Dark glaze covers this beautifully crafted Koro from Kawai Kanjiro dating circa 1936 enclosed in the original signed wooden box. It is 11.5 x 9 x 8.5 cm (4-1/2 x 3-1/2 x 3-1/2 inches) excluding the lid and is in excellent condition. The lid is of exotic hardwood with an agate finial, and is a later addition (Kanjiro did not make lids for his koro). For similar examples see the Katsukawa collection published in the biblical tome by the Kyoto National Museum of Modern Art...

Mashiko ware lidded jar by local potter Oushima Shou. H. 14.5" x Body Dia. 10.5". Purchased in 1965. Mottled light green Irabo-type glaze with some color changes on body. There are some chip repairs on the inside of the lid done in lacquer and synthetic gold (see detail photo.) The post-war years in Mashiko saw a growth in decorative pottery such as this...

Representing the culmination of over 1,000 years of Shigaraki potting tradition, this bold guinomi with rough exterior and natural ash glazing was produced by well-known and admired potter Takahashi Rakusai

Born Mitsunosuke, the eldest son of Takahashi Rakusai III, the fourth Rakusai potter succeeded the family name in 1976 with his father’s passing...

Dramatic waves are combed into the clay surface of this large Toban Platter by Living National Treasure Suzuki Osamu (Kura) covered in glass-like copper green; unusually signed and dated on bottom 1957 and enclosed in an artist signed wooden box...

A set of five yunomi by Suzuki Osamu enclosed in the original signed wooden box titled Kao no Aru Yunomi. Each cup has a small face on one side, pale glaze covering all but that smiling fellow and the foote. Each cup is 3 inches (8 cm) tall and in fine condition...

Japanese Brown Stoneware Tokkuri, Sake Bottle, 1980, heavily potted stoneware and Black splash design on one side, small flake chips around the top rim.

A thin roughly textured plate by avant garde Yagi Kazuo titled cryptically Nanbanzara (The Southern Barbarians Plate) and enclosed in a fine Shiho Kiri-wood box endorsed by his son Yagi Akira. It is 10 inches (26 cm) diameter and in fine condition.
Volumes have been written about pioneering artist Yagi Kazuo (1918-1979) and I am sure he needs no introduction. His birth on Independence Day seems to have been a portent of things to come...

A sculptural Green form by Yamazaki Akira (Yamazaki Koyo II, b. 1927), one of several enigmatic works we have acquired by this artist dating from the 1970s to early 80s. With the right lighting we can see a pattern of large black spots under the glaze on the bottom half of the body reminding me of the flintstones. The vase is 17 x 7-1/2 x 10 inches (43 x 19 x 25 cm) tall and in fine condition, signed on the base Akira. There is no box...

A stunning Globular Bizen vase like burnished bronze covered by a dusting of ash by living National Treasure Yamamoto Toshu enclosed in an artist signed wooden box. The style is called Sangiri, and Toshu has pulled it off to perfection here, the keen characteristic suiting this artists work. It is likely an older (pre-war) work boxed later. The vase is 7 inches (17 cm) diameter, roughly the same height...

Japanese 20th - 21st century floral design plate. The floral design starts at the bottom front of the plate and continues over the lip and up the inside of the plate, separated by black slip. Signed by artist on bottom. The plate comes with TOMOBAKO, original artist signed wooden storage box. The plate measures 10 3/4" in diameter and 3 3/16" tall.

Magnificent Ko Iga flower vase made by Zoroku Mashimizu (1861-1936)

Zoroku Masashimizu was born in Kyoto with the childhood name Jutaro.
After his father passed away, he devoted himself to pottery under the guidance of his mother, Chika. In 1882 he succeeded to the name Masashimizu Zoroku. In 1884 he received a medal at the Kyoto Exposition. He also won the first gold prize at the Nanto Expo. In 1917 he moved his kiln to Nishinoyama, Yamashina Ward, Kyoto City.
During t...

TEABURI BRAZIER

Refined Japanese ceramic 'teaburi' (small hand-warmer brazier) of minimally roundish cylinder form coated with calm glossy pale glazing, early 20th century, approx. H 20 x D 17cm (7.87 x 6.69in)...

Lovely signed Bizen ceramic sweets serving dish from the famed BIZEN KILNS. A twined wisteria handle holds the wood fired dish with natural glaze markings and 5 circles on the dish. 20cm H x 26cm wide x 28cm deep. Excellent condition. Ask for shipping quote.

Unusual early Showa period (1930s) ceramic sake cup made in nerikomi (agateware) technique, its body with vertical grooves all around the perimeter. Nerikomi (translated as “mix and pull up”) is achieved by laminating different colored clays together and throwing them on a wheel to develop a swirling and spiraling effect. Beautifully made, wonderful patterns, glazed on the inside for safe drinking, inscribed by the potter the bottom, very pleasant to hold...

A bottle form vase by important 20th century artist Yagi Kazuo enclosed in the original signed wooden box. The vase is 4 x 4-1/2 x 7-1/2 inches (10 x 11.5 x 19 cm) and in excellent condition.
Volumes have been written about pioneering artist Yagi Kazuo (1918-1979) and I am sure he needs no introduction. His birth on Independence Day seems to have been a portent of things to come. He was the son of the ceramicist Yagi Isso, and grew up surrounded by the characters of the Goja-zaka potter...

Raised designs in slip decorate the yellow glaze of this deep bowl by Kawai Kanjiro enclosed in a kiriwood box titled O-yu Tsutsugaki-mon Wan annotated by Kawai Toshitaka, current head of the Kawai Kanjiro Museum. This piece dates from later in the artists illustrious career, 1950s-1960s. It is 4 inches (10 cm) diameter, 3-1/4 inches (5 cm) tall and in excellent condition.
Kawai Kanjiro was a true artist by nature, and together with Hamada Shoji, set a pattern of study for modern potter...

1920s Japanese ceramic tokkuri - sake bottle - with conical body and narrow mouth. The piece was made at Shigaraki kilns - one of the six ancient kilns of Japan - and displays typical coarse body with large sand particles, freely applied gray glaze with some areas that fired brick red. Excellent piece in Japanese taste, beautiful spiral line on the bottom. Some compressed dust, overall in excellent condition. Height 5 3/8 inches.

An interesting tubular shaped Mashiko ware vase by Hasegawa Tsugio. The vase is done in the ash glaze method where the ash that circulates inside the kiln covers the fired piece creating interesting patterns and colors, late 20th century. Size: Height: 8" Length: 5" Width: 2.25"