Lovely Georgian garnet cluster ring set in 18K gold. The garnets are a bright and lively color giving the ring great panache. The ring is a size 8 and measures 5/8" at its widest.

Beautiful and tall glove puppet ; every part is ancient, the head being the oldest part, at least 19thC.
H. of the puppet : 45 cms, H. of the head ( to the base of the neck): 11 cms, W. of the head : 5 cms . South of China.

A great gift for an elephant lover, a Republican or a Barbar enthusiast, this is a gutsy, nicely detailed vintage sterling silver elephant form ring, hallmarked 925 inside band. Excellent condition. Ring size: 9 1/2. Diameter of head: 3/4 in wide x 3/4 in high.

An Art Deco bakelite and celluloid snake upper arm bracelet circa 1920s. This genuine period survivor measures 3" x 2-7/8" across the interior and the snake's heads are 5/16" across and both have cobalt blue glass rhinestone eyes. The body is black celluloid with an applied clear yellow layer over a bed of embedded sparkly metallic confetti. This Egyptian style figural bracelet is in mostly excellent condition with no chips, cracks, losses, damage or repairs other than some groove striations/lin...

Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final lin...

The seated lion modeled with open jaws, revealing their fangs and tongues, the bodie richly decorated with molded manes and breasts and legs, while their heads are applied with brown curly hair and eyebrows and their ears are veined as leaves. Decorated in Yellow, Green an Purple. Condition: Excellent condition. Measurement: high 25.3 cm = 10 in

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This dramatic Big Red—a name Daniel Tretiak attached to Haku Maki’s large red prints, usually of single Chinese characters (kanji) on black backgrounds—is a character meaning ordinary or commonplace. But Maki has done it in a stand-out way. It is 17.5in W x 24.5inH. NOTE: Dan Tretiak also referred to other large single-character ones of other colors as Big Yellow, Big Green, etc. See an interesting discussion of this between him and a friend at entry #1191431 below.

A Fine And Rare Khmer bronze figure of Hevajra, Angkor Baphuon Period 11th Century. Standing in Paryankasana with his sixteen arms radiating around his body and formely the hands holding separate casted attributes. Wearing vertical striated sampot secured by a belt and with long fish tail shaped flange falling between his legs. The reverse with butterfly shaped element, bejewelled, his head with nine faces with incised ridged eyebrows set above incised almond shaped eyes, broad noses, pouti...

Late Ming Dynasty, 1500s

This deep bowl is stoutly potted, being rather heavy toward the base, with the wall thinning gradually to the slightly flaring rim. It rests on a tall, thick footring, with a deep base that is glazed down to the dense, white porcelain paste that is exposed with some kiln grit adhering. The design in underglaze cobalt blue is of chrysanthemums, grasses and three stylized bats. The interior has a broad unglazed ring around the bottom to allow it to be stacked during ...

Confirmed unsigned Chanel necklace circa 1960 or 1970; I recently saw this same necklace with a Chanel hang tag with just the name in block lettering (no season numbers or copyright symbols), which dates it to 1970 or prior. I had previously listed this necklace as a probable Chanel. Designed in the Indian moghul style which was one of Chanel's main influences, with red and green Gripoix poured glass beads simulating carved rubies and emeralds, and dark goldtone beaded drops and term...

Wanli period, late Ming Dynasty, ca. late 1600s

This bowl is painted overall with a floral design in orange, green, and yellow enamels with black enamel outlines. The interior rim is decorated with a similar motif, and a single flower is painted on the interior base. The foot is encircled with double lines in underglaze cobalt blue and an underglaze cobalt blue design is painted on the base. The bowl has typical rim-fritting, and there is a small chip to the interior of the foot that has b...

A large and very expressive, ceramic figure of sitting shishi, lion-dog, with turned head. It is covered in a creamy, white crackled glaze. The open, staring eyes made of inserted glass are rendered with gold. Unsigned. Japan, late Edo, before 1850. H. 35 cm, L. 25 cm, W. 16 cm. Condition: good, but for a few chips, fire cracks and minor area of repair on underside.

Antique Miao comb made of wood and silver. Flowers, birds and dragons designs. The ring on top was used to secure the comb in the hair, with a chain by instance.
Magnificent patina with expected wear, one tooth partially broken (see pix). 19th C. or before. H: 10 cms, w: 8 cms.

Antique Polish Baroque (17th-18th century Poland) bronze church hanging incense burner censer-thurible. The censer thurible is of baluster form with a pierced domed top and surmounted by a patriarchal cross with a double cross-bar. It is made of several elements: a domed top, bowl, a round conical base, and are cast separately and turned from a solid piece of bronze. The round conical base is fastened to the bowl by the handmade bronze screw from the antique's period time. The domed top is hand ...

Fine Large Chinese Western Han Dynasty Painted Pottery Ding Tripod (206 BC - AD 8)

This fine example of a painted pottery ding was made during the Western Han Dynasty (206 BC - AD 8). It is a large example of its type, made from a fine-grained grey pottery and relatively highly-fired, having a distinct ring when tapped. The lower part stands on three long curved legs and has two curved square-cup handles on opposing sides. The upper part is adorned with three moulded appliqués (horses with ...

A box for keeping incense – kogo – decorated with a carriage used by court nobles and members of the Imperial family of the past in dense gold dust sprinkle on a black lacquer background. The sky sprinkled with clouds of nashiji. Insides with dense nashiji. The bottom section decorated with a rock surrounded by bamboo in gold togidashi and kao of tea master Hisada Soya. Silver rims.

Tiny signature in gold lacquer on the bottom: Gaho.

The kogo was made for the tea master Hisada So...

Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...

Rare Chinese Tang Dynasty Painted Pottery Stupa Jar (AD 618 - 906)

This tall pottery set comprising stand, jar and cover was made during the Tang Dynasty (AD 618 - 906). Each part is made from a relatively high-fired grey pottery and "cold painted" in orange and white pigments, the decoration comprising geometric and floral (lotus) patterns. The stand has cut-out apertures and petals to represent a lotus flower. The cover has purpose-made holes in its upper part; it is painted with lotus lea...