Japanese Uchikake (wedding gown) in red and soft gold color. Because of the heavy use of silky gold thread in design, the gown, over all, looks orange than red, thick and the liner with the design of chrysanthemums. Approx. 40 to 50 years old), almost in new condition.
Dimensions: 51"W x 70 1/2"L (sleeve 40 1/2")

Japanese silk wedding gown with beautiful embroideries of flowers, cranes and the imperial gosho-carts. This is an older and top quality gown that is probably dated early to mid Showa period, 1930-1950; it belongs somewhere between antique gowns and newer gowns. The quality is different from later Showa period when most of the gowns were made for rental...

Japanese Silk Temple Cloth, uchishiki, Phoenix Ho-o bird
Measurements:
Silk, woven, cotton liner
Condition: Never been used

Old Japanese Silk Temple Cloth #2, Uchishiki
Measurements: 26 1/2" W x 23 " L without the white cloth area
Liner: Paper like fabric
Age: 1900-1940
Condition: Front side is in new condition

Kasuri Kimono. Kumejima, Okinawa Prefecture; ca. 1960. "Kumejima kasuri dorozome ni gyoku kasuri" (ikat, mud-dyed, 2 pattern per panel, kasuri kimono from Kumejima [an island of Okinawa Prefecture.]) L.60 x W.48” Kumejima tsumugi (Kumejima Silk Pongee) The stylized patterns depicted are described by the following Okinawan words: (squares) taachi busaa, (rectangles) mimichikitou “pig trough”, (lattice/check) kujiri koushi, (zig zag) miji fuu “water clouds”...

Kasuri Kimono "te-ui ai ji e-gasuri koushigara kimono" (Hand-woven indigo dye picture ikat lattice [checked] pattern kimono.) Yanagi Yoshitaka (7.25.1911 ~ 8.20.2003) Cotton, ikat weave. L.60 x W.48” ca. 1955 Yanagi Yoshitaka was a well-known Japanese weaver and textile educator. He was the nephew of Folk Craft Movement (Mingei Undou) founder Yanagi Soetsu, and was a founding member of Shin-Kougei Bu (New Crafts Club) along with his uncle and the potter Hamada Shoji...

Silk kimono decorated in yuzen technique with design of flowering stalks. Bamboo, cherry blossom and marigold. On the stalks small beetles crawl up. Outlines of flowers in silver. Inside partly lined with red silk. Japan, Showa period, mid 20th century.
Length 66 in. (168 cm), sleeve to sleeve 49 ½ in. (126 cm).
Few light stains, one torn seam at sleeve (ca. 2 in.), one small moth hole in seam of other sleeve, otherwise good condition.

Obi (sash) with design on both sides. One side taupe colored silk embroidered in brown, murasaki, pink, green and blue with a design of bamboo leaves and matsukawabishi. The other side decorated in silver and some colored silk on murasaki colored silk with an intricate design of a river bank with stone barricades, containers and vegetation: bamboo, pine, chrysanthemums and momiji. The end of the obi marked with two strokes of gold thread. Japan, early Showa period.
Length 151 ¾ in...

This is a vibrant and beautiful Japanese uchikake (wedding gown) design by Yumi Katsura, a top bridal ware designer from Japan. Her name and ‘Japon’ are woven on a large black square located on the lower part of the center edge. After graduating from college, Yumi Katsura studied in France and in 1964, she opened the first bridal ware rental shop in Japan...

A fabric in new condition (never been sewn), 13 7/8" in width. The remaining length is 3 yrds + 31 inches = 11'7" (3.53 meters).

Kasuri (Japanese ikat) roll with rabbits, flowers and geometric designs. The measurements: 14 1/4" width x 454"

These kasuri kimono are very durable, and made to be worn as casual work clothes. I hope you can see the tiny round patches used to strengthen the areas where the sleeves meet the body. There are no company or designer's labels on these kimonos, but the quality of the workmanship are superior. The fabric is still very starchy and stiff. It will take some washings before it becomes soft...

This kasuri kimono appears to be hand woven (to my eyes) and another Tsukurioki kimono in new condition. Tsukuri-oki means that it has been left unused after it was made into a kimono. This was caused by the drastic changes in their clothing especially after the World War II. In modern days, Kasuri kimonos have been associated with old women from the country-side, definitely for the non-fashionable group. These kasuri kimono are very durable, many were made to be worn as casual work clothes...

Beautifully hand sewn ka-gasuri summer kimono, partially lined with black and blue cottons, the color is dark blue to almost black, new condition with basting stitches. This is another Tsukurioki kimono. Tsukurioki means that it has been left unused after it was made into a kimono. These Kasuri kimonos have been associated with old women from the country-side, definitely for the non-fashionable group. These kasuri kimono are very durable, many were made to be worn as casual work clothes...

New Condition, hand sewn. I don't have a close up photos here, but I think this is hand woven. The katazome (stencil dye) cloth for the liner in the shoulder area. (I will try to take some close up photos sometimes later). Dimensions: 45 1/2" sleeve to sleeve, 23" shoulder and 36" long.

Japanese Wedding Gown with embroideries, some stains. There is no trace of being worn on this Uchikake wedding gown. The outer fabric is white (creamy, light tan) silk and the liner is also high quality silk which makes it very light in weight. There are some color migrations from the embroidery yarns. You can look at it as a bokashi (gradual shading), with the color change right around the embroideries...

Beautiful thick Kasuri cloth almost in new condition. Hand sewn with four panels, little cotton stuffing on reverse side. Dimensions: 51 inches x 62 inches

WEARABLE ART: This skirt is made out of an old Japanese man's obi belt, chrimen crepe silk with hand tie-dye "shibori". Freshly made out an obi from early 1900 to 1940. Medium size with elastic waist.