This beautiful Dr. Wall period Worcester soft paste porcelain compote is a large early piece with fancy birds decoration and blue border. Its probably from the Giles workshop.
Condition: excellent Height: 11 inches
This marked Dr. Wall period Worcester soft paste porcelain platter has beautiful, crisp "blue scale". It would make a fine addition to an important collection.
Condition: excellent Height: 8 inches
A First Period Dr. Wall Worcester teabowl, of octagonal form, with a slightly everted rim, printed in outline and delicately hand coloured with the "Red Bull" pattern, the borders with half flowerheads alternating with green diaper panels. This is the rare early version of this pattern when Worcester first started using printed patterns. The pattern is based on a Chinese famille rose design from the Yongzheng period and appears circa 1754-56.
Condition is excellent, with bright colors, and ...
This set of 12 plates was produced in France in the mid 19th century. They are marked with
the underglaze Sevres markings but were probably made by a Paris decorator. Each plate is artist signed. They are 9 3/8 inches in diameter. They are made of soft paste porcelain. The set is elaborately hand painted. The center of each place has a different Watteau scene. The style of painting is romantic, soft and dreamy. The borders have etched cartouches and gilding. Delicate and colorful flower...
How rare it is to find an early soft paste porcelain platter of this size, 16" X 20". This platter in excellent condition is made by the "Bow" factory circa 1765
Condition: excellent Width: 16 inches, Length: 20 inches
Late Ming Dynasty, 1500s
This deep bowl is stoutly potted, being rather heavy toward the base, with the wall thinning gradually to the slightly flaring rim. It rests on a tall, thick footring, with a deep base that is glazed down to the dense, white porcelain paste that is exposed with some kiln grit adhering. The design in underglaze cobalt blue is of chrysanthemums, grasses and three stylized bats. The interior has a broad unglazed ring around the bottom to allow it to be stacked during ...
Jiaqing Period, ca. late 1700s
Each vase is decorated overall with various flowers on a medium-blue enamel ground within a continuous geometric fretwork pattern of gilt wires. Both the rim and base is gilded, now having some wear showing on each vase. The square area on the base is left from an old sticker removed in the past. Both vases have a melon form label body with a flaring mouth rim that is partially gilded inside. The interiors are not enameled and the old bronze has taken on a gr...
Large shrine, zushi, made on special order for a temple. Inside, right in front of the back wall is a silk covered panel. Towards the bottom of the panel, on a gold background, are painted Fugen Bosatsu on his companion the elepahant, and Monju Bosatsu, sitting on the back of his companion the tiger. Above them, set in the center of a red painted circle is a circular crystal reliquary, sitting on a gilt bronze lotus dais, surrounded by gilt bronze flames, forming the wish granting jewel hojugata...
The size of Framed Lithograph: 32" W x 26 3/4" H x 1"
Sheet Size: 25 1/8" W x 19 1/2" High
Image Size: 22" W x 16 3/8" HIgh
Artist : Marcia Banks
Title: Oyster Bay
Medium: Offset Lithograph on thick art Paper.
Signed: On lower Right, M. Banks in pencil
Edition No.: AP (Artis Proof) in pencil on lower left.
Year Published : 1990's
Her profile Sheet attached on the back of frame.
Condition of Frame and Print: Excellent, Mint condition.
Th...
Signed Studio Piece
Signed studio original hand hammered brass bold kinetic pendant necklace sculpture that frames a tree with nine branches of sterling silver, brass and copper with two antique faceted red amber beads.
Looks equally well in a shadow box on your wall, window hanging art piece or around your neck. It was wrought in a USA studio in the in the Mid Century Modernist or Arts and Crafts tradition by this self directed metalart maker and signed Mimi Dee - Handmade.
*Bold n...
Signed studio original hand hammered brass bold kinetic ethnographic like pendant necklace sculpture with four major segments which include an added bold carved carnelian ear of corn dangle.
Looks equally well in a shadow box on your wall, window hanging art piece or around your neck. It was wrought in a USA studio in the in the Mid Century Modernist or Arts and Crafts tradition by this self directed metalart maker and signed Mimi Dee - Handmade.
*Bold north to south: 8" X 3...
Dark amber over colorless signed Galle’ cameo vase in a barrel shape. The vase is decorated with pansies? (I’m not the best botanist in the world by far). The vase is 3 3/4 inches tall and 2 7/8 inches in diameter.
A pine needle pattern Tiffany Studios large round inkwell. The inkwell is 6 inches in diameter and 3 1/4 inches high. The base of the inkwell is marked “Tiffany Studios New York” and is model number 847. The green slag glass has the darkest color I have seen in any of the Tiffany Studios etched metal and glass forms. There is a colorless inkwell insert in the inkwell and there is no damage to this piece.
Large Artist's Proof of Munjado Calligraphy by the Famous Kim Ki Chang aka Unbo (1913 - 2001). Despite being deaf, Unbo was one of Korea's most beloved 20th Century artists. His works are now sought by museums and collectors internationally. This is the original signed AP (Artist's Proof) of this large lithograph, where Unbo gives us a most creative rendering with anthropomorphic figures in the ancient style of figurative munjado calligraphy. 38.5 x 28.5 inches, 98 x 72.5 cm.
Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imported from China. In fact, some pottery styles uniquely Japanese (such as Shino) are thought to have been born out of unsuccessful attempts to emulate these extremely high-quality and refined ceramics. The number of such pieces imported was so great that today it is not uncommon for Chinese collectors to visit Japan in search of authentic...
20024609 A rosaria cut to clear Pairpoint 7 ½ inch tall comport in the “Adelaide” pattern. The shape is identified as A-294. The 8 ½ inch diameter piece is enhanced by its’ cut stem. There is a polished pontil and there is no damage.
Japanese late Meiji period cloisonné enamel ovoid form vase attributed to Hayashi Kodenji (1831-1915) or his workshop decorated around the circumference with pheasants among a dense variety of chrysanthemums, daisies, and other flowering plants in a landscape with rockery and flowing water all set against a dark cobalt blue ground. A foliate patterned band is above the foot and a narrow geometric band is below the mouth rim. Silver rims are at the mouth and foot. A tiny unreadable “junjin...
A vertically ribbed green jade Steuben vase. The 5 inch tall vase is 4 inches in diameter with a polished pontil marked with an acid stamped script Steuben signature. The vase is decorated with an engraved Old English style “P” monogram.
