are made of hand-spun cotton. One is katazome with chrysanthemum motif, dyed with bengala (red iron dioxide) and the other is checks dyed with vegetable indigo. Both sides have mending patches, breaks and holes. The first half of the 20th century. 144cm x 146cm

Pair of lacquered wooden panels inlaid with jade and soapstone. The first is decorated with antiques, the second with foliage and birds. The sculptures are of very good quality. The wooden frames as well as the lacquered backs are late 20th century but we believe that parts were recovered from older broken furniture and were reused here, as can be seen with the small wooden panels decorated with bats and mother-of-pearl inlays that are 19th century or earlier...

Ohara Koson (?)
Three Birds (Gallinules) (Matsumoto catalog name)
Size: Approximately 14.4 x 9.0 cm. 5.75 x 3.625 inches.
Date: ca. 1910.
Sealed "Yamagishi," which may be the carver Kazue Yamagishi (1891-1984).
Publisher: Matsumoto (no. 420)
Medium: Japanese woodblock print.
Condition: Excellent.
An early and rarely seen design...

Toko Shinoda (1913-2021)
Title: Discovery
Size: Approximately 14.125 x 10.5 inches.
Date: 1980s or earlier.
Edition: 33/35.
Medium: Lithograph with red and black sumi-e brushstrokes.
Condition: Slight toning to former matte edge.

SPOOLS

4-piece set of various types of Korean wooden spools of mid 20th century, including the one engraved the single kanji characters of 'ka' (lit. 'beautiful', 'excellent') and 'sakana' (lit. 'relish') on the both sides and the one with butterfly design and geometrical pattern. Thread is the one originally reeled at that time. approx. 22.5 x 5.8 x 1cm (8.85 x 2.28 x 0.39in) - 13 x 7 x 1cm (5.11 x 2.75 x 0.39in)...

A pair "loro blonyo", statues for a Indonesian wedding ceremony, possibly from the area of Yogyakarta. Carved from wood, with finely painted attire and embellished with filigree jewellry and glass cabochons. The female statue is a symbol of the goddess of fertility "Dewi Sri", the male statue is representing "Prince Sadana" (Lord Vishnu). Dating to the first half of 20th century. Condition: traces of age, fingerrings lost, missing glass cabochons. Dimension: female: c...

Osuga Yuichi (b. 1939)
Japanese Bellflower (Kikyo)
Date: ca. 1970s or later.
Size: Oban. 15.875 x 10.75 inches.
Publisher: Unsodo. Publisher's "Gei" watermark at lower left.
Carver: Monju. Printer: Sugimoto
Medium: Japanese woodblock print.
Condition: Upper left margin edge has vertical crease.

Shodo Kawarazaki (1889-1973)
Water Hyacinth (Mizuaoi)
Date: 1950s. Later edition.
Size: Oban. 16.0 x 10.75 inches.
Publisher: Unsodo. Publisher's "Gei" watermark at lower left. Carver and printer seals at left margin.
Medium: Japanese woodblock print.
Condition: Excellent.

Kawase Hasui
Uji Bridge (aka Bridge on a Starry Night)
Note: But are the stars fireflies? The Uji Bridge and River are known for fireflies.
Date: 1930s.
Size: Koban. Approximately 7.75 x 5.25 inches.
Publisher: Watanabe Shozaburo.
Hasui's oval seal at lower left.
Made in Japan stamped on verso.
Reference: Hotei #Hp-24.
Medium: Japanese woodblock print.
Condition: Excellent.

With pottery shards from excavated kilns dating back to the 5th Century, Mino-ware is one of the oldest and most revered pottery traditions in all of Japan. Though the piece featured here does not fit neatly into any of the typical categories of Mino pottery such as Kiseto, Setoguro, Oribe, or Shino; the shape and overall feel of this piece unmistakably places it within this pottery tradition...

Large blue and white Arita (Imari) porcelain fluted dish. Decorated with a flowered basket having a bird and pomegranates, it dates early 20th C Japan, Taisho. Measures 15.75ʺ diameter × 2.75ʺ high.

Cotton kimono called "yukata" with bold polka dot pattern. The dye technique is called "chusen" which is one kind of stenciled paste-resist-dye. Several 10s of layers of cotton fabric can be dyed by pouring the dye liquid. All hand-sewn and in good condition except for a very faint stain in the white cloth inside the back. 20th century. 126cm x 150cm

Stunning, bold art deco Shigaraki wood-fired ceramic plate. Full of feldspar or long life stones unique to Shigaraki clays. Some kiln scars made during firing but the glaze has oozed out of the crack in the back indicating a natural firing scar. Diameter: 20". Great condition. Ca. 1970

A fisherman's work wear hand-woven of hemp for both wefts and warps. Both natural color and indigo stripes are hemp yarn, which are hand plied. It is from Tsushima in Nagasaki prefecture, an island located between Korean Peninsula and north Kyushu, and the textile is called Tsushima-asa. It had been woven till 1930s, but haven't been woven since then, so it is precious, especially in this excellent condition one. The first half of the 20th century, 110cm x 116cm

Unusual early Showa period (1930s) ceramic sake cup made in nerikomi (agateware) technique, its body with vertical grooves all around the perimeter. Nerikomi (translated as “mix and pull up”) is achieved by laminating different colored clays together and throwing them on a wheel to develop a swirling and spiraling effect. Beautifully made, wonderful patterns, glazed on the inside for safe drinking, inscribed by the potter the bottom, very pleasant to hold...

CLOTHING STARCH BRUSH

Old Korean brush made of the bark and root of pine tree used to put starch on the textile when spinning hemp, early 20th century, approx. L 22 x D 15cm (8.66 x 5.90in). Some expected stains due to age as is, and in aesthetic vintage condition as seen...

Lons stick ghurra richly carved on its front side, encrusted soot patina. H31 cm can been prsented on a custom iron stand More information on local and ethnic origin.

Ghurra with long stick richly carved, such rich carving is only obversed on very old ghurra, light bown patina, H 29 cm , can be prseted on a custom iron stand. H 29 cm More informatop, on local origin

DOREI

Japanese 'dorei' (ceramic bell) of abstract figure straddling cow-like tiger-like creature that is handy in size, like a lovely but sacred portable amulet. Engravement at the back. Showa period, mid 20th century...

Large size gurra, the long stick consists of 4 beautifully carved long strings with an open space between them which demonstrates fine carving craftsmanship. A realistic rope knot is in the middle. The upper part shows two hands grasping the hole. Great sooty patina and obvious signs of heavy use. H 34cm More local information on request

Ghurra showing a sitting protector with the hands joined in the Namaste gesture. The ghurra is fixed to a pillar by a noose. Beautiful black soot aptina, age could from second art of the 20th. H 26 cm More information on local origin on request.

This Ghurra which imitates a chain is carved from a single piece of wood so without any gluing. The top shows 2 two protectors sitting back to back like Janus H 6 cm. This work testifies to a great mastery of wood carving and also to a deep respect for churning work. H 23 cm More information on local origin on request

Very nice Ghurra with the mythic scenary of a protector riding a cow and surmounted by another cow. Very hard wood showing a Glossy brown patina. H 27cm. More information of local origin

Width approximately 25 cm. Few soft chips at the tipspout. In good condition.

African, probably Ethiopian teaching board. Extra large 89x39 cm. Heavy wood with black ink Arabic script on both sides. Ex private collection. Can be viewed and collected in central London as excess weight would make shipping expensive.

9 METER-LONG GHOST SHUNGA SCROLL

Rare find of very long shunga (pornographic painting) scroll without any texts on paper, approx. 29 x 900cm (11.41 x 354.33in), early 20th century, Japan...

A tiny handbag handmade of bamboo strips. It is all handmade of bamboo, such as body, handles and clasp. Generally in good condition but has two tiny holes in the corners in the bottom. The first half of the 20th century. W:17cm, H:13cm, D:9cm

Very harmonius Protector in the sitting position with the hands in the namaste gesture, important weather eroded patina; remaining encrusted white pigment (seto mato). Hard wood, H 32 cm

Mask from Mompa theater, depicting a dog or wolf showing threatening fangs. Old black patina leaving in places traces of white coating. Hardwood H 23 cm

Black patina mask with an elongated slightly concave shape, the design is minimal with however particular attention to the mouth. Likely a wild mask from Humla area. Good age at least early to mid 20th. Very hard Hardwood, H 36cm

White and blue porcelain incense burner. The boat is led by a young boy. The decoration of birds, flowers and waves is painted in cobalt blue hight-fired under glassure. No mark, Japanese Kyushu kilns work probably from Mikawachi (Hirado kilns, late 19th century.Meiji. Length.375mm. Good condition, some slight fired defects. An identical model but without the boatman (missing or broken?) is housed at the Los Angeles Museum (L.A.C.M.A).

THE STORY OF SHIBA ONKO

Lovely old Japanese clay okimono as the iconography with boys and a large jar, depicting *the famous story of Shiba Onko, so-called 'kamewari' (jar crushing). Meiji-Taisho period, early 20th century, Tohoku region. H 14.8 x 15.2 x 7.2cm (5.82 x 5.98 x 2.83in)...

JEOGORI JACKET FOR BABY

Traditional Korean formal upper garment for one year old celebration (that wears with skirt as a pair outfit basically), silk and cotton, mid 20th century. Expected ravels, discoloration, and stain due to aging, but not fatal damage like large holes or rips.

Color to bottom edge: approx...

An exquisite, Genuine APPLE-GREEN JADEITE JADE SNAKE-FORM Bracelet/Bangle with genuine RUBY Eyes. Very good condition, no repairs whatsoever, TOP APPLE-GREEN COLOUR!! Size: 7 cm. diameter

TRAY OF RYOKAN

Large wooden tray actually used at old 'ryokan' (Japanese‐style hotel), Showa period, early-mid 20th century, D 35.6-34.8cm (14.01-13.70in), H 5.8cm (2.28in). Aesthetic grain expression and calm comfort for use. Expected some fine scratches due to aging with use. *Only a tray is available to purchase, as the other stuff (cups) of usage example are not attached.


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Vintage Tibetan brass and glass pin representing standing Boddhisattva Amitabha. Nice work, glass wonderfully imitating turquoise, in excellent condition. Height 1.6 inches.

Japanese glass ojime in a form of tombodama bead with rich multicolored ribbon core and four pink petaled flowers with yellow stamens. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see the individual stamens and finely textured petals, in perfect condition. Height 0.8 inches.

Japanese glass ojime in a form of tombodama bead with milky white core and a band of multicolored flowers with fine tiny silver foil inclusions. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see the individual stamens and finely textured petals, in perfect condition. Height 0.74 inches.

Vintage Japanese okimono of a sitting dog carved in ittobori (one cut) style typical for the Hida school. Very clever rendition of the animal, much more creative and challenging as a number of intersecting planes versus natural familiar rounded lines. Very clever use of ichii (yew wood), its texture nicely imitating fur of the animal. Wonderful face, in excellent condition, pyrographic (burned) stamp of the maker on the bottom. Height 2 3/4 inches.

Vintage unusually small wooden Japanese okimono of a crouching alert toad. Excellent clever carving capturing the essence of the creature. The material is Yakusugi wood - that of Japanese cedar (sugi, Cryptomeria tree) growing on the island of Yakushima and belonging to the trees aged 1000 years or older. Beautiful layered texture, wonderful depiction of its bumpy skin. Eyes are 2-colored glass, the piece is in excellent condition. Length 1 5/8 inches.

Height: 14.8 cm (5.9 in)
Width: 13.8 cm (5.7 in)
Depth: 11.6 cm (4.7 in)

Quality Chinese bamboo brush pot; depicts Buddha with children amongst cloud effect and birds; fine carving throughout; good condition

Wonderful pair of horse prints by Japanese artist Urushibara Mokuchu 1888-1953). These Zen style horses are beautifully designed and printed with calligraphic line work similar to traditional sumi ink paintings. A classic Japanese subject rendered in bold black, crisp white, and soft tones of grey. Pencil signatures at lower right, red seal on both. Undated, estimated to be circa 1940's. Both under glass in period frames

Chinese hongmu hardwood table-top curio display shelf of very fine quality. This wonderful piece has carved and pierced trim and case work, much like the large antique etageres, having a pair of doors and a small drawer with raised panels. All areas of this piece are finely finished and in perfect condition. Measures: Height 21" x Width 16.5" x Depth 5"

TRAY WITH GROOVE

Low-rimmed wooden tray designed well-balanced circular groove in practical and withered condition. Showa period, mid 20th century, Japan. D 34.4-33.5cm (13.54-13.18in), H 2.4cm (0.94in). Very slight uneven bottom as no fatal. *Only a tray is available to purchase, as the other stuff (cups) of usage example are not attached.


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Takahashi Shotei (Hiroaki)
Spring Evening
Date: Pre-1936.
Size: Mitsugiri-ban. Approximately 14.75 x 6.75 inches.
Publisher: Watanabe Shozaburo.
Shotei seal at right.
Reference: Shotei #M-12. Watanabe #212.
Medium: Japanese woodblock print.
Condition: Top back margin has paper residue.

Elizabeth Keith (1887-1956)
Noh Actor Shigeyama in Green Costume
Date: 1935-36.
Size: Approximately 19.5 x 13.25 inches.
Publisher: Watanabe Shozaburo.
Signed "Elizabeth Keith" in pencil.
Medium: Japanese woodblock print.
Condition: Notch in lower margin. Tape residue at left, bottom left, and top back margins.

Himalayan mask carved in relief, with a vivid expression. Wood, with a metal plate on the forehead and the chin to affix animal hair meant to represent the mask hair and beard. Nice age patina. Nepal, early 20th century. Height:29 cm. Very good condition

GIMMICK HAND REELING MACHINE

Bell rings when reeling up 100 times. Wood. Showa period, early-mid 20th century, Japan. approx. H 46 x 42 x 25cm (18.11 x 16.53 x 9.84in). In working condition, but needs a little knack for ringing, like rotating the gear at the same time when reeling up with the handle. *Stand is not attached. Only this machine itself.


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This drum handle is still provided with the wooden wedge which is used to fix it on the drum. The top shows 3 faces with open and threatening mouths, each face is separated by the Shaivite trisul. The center part is a very fine dorgi framed by spherical basketwork patterns the whole giving a shape that fits well in the hand. The triangular point shows a very beautiful sculptural work. ON each angle is a Makara mouth with wide open eyes and whose hands grip very realistically sculpted snakes. Fro...

This drums handle shows 3 ancestor faces with different expressions. The central part shows an important local repair. The tip is a Makara mouth showing very important signs of long use. Very old black patina with a vitrified appearance. H 41cm

This drum handle shows 3 ancestor faces with different expressions. The central part shows an important local repair. The tip is a Makara mouth showing significant signs of wear. Very old black patina with a vitrified appearance, at least from very early 20th . H 41cm.

Mask carved in a very hard wood from the root of the tree whose local name is "Jugardana". On the top of the mask, you can still see natural parts not modified by the sculptor. These masks are mainly used for decorative purposes. H 20 cm

This is a very old dhyandro drum handle showing a very thick encrusted soot aptina. The design of the sculpture clearly indicates a Buddhist influence, in fact the shape of the Makala trunk turned upward is a characteristic of Buddhist phurbus, the central part is a dorgi wrapped with heavily fouled cloth strips. This dhynadri handle was collected in the Kirong Valley (inside Tibet). Very good age at least early 20th century, presented on metal base, 35.5 cm, more information and pictures on req...

This statue is placed near a fountain. the central hole is arranged to let pass the pipe which allows the spouting of water. Western Nepal, Humla or Jumla region. Wood coated with whitish earth (seto mato). H 78 cm ),

Vintage Japanese okimono of one of the 3 wise monkeys in their habitual "see no evil, hear no evil, speak no evil” attitude - in this case Mizaru covering his eyes. Carved in ittobori (one cut) style typical for the Hida school. Very clever rendition of the animal, much more creative and challenging as a number of intersecting planes versus natural familiar rounded lines. Very clever use of ichii (yew wood), its texture nicely imitating fur of the animal, in excellent condition. Height 2 3/8 i...

Japanese sosaku hanga woodblock print titled in pencil at the lower margin "Haniwa (7)" by Kiyoshi Saito (1907-1997). Signed in white ink and with the artist's red seal at the lower right corner on the back. Circa 1950s. Paper size: 14 3/4" x 9 3/8” (image size: 11 1/8" x 5 7/8”). Very good overall condition. There are some horizontal soft creases in the paper, primarily within the margins, that are visible in the main image. There are a few tape stains and abrasions to the paper (from pr...

A folding album titled "Qi Baishi huaji" (Collected paintings of Qi Baishi) with 22 color prints. Rongbaozhai, Beijing 1952, 5th month, no. 507. In brocade covers.
Each print on the left hand page, measuring 31.5 x 22 cm (ca. 12 x 9 inches).

Fine impressions and colors, label on cover with gold speckles, some bleeding of the red pigment, water stains on the last 7 double pages, covers with some traces of usage (rubbing of brocade, upper corners dented, which has an effect on the pages...

The size of Kutani Dog: 7" High x 4 1/4" Wide x 5" Deep.
This is beautiful and adorable Japanese Kutani Dog
from 1970's to 1980's about 50 years old
vintage Okimono. It has flowers, butterfly and ribbon on neck design.
The Dog is made from crackle glazing semi porcelain body.
Bottom of Dog Okimono has some kind stain. It has four felt circles,
preventing scratch when placing on the wooden top.
The condition of dog excellent. No crack, no hairline and no damage...

Utagawa Kunisada (Toyokuni III)
Title: Tokaido Numazu (Numazu, from the Processional Tokaido, a series on the arrival of the 14th shogun)
Date: 1863. First edition.
Size: 14.75 x 10 inches.
Publisher: Iseya Kanekichi (Isekane)
Medium: Japanese woodblock print.
Condition: Right margin has holes and pen mark. Light soling.

Water smoking pipe. In the shape of a horse. Celadon crackle glaze ceramic with silver tube and metal fittings. Possibly from Laos. 14cm high. Undated, estimated to be mud 20th century. Can be viewed in central London and shipped worldwide.