1900's Japanese Yokohama Studio Vase with Cranes Marked "Dai Nihon Takasaka zo"

It is 14.4 inches (37 cm) tall by 9.05 inches (23 cm) wide. It is 11 Lb.

It has skip glazes dark spots, stains, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Japanese glass ojime in a form of tombodama bead with white core and two birds on a long branch with leaves and flowers. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see the individual petals and leaves, in perfect condition. Height 3/4 inches.

Kaoru Kawano
Two Girls
Date: 1950s-60s
Size: Approximately 16.5 x 11.5 inches.
Sealed by the artist at lower right and on verso.
Medium: Japanese woodblock print.
Condition: Excellent. We've removed this print from its original folder.

Furoshiki (wrapping cloth) with owner's name, made of asa (hemp) whose warps and wefts are hand-plied. It has 4 mending patches with same cloth as the ground. It has un-dyed cotton cloth for reinforcement in the middle and has sashiko. Used but in excellent condition. The first half of the 20th century. 132cm x 138cm

Unusual early Showa period (1930s) Japanese mingei (Arts and Crafts) small shallow metal box with enamel decoration of a flowering prunus tree branches with leaves and blooms. Wonderful use of moriage (piled-up enamel) techniques, beautiful work, excellent patina, in perfect condition. Most probably made by the Ando company. Length 3 inches.

Huge Meiji Bronze Okimono of a Oni on stand. Wonderful sculpt late 19th c unsigned . Note there is some damage.The sculpture shows very well if the feet were attached no one would really see any loss. 1. loss of one finger tip as seen 2. loss of one horn as seen 3...

Takahashi Shotei (Hiroaki)
Cold Winter Wind.
Size: Mitsugiri-ban. Approximately 15.0 x 6.5 inches.
Date: pre-1936 (Mid-1920s).
Publisher: Watanabe Shozaburo. No. 204 in 1936 Watanabe catalog. M-4 in Shotei catalog.
Medium: Japanese woodblock print.
Condition: Excellent. On the back, there is clear tape along the top edge.

Pair of (1920's) Japanese Bronze Tiger Signed & Marked

They are 5.15 inches (13.2 cm) tall by 7.65 inches (19.5 cm) wide. They are 8.8 lb (3980 gram).

They have loss of patina, oxidation, felt fabric glued at the bottom of one tiger, and surface wears and scratches (as seen in the photos).

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This is a beautiful small cloisonne vase decorated with with 7 butterflies of different sizes. Stands 4 3/4 inches tall. It is stamped Japan on base so it was probably made sometime between 1920& 1930. The enamel colors and style look like a few Ando pieces we have had from this time period. Condition is excellent with just wear to the rim coatings

Utagawa Fusatane
An evening scene from the Snow, Moon, Flower series
Date: ca. 1850s-60s.
Size: 11.75 x 9.5 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Two punch holes from original folio. Thinned area from wormhole at upper left.

Eijiro Kobayashi
Pagoda by Moonlight
Approximately 10.25 x 7.5 inches.
Date: 1938-1960.
Red "Eijiro" seal at lower right.
Publisher: Nishinomiya Yosaku. From the "Hasegawa Night Scenes" series. Hasegawa catalogue No. 1243.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Sophisticated Hagi Chawan by Living National Treasure Miwa Kyusetsu X (Kyuwa) (1885-1981) with warekodai made 70 years ago.

Many of Miwa's chawan have a split cross footring called a warekodai that was favored by busho chajin (warrior tea men); it traces its origins to Korean chawan. This chawan has a rare warekodai with only one split.

Miwa Kyusetsu X was a member of the group around Rosansin an Arakawa, which revived the momoyama ceramic...

The Size of Obi: 12 1/4" Wide x 176 "( 14 feet). This is wonderful Fine Japanese Kyo Obi with Platinum works with silk. Obi has Japanese Katakana marking at the end “PURACHINA” (platinum). It is not made of Platinum Haku (leaves) rather Platinum threads. It has beautiful Goshoguruma (Imperial wheel carrier). It has also the flower design of Peony, Chrysanthemums as well as other flower design. The clors are very delicately composed. As Fukuro Obi, there is a blank area as photographs...

A delicately painted Satsuma pottery jar with two courtyard scenes of daily life for the Japanese elite. The rest of the jar features a complex ground of various patterns. There has been a professional repair to the vase lip, but otherwise excellent. Measures 6 inches high with lid. Signed on bottom.

A woodblock print by the artist Karhu. The print is labeled "Avoiding Stepping". The full narrative is "As You Would Avoid Stepping In Shit, Ignore Fools". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 17/100 Date: 1976

Dimensions: 26" X 9.25"

A woodblock print by the artist Karhu. The print is labeled "Bigger Fool". The full narrative is "The Bigger Fool is a Fool Who Hires a Fool". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 37/100 Date: 1976

Dimensions: 24.5" tall X 9" wide

A woodblock print by the artist Karhu. The print is labeled "Negligance". The full narrative is "Fight the Enemy, Negligance". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 23/100. Date: 1976

Dimensions: 25.75" X 8.25"

A woodblock print by the artist Karhu. The print is labeled "Hurry to Study". The full narrative is "Hurry to Study wih Age the Spirit Slows". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 12/100 Date: 1976

Dimensions: 25.75" X 9"