A massive vintage Navaho Indian silversmiths Bracelet set with a huge and two smaller torquise stones, c. Mid-20th. cent. USA.

A very heavy and large bracelet in sterling silver with indian artwork stunning quality torquise stones. With several sterling silver marks.

Size: 95 mm. wide and inner diameter is c. 62 mm. Inner diameter US size: 2,412 inches, but it's slightly flexible.

Weight: c. 171 grams!

Condition: Choice and intact.

Ex...

An attractive large hanger made in the shape of a beetle or scarab in sterling silver and torquise stones. Unmarked but testing as 925 silver.

Vintage indian Navaho silversmiths of the 1950s-1960s.

Size: 72 mm. long. / 19,42 grams.

Condition: Intact with small filemark in the loop as seen in the pictures.

Danish Private Collection

Fine lot of two silver items, incl. a broad bracelet and a large silver Concho plaque with central torquise, Indian, Navaho. c. mid. 20th. century.

Attractive pieces, the Concho with sterling silver stamps, both are in fine 925 sterling silver.

Weight: 94 grams! The bracelet is c. 61-62 mm. and the Conchoo c. 77 x 63 mm.

Ex. Old Danish Collection of Indian jewelry.

A broad and elaborate Navaho Indian silversmiths Bracelet set with a couple of torquise stones, vintage c. Mid-20th. cent. USA.

Attractive piece, tested as sterling silver with beautiful scroll works and nice stone colour.

Size: 77 mm. wide and inner diameter is c. 63 mm.

Weight: c. 87 grams.

Ex. Old Danish Collection of Indian jewelry.

A beautiful vintage Navaho Indian silversmiths Bracelet set with some superb looking green to lapis-blue Opals, c. Mid-20th. cent. USA.

A bracelet in silver with indian artwork around 7 rectangular stones. Tested as 925. sterling silver and probably made in the 1960s.

Size: 65 mm. wide.

Weight: 60.24 grams

Condition: Choice and intact.

Ex. Old Danish Collection of Indian jewelry.

A massive vintage Navaho Indian silversmiths Bracelet set with large green and blue torquise stones, c. Mid-20th. cent. USA.

A very heavy and large bracelet in sterling silver with indian artwork stunning quality torquise and green stones. Tested as 925. sterling silver.

Size: 75 mm. wide and inner diameter is c. 60 mm.

Weight: c. 153 grams!

Condition: Choice and intact.

Ex. Old Danish Collection of Indian jewelry.

A large and beautiful silver 'Concho' belt Buckle, set with torquise stones. Lovely silver work, c. mid 20th. century USA, Navaho Tribe artist. 925 sterling silver and artist mark on the back.

Size: 9,6 cm. wide and 6,4 cm. tall.

Condition: Choice and intact.

Ex. Old Danish Collection of Indian jewelry.

A very large and impressive plaque for a bracelet of belt, with loops on the back and set with a huge torquise stone within a frame of 23 smaller torquise stones. Lovely silver work, c. mid 20th. century USA, Navaho Tribe artist. No stamps but testet as 925 sterling silver.

Size: 10,1 cm. tall and 7,4 cm. wide. The large central torquise is 6 cm. long.

Weight: 164,4 grams!

Condition: Choice and intact.

Ex. Old Danish Collection of Indian jewelry...

A large vintage Navaho Indian silversmiths Bracelet, made c. Mid-20th. cent. USA.

High quality work with leafs and scrolls in 12 carat gold and the eagle at the front in solid silver.

Stamped on the back with sterling 925 mark silver and 12 carat gold mark. Made by the artist P.A. (stamp)

Size: c.70 mm. wide and inner diameter is c. 60 mm.

Weight: 55 grams.

Condition: Choice and intact.

Ex...

A massive vintage Navaho Indian silversmiths Bracelet set with large torquise stone, c. Mid-20th. cent. USA.

A very heavy and large bracelet in sterling silver with floral indian artwork on the sides and stunning torquise oval stone in the center. Stamped on the back with sterling mark testing as 924. silver. Made by the artist T.N. (stamp)

Size: 73 mm. wide and inner diameter is c...

A nice set of three carvings in emerald, incl. bird bear paw with claws and Parrot / bird Fetish, Native American, probably Zuni, Navaho tribe and 20th. century (3).

The carvings are cut and polished in one emerald stone in transperant light blue-green colours, very attractive small animals.

Zuni fetishes are small carvings made from primarily stone but also shell, fossils, and other materials by the Zuni people. Within the Zuni community, these carvings serve ceremonial p...

A nice pair of carvings in emerald of a horsehead and and a nicely polished seated Frog Fetish, Native American, probably Zuni, Navaho tribe and 20th. century (2).

The carvings are cut and polished in one transperant light blue-green stone.

Zuni fetishes are small carvings made from primarily stone but also shell, fossils, and other materials by the Zuni people. Within the Zuni community, these carvings serve ceremonial purposes for their creators and depict animals and ic...

A nice pair of seated Frog carving Fetishes, Native American, probably Zuni, Navaho tribe and 20th. century (2).

The carvings are cut and polished in one emerald stone and depicts a pair of Frogs both seated. Finely polished in different green colours.

Zuni fetishes are small carvings made from primarily stone but also shell, fossils, and other materials by the Zuni people. Within the Zuni community, these carvings serve ceremonial purposes for their creators and depict a...

A fine larger carving in emerald of an Owl Fetish, Native American, probably Zuni, Navaho tribe and 20th. century.

The carving is cut and polished in one emerald stone and depicts an Owl. The stone is transperant light blue-green and very beautiful.

Zuni fetishes are small carvings made from primarily stone but also shell, fossils, and other materials by the Zuni people. Within the Zuni community, these carvings serve ceremonial purposes for their creators and depict anima...

A nice set of four carvings in emerald of Birds and Owl Fetishes, Native American, probably Zuni, Navaho tribe and 20th. century (3).

The carvings are cut and polished in one emerald stone in transperant light blue-green colours, very attractive small animals.

Zuni fetishes are small carvings made from primarily stone but also shell, fossils, and other materials by the Zuni people. Within the Zuni community, these carvings serve ceremonial purposes for their creators and d...

A nice set of three carvings in emerald of bears and an Owl Fetish, Native American, probably Zuni, Navaho tribe and 20th. century (3).

The carvings are cut and polished in one emerald stone in transperant light blue-green colours, very attractive small animals.

Zuni fetishes are small carvings made from primarily stone but also shell, fossils, and other materials by the Zuni people. Within the Zuni community, these carvings serve ceremonial purposes for their creators and...

A nice pair of larger carvings in emerald of a cat head and an Owl Fetish, Native American, probably Zuni, Navaho tribe and 20th. century (2).

The carvings are cut and polished in one emerald stone and depicts an Owl in a dark green stone and a cat head in transperant light blue-green. The cat with micro chip to the top of left ear or perhaps just rough carving.

Zuni fetishes are small carvings made from primarily stone but also shell, fossils, and other materials by the Z...

A fine larger carving in emerald of a Lion head Fetish Pendant, Native American, probably Zuni, Navaho tribe and 20th. century.

The carving is cut and polished in one emerald stone and depicts an Lion. Interestingly, this can be carried on a string as a pendant due to the loop in front. The stone is transperant light blue-green and very beautiful.

Zuni fetishes are small carvings made from primarily stone but also shell, fossils, and other materials by the Zuni people. Wit...

A fine and rare antique Native American North West Coast Haida or Tlingit tribe carved large horn spoon or ladle. The handle depicts a totem pole design of an Eagle and Bear with mother of pearl inset eyes. Measuring approx. 13.5" inches long 6" deep and 4.5"wide. In very good antique condition minor imperfections with age.

Nice collection of 6 vintage Seminole dolls, all early to mid 20th century, most with patchwork clothing, beads, and bright colors, all with classic hair styles. Two are earlier, made without any rickrack and are done with old calico fabric. The largest is 12 1/2", others measuring 10", 9 1/2", 9", 7 1/2", and the smallest at 4 1/4". Bodies made of palm material and are handsewn, the clothing is mostly machine stitched, some dolls have rickrack decoration. Sold as a collection only.

DESCRIPTION: Beautiful Navajo sterling silver Bisbee blue turquoise squash blossom necklace by Navajo artist, Phil Garcia. There are fifteen silver squash blossoms, each with light blue turquoise stones on each end. A classic Phil Garcia design, necklace is easy to wear as it is less “clunky” than the larger sized squash blossom necklaces often seen. Hook clasp. DIMENSIONS: Measures 14'' end to end; blossoms measure 1'' in length; naja measures 1.5'' x 2''; stamped sterling and hallmarke...

Canadian Northwest Coast Haida Indian hand dance drum by Clarence A. Wells ( -1950) depicts a pair of hawks in the graphic Haida style. Title "Fish Hawk". and signature present along edge. The red, black, and white coloring of the eagles makes a dramatic contrast with the natural background color of the drum surface.

Northwest Coast Native Haida artist Clarence A. Wells is a native Canadian artist from the Gitsen Clan of the Tsimshian First Nation. He often works in the Northern style of H...

A watercolor mixed media (some pencil and perhaps gouache) painting of a weathered Native American or other classic male image of the Southwest, signed at lower left "J W Kolstad". The piece measures 10 1/2" by 10 1/2" inside the black mat and 18" by 17" as framed. Reminiscent of some works by Remington or Lon Megargee, this is a very satisfying southwestern piece. Condition is excellent. The date of execution would likely be 1960's or 1970's.

A shallow ceramic dish, 7 1/4" diameter, 1 1/4" height, signed on the bottom "Carlos Villalba H."; this is an image of a bat, created by the artist in the renowned Mata Ortiz art village in northern Mexico, state of Chihuahua, about 100 miles south of the US border. The design follows ancient Southwest Mimbres and Paquimean designs of the Casas Grandes border region of northern Mexico, which is rich in archaeological history. The design is in a gray-silver that could be described as a shiny "a...

An exceptionally early work in ink and watercolor by the familiar New Mexico artist PERCY TSISETE SANDY ("KAI SA"), 1918-1974. Measurements are 6 1/2" by 4 1/4" (11 3/4" by 9" simply framed). The subject is a traditional eagle dancer of the Hopi people in full costume. The work is signed at lower right "KA-SAH", ("Red Moon"), apparently an early signature; on the old original remaining backing is written in pencil "purchased on Mother & Daddy's honeymoon 7/41". In 1941 the artist would have ...

A PAIR of antique prints of Plains Indians, likely from the 1841 edition of "Letters and Notes on the Manners, Customs and Condition of the North American Indians", Catlin's iconic book on the subject. The prints were printed by Tosswill and Myers of London in that year as illustrations in that work. Measurements are 7 1/4" by 5 1/4" inside the mats and 14" by 11 1/2" in modern strip frames. These prints are HAND COLORED, unlike many from the 1870's and 1920's which were printed in color.

Iroquois "false face" mask made of a very dense, heavy wood, with tin metal for the eyes, and horse hair additions, attached via strips of old cotton textile, the measurements of the piece 11" by 7" by 4", with weight a little over 1 1/2 pounds. Some of the very old examples are in museums and fine pieces sell at auctions of Native American art and artifacts. The age of this piece is somewhat difficult to determine, but it is not new. It may date early to mid 20th century.

A hand carved wood totem pole on a round base, made for the tourist trade at mid-century, no signature, 7" high and 6 1/4" widest point on the wings, with original yellow sticker on the back from Indian Craft Shoppe, 905 Government Street, Victoria, British Columbia. There is a little chip off the tip of one wing, otherwise is in good condition.

A carved and painted wood model of a totem pole of the Tlingit, indigenous peoples of the Pacific Northwest Coast of North America. Depecting a frog, a whale, a bear and a beaver, the back is inscribed in ink and the base is dated New York, U.S.A. June 1931. Dimensions: c. total 40.1 cm high, diameter stand: c. 7.5 cm. Condition: beautiful patina, few tiny chips and minimal wear, the base with little losses to bark.

Before Contact, the eastern region of Canada was populated with the MicMac (aka Mic Mac, Mi'kmaq) tribal group of the Algonquian Nation. This traditional vintage circular trinket box is made from birch bark and decorated with porcupine quill work. There are a some broken/missing quills around the side of the box. measure 4.5 inches diameter and 2.5 inches high

Case mask painted black with green mark on forehead representing a snipe track and white moon symbols on cheeks, snout with teeth, wildcat skin ruff. Velvet shirt, white trousers. Carries a knife. Chaveyo may come at any time during the spring months if Hopi children are particularly bad. "The boogie man will get you if you don't watch out." Voth, 1901; Fewkes, 1903; Stephen, 1936; Nequatewa, 1948, p. 60. Provenance available. Chaveyo with half moon marks is from First Mesa. Height 11 1/...

Fully worked front and back as well as across the unseamed arms, fringed cuffs and bottom perimeter. The arm consists of Germantown yarn and the red is unraveled flannel. Length 25" c. 1870 "After an intensive search, less than a hundred examples have been located which can be considered as representing the type of work produced previous to the 1880's. To these may be added a few owned privately and thus not listed. From fleeting glimpses and hearsay, it is believed that perhaps a dozen ...

Reddish brown sack mask to which are fastened three gourds, one on top and one over each ear, and painted reddish brown. Rag ruff. Kilt made from a woman's old dress. Body painted with red-brown clay. He carries a feather and a rattle. Koyemsi is the most common Hopi clown. He appears in Mixed Katsina Dances and sometimes a group of Koyemsi appear in a dance of their own. At First Mesa they are said to sing Zuni songs. Height 10" X Width at the shoulders 3", ca.1930-40, A hand-loomed sash, Ala...

Case mask with one half face painted green and one half red, tubular mouth; no ears, blossom on one side and tuft of red hair and feathers on the other. Douglas fir ruff. Body painted any common katsina style. Carries staff tipped with feathers, and a rattle. Appears in regular katsina dance. Fewkes, 1894, 1903; Stehphen, 1936. ca.1920 5" Height X 1.5" Width Provenance: Dorothy Louise Luhrs. PhD. 1910-1972, UNM, School of Field Research

Green case mask, mouth a beak or tube, blossoms and tufts of red hair for ears, band of red yarn across forehead. Douglas fir ruff. Kilt, wedding sash, fox skin, red Navajo-style moccasins. Body paint pink and yellow. Carries a rattle. Appears in regular katsina dance. Fewkes, 1903, Pl. XXXV, XXXVI, figures other Navajo Katsinas which have been taken from Navajo ceremonies and are said not to be Hopi. Fewkes, 1894, 1903; Earl and Kennard, 1938. Provenance: Wendell Gates, Height: 11 1/4", Width p...

Silver ring with cast single shank. Sterling silver. ca. 1940-1950, Size 7 1/2-8

Men's Navajo ring. Coin silver. Letters 'D' AND 'J' engraved in the space at the back. ca. 1930-1940, size 7 1/2-8

Navajo sterling silver and turquoise ring ca. 1940-1950, Size 6 1/2

Navajo solid single shank ring set in a silver bezel with floral engraved sides ca. 1930-1940, Size 7

Zuni cluster ring with 17 turquoise stones set in a silver mounting. ca. 1930-1940, Size 8-8 1/2

Navajo ring with green turquoise stone. Coin silver. Ca. 1940-1950, Size 7

DESCRIPTION: From the Amazon rainforest of Peru, the Shipibo-Conibo are an indigenous tribe known for their distinctive pottery and textiles. Their unique, intricate geometric designs are sophisticated interpretations of their cosmic beliefs that the jungle rivers follow the same course as the stars. Collectors world-wide clamor for their coil constructed pottery, made by the women of the tribe.

This very large, outstanding female figural vessel has a wide, double lobed body and dates from ...

The rarer Katsinas of the some of the Rio Grande Pueblos are stylistically similar to Hopi figures, though often made of pine wood. Hopi Katsinas are made of cottonwood and more simply painted. This doll has great provenance: Dorothy Louise Luhrs, PhD. She taught at UNM School of Field Research. She was born in 1910 and she died in 1972. This doll was purchased from her estate and sold by Case Auctions, Memphis, Tennessee. c.1920, 14" height x 2 3/4" width, 9 1/2" width of tableta

Case mask with one half face painted green and one half red, tubular mouth; no ears, blossom on one side and tuft of red hair and feathers on the other. Douglas fir ruff. Kilt, sash, fox skin, and green moccasins. Body painted any common katsina style. Carris staff tipped with feathers, and a rattle. Appears in regular katsina dance. -Fewkes, 1894, 1903; Stephen, 1936. c.1880, 11 1/2" height x 3 1/2" width, a rare 19 century katsina doll in original paint with minor paintloss legal feathe...

DESCRIPTION: A hand woven Native American rug in a traditional tumbling blocks pattern, a Navajo motif also found in Americana quilts. This attractive, double sided, flat weave wool rug uses natural dyes in red, black and tan to form the block designs. Very good condition, no holes or tears. DIMENSIONS: 55” x 35".

An Algonquin lidded sewing or yarn basket circa 1930s. This lovely Native American 10" tall and 6-1/2" across utility sewing basket has large hoop handles and the lid has a coiled wood yarn guide opening on the lid. It retains traces of the original natural dyes on the exterior while the interior of the body and lid show the bright red, orange and green of the original colours. This nice decor item is in very good condition with no major damage or repairs other than the mild dye fading and a ...

DESCRIPTION: A large, hand coiled Zia Pueblo Olla by noted Zia potter, Elizabeth Medina. This well formed pot has high shoulders tapering to a narrow foot, and is painted in four traditional Zia colors with natural sienna, burnt sienna and black designs on a white ground. The design is divided into four quadrants, two with lively, hopping roadrunners under rainbow arcs (a signature Zia design), and two with capped feather designs appearing as orange steps outlined in black with semi-circular b...

DESCRIPTION: Some of the most spectacular Acoma pottery pieces are the geometric designs rendered in black on white. This thin-walled, hand coiled olla represents the pinnacle of this category with exceptionally small squares, both white and black, forming intricate mazes across the entire surface signifying rain and lightning bolts. The pot is narrow at the base and gradually widens to the broadest section just before the taper towards the mouth. In a bold stripe from top to bottom, Kokopell...

DESCRIPTION: A small Navajo rug made of handspun wool in an "Eye Dazzler" pattern of three vibrant, serrated diamonds on a bright red ground, enclosed with a double border of white and black. The Eye Dazzler, so named by early traders because of the intense coloring of the dyes, is a serrated design that was woven in multiple colors of bright aniline dyed yarns in the 1880 - 1890 period. Navajo Eye Dazzler weavings were influenced by the Mexican satillo weavings and the Germantown yarn weavi...

DESCRIPTION: A striking Acoma pottery olla with dramatic traditional graphics in white, black and orange. This greenware olla is skillfully painted in traditional designs including hatched (symbolizing rain), stepped (representing clouds) and curvilinear, with distinctive "heartline" deer figures and bold flowers. These designs speak of water, fertility, the life cycle, the earth and sky, and their interrelationships to each other. The concave bottom is signed, "Acoma Pueblo, New Mexico, Lou...

DESCRIPTION: An intricately painted Native American pottery seed pot or bowl, dating from the early to mid 20th C. (1930 - 1950). This ovoid pot is painted in concentric circular bands of geometric designs separated by red stripes on a taupe colored ground. On the bottom is written "#22 Vase Navajo Ariz," along with other collectors' identification marks and numbering systems. Very good condition, minor scuffs and pockmarks; no chips, cracks or restorations. DIMENSIONS: 5" high (12.7 cm) x 9...

DESCRIPTION: A large, vibrant Churro wool blanket from the weaving center of Chimayo in Northern New Mexico. This finely woven blanket is of the "Rio Grande" style with alternating bands of white and navy stripes running across a bright red ground. These bands are each separated by a line of three stars with twelve points. CONDITION: This reversible blanket is in excellent condition with no repairs, holes or stains; the fibers are thick and the colors vibrant.

CULTURAL BACKGROUND: T...

A 4-3/4" tall splint and sweetgrass woven Native American Northeastern embroidery or sewing thread lidded basket c1900-30. This 5" diameter Penobscot or Passamaquoddy basket retains traces of its original green and red colour and the sweetgrass still has a pleasant aroma. It is in very good condition with no cracks, losses, damage or repairs other than a small split on one thin horizontal splint on the shoulder (see enlargement 4) and the fading of the external colour. All items are thoroughl...

A Mi'kmaq beadwork floral wall hanging from 1900-1930. This bright and cheerful vintage East Coast Micmac 4-7/8" diameter wall hanging features a flower basket motif, with yellow, light and deep green, red, orange, brown and black beads sewn on what looks like mustard coloured felt, and sewn to/backed with a deerskin backing. The hanging strap is in brown shell-shaped beads (they look like small painted shells or seeds) with green and yellow beads. It is in excellent vintage condition with no c...

This cradleboard was made by Cecilia Cuthair of the Mountain Ute Indians in the 70's probably as a child's toy. There is no papoose or doll inside...but it is stuffed with cloth covered newspaper to keep its shape. The front is soft cream colored deer or elk skin (brain tanned) with beaded trim. The rear is covered with animal skin.

The cradle board is 20 inches long and 8 inches at the widest point. Condition is pristine.

A pottery bowl or olla by the matriarch of the Acoma Pueblo, New Mexico, Lucy Martin Lewis (c.1899-1992). Circa 1940. This wide mouth pottery bowl was hand decorated in red and black colored slips with geometric designs inspired by the earlier Mimbres pottery. Though the vessel is unsigned, it is attributed by its decoration to Lucy Lewis, one of the most respected Acoma women potters. She began decorating pottery at the age of 7, and her daughters continue the potting tradition today, using...

A vintage North American tribal beadwork knife sheath with colourful applied beadwork on a fringed moose hide c1930s-50s. This 13-1/2" x 7-1/2" (including fringe) knife sheath has a tall loop for hanging off of a belt; the stiff applied lighter colour hide section at the front of the sheath is attached with twisted fine brass wire. It is a densely beaded item, and spells out "Jack" in white beads, and it has iridescent purple/blue, orange, dark and light green beads. It is in excellent condition...

Very large, early handmade painted animal skin and wood TLINGIT drum with beater by ODIN LONNING(born 1953 in Alaska), c.1970's. Huge, it measures 20 1/2" in diameter by almost 3" deep. The skin covered beater is 16 1/2 long. Has both killerwhale and thunderbird design. Signed "ODIN LONNING TLINGIT THUNDERBIRD AND KILLERWHALE" and is in excellent condition.......$35 for insured US shipping.

Early EAGLE DRUM with BEATER by TLINGIT ODIN LONNING(b.1953, Alaska), c.1970's. Handmade drum made of wood and animal skin, etc. The diameter is 16 1/2" by 2 3/4" deep with a skin covered 16 1/2" beater. Beautiful painted EAGLE design. Signed "ODIN LONNING EAGLE TLINGIT".....$25 for insured US shipping.

A colourful and vintage c1950s-60s Native American beaded bolo tie. It is signed "MRS. LIZZIE (illegible)" on the deersking backing, and the glass beads on this 38" long tie (19" when worn) include green, pink, white, red, orange, yellow amber, metallic and various other colours; it is in excellent original condition with no chips, cracks, losses, damage or repairs other than some minor stretching of the elastic retaining strap on the deerskin back. All items are thoroughly and conservatively...