Kawase Hasui
Kankai Temple, Beppu Hot Springs, 1927
Publisher: Bijutsusha. One of only eight Hasui designs published by Bijutsusha. Bears the red "Rumi" publisher's seal.
Size: Oban, approximately 15.0 x 10.25 inches.
Condition: Unframed. Excellent. A small (2 mm) hole in the dark green foliage has been invisibly repaired by a conservator. Short green dash in grey upper right sky.
A lush landscape format print and a rare design...

Ohara Koson
Matsushima - A bay with rocky islands and a sailing boat seen from above
Date: 1900s-1910s.
Size: Chuban. Approximately 10.5 x 8.25 inches.
Reference: K44.15 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.
A very rarely seen seascape. "Made in Japan" stamp on verso.

Kawase Hasui
Hachirogata Lagoon in Akita District
Date: 1927.
Size: Oban. Approximately 15.0 x 10.0 inches.
Publisher: Watanabe Shozaburo. Bears the Watanabe A seal in the right margin, indicating a first edition.
Condition: Very good. The margins have been repaired by a conservator. The verso is toned.

Japanese large print entitled "Fruit" by the artist Reika Iwami. She was born in 1927, graduated from the Tokyo Bunka Gakuin Art College. She studied the art of doll-carving and worked under the national treasure, Hori Ryūjo before becoming a print artist in 1954. This print exemplifies her use of large abstract shapes and a muted pallet. In this print, Iwami has used mica and an embossing technique. Signed in graphite, dated 1959...

Ohara Koson
Goshawk on snowy branch
Size: o-tanzaku. Approximately 14.5 x 7.5 inches.
Date: Early 20th century.
Publisher: Daikokuya.
Reference: Crows, Cranes and Camellias: The Natural World of Ohara Koson (Amy Reigle Newland),#K13.12. page 184.
Condition: Stable crease just under top margin. Otherwise excellent.
Another rarely seen Koitsu design.

Japanese. Woodblock print by Kawasaki HASUI 'Evening at Itako' 1930. Image 36 x 24 cm. Currently framed but can be removed for shipping. Strong colour some fading.

A large framed woodblock print by artist Ouchi Makoto (1926-1989). Ukiyo-e style images of fierce warriors and a demon appear in the two front paper blocks, and have kanji that has been cut from the tops. A beautiful maiden appears in the third block, while a large wave appears in the last, a nod to the famous woodblock artist Hokusai. Ouchi has created great depth with his techniques of color gradation, shading, and perspective. The piece is signed at the bottom in pencil, and numbered 5/60...

Kashigata (wooden sweet mold,) Sensu (fan) motif; Japan, early 20th C. L.9.375"(23.75cm) x W.4.125"(10.5cm) x H.1.75"(4.5cm.) Condition Note: one of the posts connecting the top to bottom pieces is missing. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production...

A Japanese print done by the noted contemporary Japanese artist, Tadashi Nakayama (1927~). The image is a view of a section of a shrine building at Heian Jingu in Kyoto. Tadashi Nakayama is known for creating prints combining traditional elements from ukiyoe woodblocks and Western oil paintings. Age: 1961. Size: length 28.75" height 24.5"

Japanese framed print by Shigeru Izumi (born 1922), titled "New House", number 9/20 of its series, and signed in pencil.

Size: 30.5" L x 22.25" H (entire frame)

Japanese framed woodblock print by sōsaku hanga artist Haku Maki (1924-2000). This print is titled "Hantou - 75", number 32 in its series and signed with a red cartouche. Depicted is a glossy, embossed vase with silver embossed flower buds. Size: (entire frame)14" height, 11.25" width (artwork only) 9" height, 6.25" width

Woodblock Print "Cheing Blossoms by the Gate", Pencil Signed Toshi Yoshida, circa 1950's

The print is unmounted. It is 15.9 inches (40.1 cm) by long 10.8 inches (27.3 cm) wide.

It is in good condition with no stain, tears, foxing, or crease, except two pin size holes at the edge ( as seen in the photos).

Large format photos available upon request.

Our Guarantee: We stand behind all of the items that we sell...

Kashigata (wooden sweet mold) with double Kiku (chrysanthemum) motif, early 20th C., Japan. L.8.75"(22.5cm) x W.4.25"(10.5cm) x H.1.75"(4.5cm.) This mold has two chrysanthemum blossoms, a symbol of beauty and abundance in late fall and winter. On the side, the sweetmaker has written "an iri no natsume" (sweet red bean paste filled jujube) to indicate for which of type of sweet this mold was used...

Kashigata (wooden sweet mold,) Shiitake Mushroom motif; Japan, early 20th C. L.5.25"(15cm) x W.3"(7.5cm) x H.1"(2.25cm.) Condition Note: Bottom piece only, no cover piece. The wrinkled cap of the mushroom symbolizes old age and long like. It was used for celebratory occasions that called for such symbolism. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia...

Kashigata (wooden sweet mold) with image of Jou (old man from the Noh play "Takasago.") Early 20th C, Japan. L.7.75"(9.5cm) x W.3.375"(8.5cm) x H..75'(2cm). Bottom portion of mold only. The image of Jou, the old man raking leaves and the companion of Uba, is from the ancient Noh play "Takasago." Alone or accompanied by Uba, Jou is a symbol of a long married life and fidelity...

Japanese print by sosaku-hanga artist Haku Maki (1924-2000), titled "Work 74-7". It shows the profile of a tree with many long, twisting branches in a beautiful navy blue color against a metallic silver background. The outlines of the tree are embossed, giving it more depth and contrast. Numbered 83/153 and signed in pencil, with Maki's red signature stamp in the corner. Framed. Size: (entire frame) 11.75: height, 9.5" width (artwork only) 8.5" height, 6.25" width

Kashigata (wooden sweet mold,) Berry motif; Japan, early 20th C. 6-piece sweet mold. L.13"(33cm) x W.1.75"(3.5cm) x H.0.375"(1cm.) Condition Note: Bottom piece of mold only. No top cover. Sweet molds, “kashigata,” have been a part of confectionary culture around the world. Well-known examples in Asia come from Japan, China, Korea, and Indonesia. In Europe; countries such as Germany, Holland, and England have a rich history of cake mold production. Materials such as wood, ceramic, glass...

Tsuchiya Koitsu
Onomichi Saikokuji, December 1935
Size: Mitsugiriban. Approximately 16.0 x 7.25 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-10
Condition: Tipped at top to original cardstock. Wavy crease and and light foxing.