A superb Hagi chawan (tea bowl) dating from the Edo period (1615-1868).
Kindly inquire if you have some questions.
The chawan presents old repairs made with gold and lacquer (kintsugi).
It comes with the original fitted shifuku (silk pouch) and a fitted wooden box.
Please refer to pictures for details and condition.
Size 9.5 x 9.5 cm (3.8 x 3.8 in)
More pictures available on demand.
Worldwide shipping with insurance and tracking.
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Nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parents' wish to inspire their sons in manliness, discipline, bravery and the honor codes which are associated with them.
Originally, nobori were used on the battlefield to identify the troops; some were to show the warriors where their taisho (general) was, others were used to shift the troops. ...
Munga Ningyo of a Samurai in Court Attire by Toyotomi Hideyoshi. Late Edo Period. Height: 10 inches, 25.5 cm.
Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era. The quality of the artwork tells us that this nobori is likely to have been done ...
Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...
KINTA THE GHOST
Vintage Japanese mechanical doll called 'Obake-no-Kinta (Kinta the Ghost)' as a traditional folk toy with long history from the Edo period originated in Kumamoto region, made by the previous predecessor in Showa 30 (1955).
H 23 x W 5.5 x D 10 cm (9.05 x 2.16 x 3.93in). When the string is pulled, he rolls his eyeballs and sticks out his tongue. Some tears at hat but in good preservation as is.
selected by titcoRet
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STONE INCENSE BURNER FOR THE DEAD
Used for memorial service in the hilly area of Miyagi, Tohoku region, since Late Edo period, 19th century. H 13.3 x 21 x 14.5 cm (5.23 x 8.26 x 5.70in). One leg chipped due to aging but still stable as is.
selected by titcoRet
* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be a...
RIMPA SCHOOL INKSTONE CASE WITH BAMBOO FOREST IN MAKIE
Bold and refined gold and silver three-dimensional makie lacquer design with the black background in the style of 'Rimpa (Rinpa)' (ref. https://www.metmuseum.org/toah/hd/rinp/hd_rinp.htm). Edo period, Japan. 21.8 x 16.5 x 5 cm (8.58 x 6.49 x 1.96in). Some scratches in places and slight bend at lid due to age, but considered in generally very good condition for such aged lacquerware.
selec...
A fine Japanese incense burner, made of wood with pierced gilt copper lid, the interior with copper lining. On a black lacquer ground slightly raised decoration showing a landscape with rockwork and trees in different gold lacquer techniques. Condition: please look at the photos carefully, traces of age and usage, few small lacquer losses, rim with two cracks, lid slightly distorted. Dimension: c. 8.4 cm high, c. 4.8 cm long and wide.
Four finely carved wooden (maybe sandalwood) masks with lacquering and most with glass bead eyes. Showing different types of theatre masks as Hannya, Oni etc. Condition: minor rim frits, the Hannya mask with few lacquer losses. Dimension: c. 5.1 cm long x c. 3.5 cm wide.
The warrior’s armor and helmet, samurai sword, spears, banners and paper carps (later cloth) in the sky are all tools used to showcase boy’s day in Japan. This tradition
started early Edo period (1603-1868) by samurai families wishing their son’s good health and studies to be honorable samurai.
This set is made in Kyoto, Japan and is called “Kyo-armor”. Kyoto had been the capital of Japan for over 1000 years. The culture there was developed to serve the best for the emperor...
A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.
The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.
This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.
Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...
Exquisite set of Japanese Dairi bina (hina), the emperor and the empress dolls from early to mid Showa period. This is not a large set of dolls. The measurements of the wood box are 17” wide x 12 3/4” tall x 13 1/2” deep. We should add the approximate sizes of dolls. The label indicates that they are from Matsuzaka-ya, a major department store. Matsuzaka-ya started as a kimono store in late 16th century, pre Edo period. The beautiful details are packed in the small dolls - photos could n...
A female dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated ...
A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated fr...
Antique Japanese large and deeply carved ranma depicting three sages (from left to right): Le-tieguai (with the iron crutch) , Zheng si yuan (with the tiger) and Gama Sennin (with the frog). There is much of the original paint still intact. Wonderfully carved with great detail and expression. Most likely from a Shinto temple. Edo Period (18th century).
Size: 27" high x 87" long x 3" deep. (very heavy!)
This old Japanese Noh theater mask has the expressive face of an old man. The mask is carved from paulownia wood and dates to middle Edo period, around 1750. The patina is wonderful.
Mask measures approx 8 inches high and 6 inches wide
Japanese antique Funa Tansu (merchant's safe), all made of very heavy quarter sawn Keyaki (Zelkova) wood. The door opens to 3 interior drawers also with Keyaki wood fronts (interior of each drawer made with Kirinoki (Paulownia) wood, wooden bracing on the bottom, heavy iron hardware including double locks on the outer doors and each of the three interior drawers has a large lock as well, two handles on top of safe, 2 iron reinforced holes at the bottom of each side to allow the safe to be...
There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits. ...