Japanese print by sosaku-hanga artist Haku Maki (1924-2000), titled "Work 74-7". It shows the profile of a tree with many long, twisting branches in a beautiful navy blue color against a metallic silver background. The outlines of the tree are embossed, giving it more depth and contrast. Numbered 83/153 and signed in pencil, with Maki's red signature stamp in the corner. Framed. Size: (entire frame) 11.75: height, 9.5" width (artwork only) 8.5" height, 6.25" width

Hiroshige Ando
Seven Ri Ferry Boat Approaching Kuwana
Publisher: Takemura Hideo. Bears round Takemura seal.
Date: 1930s. Collected after WWII but very likely from Takemura's pre-war stock.
Size: 5.5 x 3.5 inches.
Tipped at top to original greeting card.
Condition: Very good. Card discolored with hole at back cover.

Kawase Hasui
The Beach at Kaiganji in Sanuki Province, 1934.
Publisher: Watanabe Shozaburo. Bears the D seal, indicating a first edition.
Size: Oban, Approximately 15.25 x 10.25 inches.
Condition: Excellent with nearly invisible tone line near left margin.
A magnificent rare print.

Original shin-hanga woodblock print titled "Sacred Grove" by artist Tōshi Yoshida (1911-1995). It is a nature scene showing a red temple with golden doors and roof, partially obscured by trees. The forest floor is mossy and only a small bit of the sky peeks through the treetops. The print is framed behind glass with a large wooden border. The photo shows reflection on the glass but the print is perfect. Size: (entire frame) 16" height, 12" width (print only) 9" height, 6.5" width

Japanese large print entitled "Fruit" by the artist Reika Iwami. She was born in 1927, graduated from the Tokyo Bunka Gakuin Art College. She studied the art of doll-carving and worked under the national treasure, Hori Ryūjo before becoming a print artist in 1954. This print exemplifies her use of large abstract shapes and a muted pallet. In this print, Iwami has used mica and an embossing technique. Signed in graphite, dated 1959...

Tsuchiya Koitsu
Summer Moon at Miyajima
Size: Approximately 16.75 x 11.25 inches.
Date: 1936. This edition is postwar (1950-1963).
Koitsu.com catalog no. TK-DH-036.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi.
Condition: Excellent. Full margins on all sides.

Ohara Koson
Fox between reeds near moonlit water.
Date: ca. 1930.
Size: Oban. Approximately 15.0 x 10.5 inches.
Publisher: Kawaguchi and Sakai. Seal in left margin.
Reference: No. S41.4, p. 212 in "Crows Cranes and Camellias: The Natural World of Ohara Koson" (Reigle Newland).
Condition: Very good. Toning line evident at margin.
A rare design.

Kawase Hasui
Rain at Shinobazu Pond
Date: 1929.
Size: Oban. Approximately 15,25 x 10.0 inches.
Publisher: Watanabe Shozaburo. Bears the Watanabe A seal in the right margin, indicating a first edition.
Condition: Very good. Light toning and fading.

Kawase Hasui
Hachirogata Lagoon in Akita District
Date: 1927.
Size: Oban. Approximately 15.0 x 10.0 inches.
Publisher: Watanabe Shozaburo. Bears the Watanabe A seal in the right margin, indicating a first edition.
Condition: Very good. The margins have been repaired by a conservator. The verso is toned.

Japanese print of a seated Buddha by the artist Shiko Munakata (1903-1975). A member of the sosaku-hanga movement and the mingei folk arts movement in Japan. As a young artist, Munakata was influenced by Vincent Van Gogh and studied oil painting. Later he was inspired by Buddhist religious imagery which became the main subject matter of many of his prints...

Japanese print entitled "Last Supper" by Sadao Watanbe. Sadao Watanabe (1913-1996) was part of the Mingi (folk art) movement in Japan which involved the use of natural materials. Watanabe's early boyhood job as a textile dyer has influence his work greatly. He used organic mineral pigments with a soybean milk binder (katazome) on hand crumpled paper (momigami). Watanabe's upbringing as a Christian is the main influence of his subject matter...

Elizabeth Keith (1887-1956)
Little Pavilion, Peking, 1935.
(aka. Little Pavilion, Coal Hill, Peking)
Size: Approximately 14.75 x 9.25 inches.
Publisher: Watanabe Shozaburo.
Condition: Excellent with a couple of very faint creases. Title noted in pencil on back.

Elizabeth Keith (1887-1956)
Shopping at the Chang Men, 1925
(aka. Outside Chang Man Gate, Peking)
Size: Oban. Approximately 16.0 x 11.5 inches.
Publisher: Watanabe Shozaburo.
Condition: Excellent with small surface spot at left edge. On verso, paper remnants at top corners. Title noted in pencil on back.

Beautiful woodblock entitled Horse in Armor and Butterfly by Tadashi Nakayama, many colors, made with many carved blocks and colors, silver and gold leaf, image of a standing horse head turned toward a butterfly, signed and dated 1972, print no. 28 of 75.

Size of art only: 33 1/4" high x 21 1/2" wide. Size of paper: 40" high x 27 1/2" wide.

Magnificent woodblock print of a running horse by Tadashi Nakayama, many colors, made with many carved blocks and colors, silver and gold leaf, image of a horse running through a field of poppies, untitled horse, print no. 47 of 75, signed and dated 1974.

Size of art only: 30 1/4" high x 21 1/2" wide. Size of paper: 38" high x 27 1/2" wide.

A fine Japanese ranma or transom with an image of a bush warbler perched on a flowering plum tree. Often bush warblers are a symbol of the coming of spring. Age: 20th century. Size: Length 73.25" Height 14.8"

Kawase Hasui
Hida Kamagatake
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1933. This is a lifetime edition published between 1946 and 1957.
Publisher: Watanabe Shozaburo. Bears the red 6mm seal.
Condition: Very good. The tonal difference at the lower right corner appears to be an impression flaw, rather than a matte line.
A rarely seen Hasui image.

Hiroshi Yoshida
Three Little Islands, 1930.
Bears the jizuri seal in the upper left margin, indicating self-printing by the artist. Also signed in pencil.
Size: Oban. Approximately 15.50 x 10.25 inches.
Condition: Excellent.

Paul Jacoulet
Le Nid, Coree (The Nest, Korea).
Date: December 14, 1941.
Size: Dai-oban.
Edition: 120/150. Prints from this original edition of 150, which has more muted colors, are exceedingly rare.
Carver: Maeda.
Condition: Very good...

Paul Jacoulet
Le Mandarin Aux Lunettes, Mandchoukuo (The Mandarin with Glasses, Manchuria).
Date: May 22, 1950.
Size: Dai-oban. Approximately 19 x 14 inches.
Edition: 231/250.
Carver: Maeda, Printer: Uchikawa.
"Note the mica of the lenses, made by using crushed pink pearls." - Richard Miles, The Prints of Paul Jacoulet.
Medium: Japanese woodblock print.
Condition: Slight fading. Toning on verso.

Paul Jacoulet
Les Perles, Mandchoukuo
Size: Dai-oban.
Date: December 28, 1950.
Edition: 297/350.
Carver: Maeda, Printer: Ogawa.
Medium: Japanese woodblock print.
Condition: Very good color and condition. Toning at back.
"More than 300 individual impressions of nearly 60 blocks were needed to create this ultimate technical tour de force of twentieth century art." - Richard Miles, The Prints of Paul Jacoulet.

Paul Jacoulet
L'Attente, Celebes Menado
Size: Dai-oban.
Date: September 15, 1947.
Edition: 175/350.
Carver: Maeda, Printer: Fujii.
Condition: Excellent.
"The pink background is sprinkled with bits of silver leaf… The curl of smoke from the lady's cigarette is gauffrage." - Richard Miles, The Prints of Paul Jacoulet.

Kawase Hasui
Torii Gate in Snow
Date: 1930s.
Publisher: Watanabe Shozaburo.
Image size: Koban. Approximately 5.5 x 3.5 inches.
Condition: Excellent. Tipped at top and bottom to original cardstock.

Ohara Koson (Shoson)
Praying Mantis and Bees (Wasps)
Size: O-tanzaku. Approximately 14.25 x 7.75 inches.
Date: ca. 1910.
Publisher: Daikokuya.
No. K.40.9 in "Crows, Cranes and Camellias: The Natural World of Ohara Koson (Riegle Newland)." Illustrated on page 101.
Condition: Excellent.
Very rarely seen.

Woodblock Print of Traditional Japanese Folk Potteries by Serizawa Keisuke. Issued by Nihon Mingeikan (Japan Folk Craft Museum) in 1970. H. 20"(51cm) x W. 26"(66cm.) Excellent colors, light toning to paper. Printed text in English. See also SK-2 in Japanese. Keisuke Serizawa (5/13/1895 - 4/5/1984) was designated a Ningen Kokuho (National Living Treasure) in 1956 for his work in katazome stencil dyeing...

Woodblock Print of Traditional Japanese Folk Potteries by Serizawa Keisuke. Issued by Nihon Mingeikan (Japan Folk Craft Museum) in 1970. H. 20"(51cm) x W. 26"(66cm.) Excellent colors, light toning to paper. Printed text in Japanese. See also SK-1 in English. Keisuke Serizawa (5/13/1895 - 4/5/1984) was designated a Ningen Kokuho (National Living Treasure) in 1956 for his work in katazome stencil dyeing...

A Japanese print done by the noted contemporary Japanese artist, Tadashi Nakayama (1927~). The image is a view of a section of a shrine building at Heian Jingu in Kyoto. Tadashi Nakayama is known for creating prints combining traditional elements from ukiyoe woodblocks and Western oil paintings. Age: 1961. Size: length 28.75" height 24.5"

Kawase Hasui
Kawai Bridge
Date: 1930s
Size: Koban. Approximately 7.5 x 5.0 inches.
Provenance: The Robert O. Muller collection
Condition: Excellent.

Kawase Hasui
The Shrine of Kasuga at Nara
Date: 1935
Size: Oban. 14.0 x 9.75 inches.
Publisher: Shimbishoin (for Japanese Government Railways)
Bears the oval Hasui seal
This print is as issued by the Railway on it's original display backing with string hanger. The original description tag is on the verso.
Condition: Light soiling and toning.
Very few of these survive...

Tsuchiya Koitsu
Miyajima in the Rain
Date: 1941.
Size: Oban. Approximately 16.75 x 11.0 inches.
Publisher: Doi Hangaten. Doi watermark.
Carver: Harada: Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: Koitsu catalog no. TK-DH-066
Medium: Japanese woodblock print.
Condition: Very good. Margins and margin corners toned.

Noel Nouet(1885-1944)
Kuromon, 1936. From the 24 Views of Tokyo series.
Size: Oban. Approximately 15.5 x 10.25 inches.
Publisher: Doi Hangaten. Carver: Ikeda, Printer: Yokoi. Bears the Doi watermark.
An early edition of rarely seen design.
Medium: Japanese woodblock print.
Condition: Excellent.

Wooden five storied pagoda done in the style just as the actual structures appear including the wooden joints and key architectural elements that are conjoined together to create the structure. Fine worksmanship is done with the balustrades, roof, and the are under the roof known as the mune in Japanese. Age: 20th century Size: height 84" width 16" length 16.25"

Tsuchiya Koitsu
Onomichi Saikokuji, December 1935
Size: Mitsugiriban. Approximately 16.0 x 7.25 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-10
Condition: Tipped at top to original cardstock. Wavy crease and and light foxing.

Tsuchiya Koitsu
Nara Horyuji, 1930s
Size: Chuban. Approximately 10.5 x 7.5 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-72
Condition: Tipped at top to original cardstock. Toning and light foxing.

Tsuchiya Koitsu
Himeji Castle, March 1936
Size: Mitsugiriban. Approximately 16.0 x 7.25 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-14
Condition: Tipped at top to original cardstock. Toning and light foxing.

Tsuchiya Koitsu
Port Tomo, May 1939
Size: Chuban. Approximately 10.0 x 7.5 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-54
Condition: Tipped at top to original cardstock. Very light foxing.

Kawase Hasui
Late Autumn at Lake Yamanaka
Size: Oban. Approximately 15.25 x 10.5 inches.
Date: 1947
Publisher: Watanabe Shozaburo. Bears the Watanabe 6 mm seal, consistent with a lifetime strike and first edition.
Condition: Excellent. Light tone at margin.
A breathtaking view of Mount Fuji with sunlit foreground in a rarely seen Hasui design.

Shapely vintage Japanese wood crane, bending with fish in beak, naturalistic. Artist signature reads "Taro". Showa Period c. 1950 Size: 20.75" height x 10.5" length x 6.75" deep.

Arai Yoshimune
Pine Beach by Moonlight
From the Hasegawa Night Scenes series.
Date: 1910s. Printed 1938-1960.
Size: Chuban. Approximately 11.0 x 8.0 inches.
Publisher: Nishinomiya Yosaku
Condition: Excellent with slight waviness at top margin.
- A rarely encountered night scene design.

Kawase Hasui
Lake Chuzenji, Nikko, 1930.
Size: Oban, approximately 16.5 x 11.25 inches.
This is a very desirable edition published in the 1950s by Shobisha, which acquired publishing rights from Kawaguchi and Sakai.
Bears the round, red seal used by Shobisha in the 1950s on the verso.
Condition: Excellent. One corner has a light crease at the margin.

Helen Hyde
A Summer Girl, 1905.
Image size: 7 1/4 x 2 3/8 inches.
Paper size: 11 3/4 x 4 1/2 inches.
Signed in pencil, sealed and monogrammed by the artist.
Condition: Excellent.

Tsuchiya Koitsu
Yaizugahara
Date: 1937
Size: Approximately 5.75 x 3.75 inches.
Publisher: Doi
Reference: Koitsu catalog TK-DH-113.
Bears the Koitsu seal and the Doi seal.
Medium: Japanese woodblock print.
Condition: Excellent.

Kawase Hasui
Lingering Snow at Hikone Castle, 1934
Series. Selection of Views of the Tokaido Publisher: Watanabe Shozaburo.
First edition. Bears the Watanabe C seal (sausage seal) used between 1929 and 1942.
Size: Oban. Approximately 15.50 x 10.25 inches.
Reference: Hotei #226.
Medium: Japanese woodblock print.
Condition: Slight age toning.

Tsuchiya Koitsu
Arashiyama
Date: 1930s. Size: Chuban. Approximately 10.25 x 7.5 inches.
Publisher: Takemura. Koitsu.com catalog number: TK-TM-64
This print is rare.
Condition: Excellent.

Elizabeth Keith (1887-1956)
Lama Priest, Peking
Date: 1922.
Signed in red pencil by the artist. Monogrammed and dated.
Size: Oban. 15.25 x 10.25 inches.
Condition: Very good. Pencil notes on back with tape pieces at back top corners.

Cyrus leRoy Baldridge (1889-1977)
Peking Winter, 1925
Edition 194/200
Publisher: Watanabe Shozaburo. Size: Oban, approximately 15.25 x 10.25 inches.
Dedicated: "For John Happer" John Stewart Happer was a famous author on Japanese woodblock prints.
Condition: Five wormholes. Otherwise very good condition.

Muto Katei (b. 1910)
Engakuji Temple in Kamakura
Publisher: Watanabe Shozaburo. Bears the Watanabe 6mm seal, indicating an early edition.
Date: 1954
Size: Oban: Approximately 15.5 x 10.5 inches.
Condition: Pristine. Never displayed. Removed from original folder for archival storage.
Muto Katei studied printmaking under Kawase Hasui.
The unusual color palette works beautifully in this image.

Tsuchiya Koitsu
Fishing Boat Returning at Sunset, Yabase, 1933.
Publisher: Watanabe Shozaburo. Bears the round 6mm seal. This seal was used between 1946 and 1957.
Size: Oban. Approximately 15.5 x 10.5 inches.
Condition: Pristine. Never displayed. Removed from original presentation folder for archival storage.
A rarely seen work.

A magnificent and detailed noh mask known as Shojo, which is used specifically for the play that contains the same name as the mask. Shojo originated in China as a mythical beast and was imported to Japan as a sake loving creature. In Noh theater, the play is performed for festive and auspicious occassions where the character is dressed in a colorful noh costume and wearing a red wig...

Toshi Yoshida (1911~1995)
Depicting: Night snow scene
Print size: 5.5 x 4.0 inches.
A woodblock print tipped at the top to a Japanese Christmas card from the 1950s.
Bears the Yoshida seal.
Condition: Light foxing at roof on left. Inside of card has tears.

Takahashi Shotei (Hiroaki)
Onward to the Sea-gall
Date: 1939-40
Publisher: Shobido Tanaka
Shotei.com no. ST-40.
Globe's Catalog No: C-562
Size: 6.0 x 4.0 inches.
Medium: Japanese woodblock print.
Condition: Very good.

Kawase Hasui
Temple in Snow
Date: ca 1930s.
Publisher: Watanabe Shozaburo.
Size: 7.25 x 5.0 inches.
Condition: Excellent. Tipped at top edge to original sheet.
This print does not appear in Kawase Hasui: The Complete Woodblock Prints. We could find only one other example.

Kawase Hasui
Winter Moon Over Toyama Plain, 1931
Publisher: Doi Hangaten.
Carver/printer: Harada/Yokoi. This seal combination indicates an early post-war edition. Its pre-war use has also been widely debated.
Size: Oban. Approximately 15.5 x 10.5 inches.
Condition: Slight ripple at top margin. Otherwise excellent.

Japanese Noh performance mask of Ko-omote the youthful beauty, made of carved wood with painted features. Size: 8 1/4" high x 5 1/4" wide.

Toshi Yoshida (1911~1995)
Depicting: Snowy street
Print size: 5.5 x 3.75 inches.
A woodblock print tipped at the top to a Japanese Christmas card from 1953.
Bears the Yoshida seal.
Condition: Excellent.

Kashigata (wooden sweet mold,) Berry motif; Japan, early 20th C. 6-piece sweet mold. L.13"(33cm) x W.1.75"(3.5cm) x H.0.375"(1cm.) Condition Note: Bottom piece of mold only. No top cover. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production. Materials such as wood, ceramic, glass...

Kashigata (wooden sweet mold,) Kame (turtle) motif; Japan, early 20th C. Paddle-type mold to make 4 pieces sweets. L.13.75"(35cm) x W.2"(5cm) x H.1"(2.5cm.) The turtle symbolizes long life in many Asian cultures and was a popular motif for celebratory occasions such as weddings and New Year's. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany,...

Kashigata (wooden sweet mold,) Sakura (Cherry Blossom) motif; Japan, early 20th C. Paddle-type mold to make 2 pieces sweets. L.14.25"(36cm) x W.3.5"(8.75cm) x H. 0.75"(2cm.) The cherry blossom is a well-known symbol of spring, beauty, and the fleeting nature of life in Japanese culture. Most likely, these molds were used for sweets in the spring season. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China...

Kashigata (wooden sweet mold,) Shiitake Mushroom motif; Japan, early 20th C. Paddle-typ mold to make 4 piece sweets. L.14"(36cm) x W.2.75"(7cm) x H. .875"(2.25cm.) Condition Note: Insect damage to side of paddle. The wrinkled cap of the shiitake mushroom symbolizes old age and long life. It was used as a symbol of such on celebratory occasions. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, ...

Kashigata (wooden sweet mold,) Ninjin (carrot) motif; Japan, early 20th C. Paddle-type mold with handle. L.12.375"(31.5cm) x W.3.25"(8cm) x H.1.25"(3cm.) Name of confectionery "Shirokiya" on side. Condition Note: minor insect damage to back of paddle. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history o...