This marked Dr. Wall period Worcester soft paste porcelain platter has beautiful, crisp "blue scale". It would make a fine addition to an important collection.

Condition: excellent Height: 8 inches

This set of 12 plates was produced in France in the mid 19th century. They are marked with the underglaze Sevres markings but were probably made by a Paris decorator. Each plate is artist signed. They are 9 3/8 inches in diameter. They are made of soft paste porcelain. The set is elaborately hand painted. The center of each place has a different Watteau scene. The style of painting is romantic, soft and dreamy. The borders have etched cartouches and gilding. Delicate and colorful flower...

How rare it is to find an early soft paste porcelain platter of this size, 16" X 20". This platter in excellent condition is made by the "Bow" factory circa 1765

Condition: excellent Width: 16 inches, Length: 20 inches

Blue & White Soft Paste Vase with Pomegranates, 18th Century

The vase is 8 inches (20 cm) tall, and 6 inches (15 cm) in diameter.

It has hairline cracks, glaze crazing, stains, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you nee...

Persian Heriz hand knotted wool carpet, room size 9' x 12 1/2' Ca. 1950's, beautiful reddish geometric design in the center bordered by dark blue background, typical Heriz design, the condition is good, nice soft wool touch on the surface and very clean and in good condition.

A thick-walled censer, shaped like an urn with “Heaven soaring” handles, standing on a three legged base. Both censer and base have been polished in the past but are now achieving a decent patina. The censer fits the base perfectly. The base has an interesting mark. 19th century.

Approximately 19 cm diameter, 22 cm high (on stand). In good condition overall with only some signs of use on the belly of the censer to report. The censer and stand weigh 4.3 kg.

Please s...

Late Ming Dynasty, 1500s

This deep bowl is stoutly potted, being rather heavy toward the base, with the wall thinning gradually to the slightly flaring rim. It rests on a tall, thick footring, with a deep base that is glazed down to the dense, white porcelain paste that is exposed with some kiln grit adhering. The design in underglaze cobalt blue is of chrysanthemums, grasses and three stylized bats. The interior has a broad unglazed ring around the bottom to allow it to be stacked during ...

Persian Sarouk Wool hand knotted large size Carpet, Ca. 1910, 10 1/2' x 15', very small hand knots for large carpet with dark blue and dark maroon reddish colors mainly, very rich and deep colors of floral and vines spread out on the soft wool surface which is evenly worn over the years. Two(2) shaped panels design on both ends and bordered by beautiful soft colors of typical Sarouk small patterns. The condition is evenly worn, no major damages, clean and no stains, edges are fine, ready to us...

Jiaqing Period, ca. late 1700s

Each vase is decorated overall with various flowers on a medium-blue enamel ground within a continuous geometric fretwork pattern of gilt wires. Both the rim and base is gilded, now having some wear showing on each vase. The square area on the base is left from an old sticker removed in the past. Both vases have a melon form label body with a flaring mouth rim that is partially gilded inside. The interiors are not enameled and the old bronze has taken on a gr...

Beautifully Framed Zen Buddhist Painting of a Pair of Cranes Flying Past the Moon by the Famous Korean Jeju Island Monk, Ko Chang Nyul aka Jung Kwang Sunim aka the Mad Monk (1935-2002). The third photo here is from a prominent dealer's "sale" going on right now on Jung Kwang paintings, where you will see the prices are several times higher than mine. This other gallery has been in business for over forty years and has sold to many of the major museums. A google search of Jung Kwang Mad Monk will...

Signed Studio Piece

Signed studio original hand hammered brass bold kinetic pendant necklace sculpture that frames a tree with nine branches of sterling silver, brass and copper with two antique faceted red amber beads. Looks equally well in a shadow box on your wall, window hanging art piece or around your neck. It was wrought in a USA studio in the in the Mid Century Modernist or Arts and Crafts tradition by this self directed metalart maker and signed Mimi Dee - Handmade.

*Bold n...

Signed studio original hand hammered brass bold kinetic ethnographic like pendant necklace sculpture with four major segments which include an added bold carved carnelian ear of corn dangle.

Looks equally well in a shadow box on your wall, window hanging art piece or around your neck. It was wrought in a USA studio in the in the Mid Century Modernist or Arts and Crafts tradition by this self directed metalart maker and signed Mimi Dee - Handmade.

*Bold north to south: 8" X 3...

Rare Chinese Neolithic Pottery Tripod with Oxford TL Test

This fine and interesting pottery vessel was made over 3,000 years ago during the Chinese Neolithic or early Bronze Age. The form is of a cooking vessel and the three wide udder-shaped legs allow it to be stood in a fire with as much heat as possible being transmitted to its contents. It is not always easy to determine exactly which culture such vessels come from as similar vessels were made by various Chinese cultures. However, we un...

Rare Chinese Sui Dynasty Glazed & Painted Pottery Horse & Rider (AD 581 - 618) (Ex. Roger Moss Collection)

This rare and finely-detailed model of a horse and rider was made during the Sui Dynasty. The horse stands upright with head straight ahead but slightly lowered. The dignitary sits upright upon the horse with his hands raised and wears elaborate robes and headgear. It is made from a relatively highly-fired buff-coloured pottery. It is coated in a finely-crackled straw-coloured glaze tha...

Offered is an extremely rare, C1920s, Federal agency building sign denoting offices for the Bureau For Colored Children. It is quite likely that this 100+ year old sign remains the only one in existence today.

Given that this sign is clearly segregating services for African-American children despite the fact that this was a federal agency, one can only hypothesize that this sign was placed on the exterior of a federal building in a state that endorsed and enforced segregation.

A quick hist...

"Best work ever in English on Chinese funerary figures. . " New Reference Book: Celestial Horses and Long Sleeve Dancers: The David W. Dewey Collection of Ancient Chinese Tomb Sculpture by Robert D. Jacobsen (English Edition).

Whereas many books on this subject will repeatedly describe and illustrate the same ancient Chinese pottery objects on display in public museums, this outstanding book contains fine photographs of items from a most impressive private collection: items not previousl...

Geese and Reeds Painting (Noando) on fine silk mounted on luxurious gold silk by Yang Ki Hun aka Seokyeon (1843-1897) from Pyeongyang, signed Seokyeon. Yang Ki Hun's signature 'boneless' style (painting without outlines, using ink washes) beautifully captures light and shade. The literal meaning of 'noando' is reed and geese painting, but it is a play on words, as 'no' means both reed and old, and 'an' means both geese and comfort ('do' means painting). So 'noan' can mean 'reed and geese' or 'ol...