Nearly a century old, this Noritake dessert set contains plates, cups and saucers, coffee pot, creamer, and sugar bowl (no cover). This set was purchased in the US between 1935 and 1937.

Kawase Hasui (1883-1957)
Moon at Magome
Date: 1930.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe C (sausage) seal at right margin, making this a first edition produced between 1929-1942.
Reference: Hotei #165.
Medium: Japanese woodblock print.
Condition: Point-sized repair in upper left corner of sky...

Large Original Japanese framed print by Toko Shinoda (born 1913), entitled "Reminiscence". Color lithograph with sumi-e ink brushwork in black, light blue and gold ink. Signed in pencil and numbered "ED 30AP 7/10". Floated in frame under UV acrylic.

36 1/2" high x 46 3/4" wide x 2" deep framed. Artwork: 28 3/4" high x 39 1/2" wide

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors...

A large framed Japanese woodblock print by Joichi Hoshi (1913-1979). Signed, titled, and numbered 83/90 in pencil, with red chop.

Dated 1974.

Dimensions: 47 1/4" x 27 1/4" H (entire frame) 30 1/2" x 16" H (artwork only)

A rare example of an early 1920's antique Japanese barber chair. The chair is made from hand forged iron with solid elm wood framing. Seat, arm rests, and head rest are wrapped in the original black leather. The position of the seat is adjustable to recline. Headrest is adjustable to many lengths.

Date: 1920's

Dimensions:50" high X 42" deep X 24" wide

Large Japanese woodblock print of a horse by the artist Nakayama, Tadashi (born 1927). Titled, "Cyclone". This image of a horse stands with it's mane billowing with bits of color and metalic leaf. The head of the horse is patterned with colors while most of the body remains a dapple of charcoal and white. In the background, a series of thin circular lines accent a metalic leaf sun or moon. Signed in pencil and numbered 85 of 85...

Japanese scroll painting of a ghostly woman standing in a shoji doorway. Her robes are white, the color of death and her hair falls unkept around her shoulders. Tendrils of flame appear where rays of light shine down at an angle to catch on her sleeve. Painted in mineral colors and ink on silk.
Painted by Obata Chiura (1885-1975), painter and first professor of Japanese painting at University of California, Berkeley. Born in Ibara-cho and raised in Sendai, Japan...

Japanese Gosho Ningyô with Samurai Attire, Signed by the 10th Generation Ningyo Artist Rozon. This master work is the results of ten generations and three centuries of ningyo artists. Unfortunately, it seems it is the end of the line for this studio. The children are not interested in continuing, which we think is sad. This Gosho is one of the most amazing examples of 20th century Japanese art. It features so many wonderful examples of great Japanese art forms...

Japanese rectangular suzuribako, lidded lacquer box with artfully and beautifully done with a dramatic design of blooming red hibiscus and its leaves, lacquer is raised and colors appear in layers, a most unusual and lovely technique, Taisho Period, signed and sealed tomobako: Setaro Imai, born Meiji 26 (1894). Size: 12 1/4" long x 11" wide x 2" high

"Diary March 5th '79" is a photographic silk screen print of a child holding a blanket in one hand with her other hand in a sling on a light ground of traditional woodblock technique. This is one of a series of "Diary entry" prints the artist is most famous for in which he depicts photographed scene from daily life. Born in 1940, Tetsuya Noda is considered to be Japan's most important living print artist...

"Diary June 3rd '78" is a photographic silk screen print of a child holding a blanket on a light ground of traditional woodblock technique. This is one of a series of "Diary entry" prints the artist is most famous for in which he depicts photographed scenes from daily life. Title, signature and date in pencil. Sealed with thumb print. Born in 1940, Tetsuya Noda is considered to be Japan's most important living print artist. He is a professor emeritus at Tokyo University of the Arts...

A pair of Japanese vintage bronze temple lantern. Each lantern is made of 3 sections, the base, the light housing and the crown. The crown has a scalloped rim with heart shaped designs and a beautiful finial...

A JAPANESE Gilt bronze model of a COCKEREL or ONAGADORI (LONG-TAILED COCKEREL)standing on a red lacquered wood stand probably late Meiji / Taishō period, the body is beautifully chiseled on every feather ,the tail is in two parts and they attach with a screw. The figure is unsigned. Dimensions h. 20", w. 6-3/4", d. 3-1/4"; overall h. 26", w. 9-1/2", d. 9-1/2"

Japanese mid 20th century bronze vase by metal artist NEYA CHUROKU (1897 - 1987). The tall vase is done with a dragonfly and autumn grass design. The vase measures 17 7/8" tall and 6" in diameter.

Japanese framed print titled "Whispers of Love", by famous artist Yoshitoshi Mori (1898-1992), numbered 6/50 in its series. The print is signed in pencil with red cartouche.

Dated 1976.

Dimensions: (entire frame) 42 3/4" L x 33 1/4" H (artwork only) 35 1/4" L x 26" H

Magnificent master work by Hirata Gōyō II (1903 - 1981) of a Bijin (young beauty). It features a wonderfully carved head and body cover with many layers of gofun oyster shell lacquer, with sumptuous brocade with gold thread wave pattern and applied chirimen silk with painted image of waves and cherry blossoms. circa 1945. 14.5 inches (37cm) tall...

Kawase Hasui (1883-1957)
Snow at Shiba Park (Shiba Koen no Yuki)
Date: 1931
Size: Oban. Approximately 15.25 x 10.25 inches.
Publisher: Watanabe Shozaburo.
Edition: First. Watanabe B seal (used 1927-32) in right margin.
Reference: Hotei #244.
Condition: Formerly matted with some tonal difference primarily near lower margin. One foxing mark in lower foreground.
Note: This famous Hasui design was also used later in a 1953 Pacific Transport Lines calendar.

A bright, beautiful woodblock print by Mayumi Oda (1941-present), headlining her exhibition in the Satori Gallery, San Francisco, January 1982. It is numbered 93/250 and signed/copyrighted in pencil. Largest prints she has made. Size: 39.5" height, 28" width

A small sized Kutani ware censer decorated with motif of chrysanthemums and calligraphy inscribed on a circular base and on the lid's hand scroll like design,all the work meticulously executed by hand. On one sides of the censer is a small detailed calligraphy of the entire poetry collection of the Manyoshu and Shinkokinshu. On the side with the silvery circular design are two poems, one from the Manyoshu, composed by Otomo no Yakamochi reads: In the garden, among the bamboo groves, the bush war...

Japanese Musha Ningyo of Jimmu, the First Emperor of Japan, made by Beishu. Beishu has Mukei Bunkazai status (Important Intangible Cultural Property). His Shoki shows great craftsmanship, with silk hair, glass eyes, gofun face and hands, with sumptuous silk brocade. This magnificent sculpture reaches the level of the master work of Beishu, whose work is found in museums and important collections of the Showa Period in Japan. Signed and dated 1960. 20 inches (51cm) high.

Large Japanese woodblock print by artist Mayumi Oda (1941-present) known for portraying male Buddhist deities as female. This print is titled "Victoria Invention, The Locomotive" Low numbered 6/30 in its series, and signed in pencil. Beautifully done. Size: 25.5" height, 19 3/4" width

Large Japanese woodblock print by Joichi Hoshi (1913-1979), signed in pencil, number 64/99 in its series. Gorgeous metallic silver background. Red artist's stamp in bottom corner. Set in heavy metal frame. Size: (entire frame) 21" height, 34.25" width (artwork only) 14.5" height, 27.25" width

Japanese Musha Ningyo of Shoki the Demon Queller, made by Beishu. Beishu has Mukei Bunkazai status (Important Intangible Cultural Property). His Shoki shows great craftsmanship, with silk hair, glass eyes, gofun face and hands, with sumptuous silk brocade. This magnificent sculpture reaches the level of the master work of Beishu, whose work is found in museums and important collections of the Showa Period in Japan. Signed and dated 1960. 21 inches (53.25cm) high.

Elegant Japanese bronze art deco vase with scalloped lip from the 1930s. The vase has 8 faces that start as an octagon at the base and rise up to a bulbous form. Unmarked vase. It measures 16.25" tall 6.5" wide at top.

Japanese Silk Embroidery Seascape, Unsigned, 16 x 17"

Charles W. Bartlett
Title: Kobe
Date: 1915
Board size: 12 x 8.75 inches. Image size: 10.75 x 7.25 inches.
Medium: Watercolor on paper.
Signed "C.W.B", titled, dated, and dedicated in pencil.
Condition: Painting is laid down to board. Paper toned in places.
Note: As signed, the work was painted in 1915, the year Bartlett arrived in Japan, and was subsequently presented as a Christmas gift in 1936.

Chinese Quan Yin from the second half of the 20th century. It is made of rare aromatic Cheng Xiang wood. The figure stands statuesque and unperturbed atop a turbulent sea holding a string of beads. The robes drape gently down the figure and almost flutter in the wind. It measures 16" tall, base 5" diameter.

Beautiful framed Japanese urushi-e painting by artist Hakuo Iriyama (born 1904 in Shirone, Niigata). Urushi-e is a style of Japanese art in which colored lacquers are used, along with mica and metal elements as accents. This piece depicts Mount Fuji, raised against a deep blue background, with etched rock formations in bright gold and orange lacquer at its peak, fading to brown lacquer with silver mica-powder mists floating around it. Bright pink lacquer tree branches with blooming cherry blosso...

A contemplative and artistic rendering of a lotus leaf bowl with deteriorated edges. The lotus is a symbol of purity, beauty and a metaphor in teaching Buddhism. The lotus bowl has a small frog sitting on the leaf's edge with outstretched leg. The underside of the leaf bowl has 3 characters of the artist's signature.

Meiji Period (1868-1912)

Dimensions: 9" x 8 1/2" x 1 3/4" H

Japanese Late 20th Century (1995) porcelain charger by master ceramicist, Ono Hakuko (1925-1996). The charger has the design of fern leaves and blossoms done in Ono Hakuko's signature style with gold leaf underglaze. The charger is signed "Haku" on the bottom. The charger comes with TOMOBAKO, or original wooden artist signed storage box. The box is also signed by Ono Hakuko's son, Ono Jiro. It also comes with TOMOGIRE, or original artist stamped wrapping cloth. The charger measure 15 5/8" in dia...

Bertha Boynton Lum (1869-1954)
Kites
Date: 1912
Size: 14.375 x 8 inches.
Pencil signed and copyrighted 1913 by the artist.
Edition: "197" noted at lower right.
Reference: Gravalos/Pulin No. 29.
Medium: Japanese woodblock print.
Condition: Wrinkle in lower margin. Paper at a back margin.
"..the wind fills them up till they look like fish" - Bertha Lum: American Printmakers, (Smithsonian)

Paul Jacoulet
La Gerbe D'Anthurium, Angur, Mer du Sud (The Spray of Anthurium Flowers, Angur, South Seas)
Date: July 15, 1951.
Fewer than 150 impressions made. This example has no edition seal visible. Jacoulet's fancy PJ seal is covering another seal on the back.
Size: 18.625 x 14 inches.
Ivy seal. Carver: Maeda. Printer: Honda.
Reference: No. 118 in The Prints of Paul Jacoulet by Richard Miles.
Condition: Excellent color. Light creasing in margins. Top back ...

A Japanese cast bronze Okimono of an octopus moving across the sea floor. Its eight legs and large head depicts this true-to-life mollusc in motion. The two large eyes constantly observe its surroundings ready to shoot its ink at any predator.

11″ high x 29 1/2″ wide diameter

An old Japanese temple lantern made entirely of bronze. Sacred jewel called Hoju is represented in the finial. Hinged door allows access to the interior.

Large Japanese framed print by Joichi Hoshi (1913-1979), signed in pencil, number 30/99 in its series, dated 1974. Scene of a silvery tree covered in snow with metallic silver on mint green ground.

Dimensions: 29" x 29.5" H (entire frame) , 22.25" x 23" H (print only)