Turn-of-the-century cut-glass perfume bottle with sterling silver stopper. Globular with short and faceted neck and shoulder, and everted rim. Star, fern, and diaper ornament. Globular stopper with dense repousse-style flowers and ferns on stippled ground. Marked “Sterling” with stamp for James R. Armiger Co., a Baltimore maker that began working under that name in 1896. Very good condition with deep patina.

Dimensions: H 6 7/8 x D 3 5/8 in. #BM943 & BM944

Early red glass silver overlay perfume. Made by Gorham in Providence, ca 1886. Globular with short neck and flat everted rim. Ball stopper. Dense and engraved overlay with scrolls and flowers. A concentrated design with small reveals of the glass. Scrolled cartouche engraved with scrolled monogram. Fully marked including maker’s stamp, patent year 1886, and no. S684. Very good condition.

Dimensions: H 6 1/4 x D 3 1/2 in. #BT177

German 800 silver wine trolly nef, ca 1920. A 3-mast galleon with billowing sales and complicated rigging. Gun ports open and cannons ready to fire. Lots of deck action, too with fighting swordsman and fallen sailors. Holds a special cargo because wood-style hull is a wine trolly. Figurehead spigot with threaded plug, and dolphin side mounts with rotating wheels for cruising across the table. Gives new meaning to the expression “getting sloshed”. Memorable dinner party guaranteed.

Hana...

Classical sterling silver bird bath compote. Made by Tiffany & Co. in New York. Shallow bowl with turned-down rim and raised foot. Two cast bird figures with voluminous plumage and flamboyant crowns perch on bowl rim, ready to cluck and flap and flutter. Stylized and raised ornament on rim, including leaf-and-dart and dentil. Fully marked with pre-1875 pattern no. 3739 and directors’ letter M (1873-91). Very good condition with deep patina.

Overall dimensions: H 5 1/4 x W 11 1/4 x D 9 3/8 ...

Set of 4 Southeast Asian export silver compotes, ca 1920. Each: Shallow bowl with pierced and chased birds and flowers. Enameled rim with raised scallops interspersed with berries and leaves. Support has ribbed knop. Foot raised with applied foliate medallions with polychrome enamel. Foot rim encircled with animals scurrying along leafing branch (also applied). Striking and unusual. Hallmarked. Very good condition.

Dimensions: H 3 1/4 x D 6 3/8 in. Total weight: 41 troy ounces. #BQ401

Gothic sterling silver porringer. Made by Tiffany & Co. in New York. Concave sides on short foot. Rim reeded with applied leaves. Solid handle with carved figure of medieval horn-blowing huntsman. An impressive example of the breadth of historic resources and techniques that Tiffany mined during the 19th century. Hallmark includes pattern no. 9680 and director’s letter T (1892-1902).

Dimensions: H 3 x W 9 7/8 x D 5 in. Gross weight: 8.6 troy ounces. #BN233

Modern Classical sterling silver water pitcher. Made by Dominick & Haff in New York in 1928. Lobed and upward tapering sides, capped foliate scroll handle, wide lip spout with fluid swags, and raised circular foot with crimped trefoils. Sleek but traditional with good heft. Fully marked including maker's and retailer's (Brand-Chatillon) stamps, and Reed & Barton date symbol. Dominick & Haff was consolidated with Reed & Barton in 1928. Very good condition.

Dimensions: H 8 7/8 x W 8 3/4 x D...

German sterling silver lady’s shoe. Imported to England by Theodor Hartman in 1902. Shoe has pointy upturned elf toe and open bands. Exterior decorated with scrolls, flowers, and tassel in low relief. Heel plain. German hallmark and English import marks with London city stamp and date letter. Very good condition.

Dimensions: H 4 1/8 x W 2 7/8 x D 9 in. Weight: 8.3 troy ounces. #BH552

Edwardian Classical sterling silver coffee set on tray. Made by Tiffany & Co. in New York, ca 1921. This set comprises coffeepot, creamer, and sugar on tray. Each: Fluted ovoid body on same foot. Covered domed with vasiform finial. Handles capped and double-scrolled. Engraved ornament including curvilinear frames inset with leafing scrollwork, diaper, and pendant flowers.

All pieces fully marked including maker’s stamp, director’s letter m, and sequential order nos. 8389 (coffeepot), 8390...

Victorian Classical sugar caster. Made by William Gibson & John Langman in London in 1893. Girdled body on stepped foot. Twisted fluting with scalloped borders. Cover has ornamental piercing and finial. Initials EAW engraved on underside. Elegant and substantial in Britannia (that is, 958) silver. Fully marked. Excellent condition.

Dimensions: H 8 1/2 x D 3 1/2 in. Weight: 11.5 troy ounces. #BV187

Victorian silver baby cup. Made by S. Kirk & Son in Baltimore. Straight sides with allover floral repousse on stippled ground. Cast and capped leaf scroll handle and pointille foot border. Fully marked including maker’s stamp (1846-61) and alloy “11 OZ.” (that is 11/12 or 916 silver). Very good condition.

Dimensions: H 3 3/8 x W 4 x D 2 3/4 in. Weight: 4.8 troy ounces. #BY966

Art Nouveau glass decanter with engraved silver overlay. Made by Alvin Corporation in Providence, ca 1890. Conical with cut-to-clear geometric ornament at base, and star on underside. Dense overlay with rinceaux, flowers, and scrollwork. Ball stopper with grape bunches and leaves in strapwork frames. Decanter is cranberry and stopper is clear. Silver fully marked including maker’s stamp and no. R112QT. Very good condition.

Dimensions: H 12 3/4 x D 5 1/2 in. #BX887

Turn-of-the-century Art Nouveau glass vase with engraved silver overlay. Made by Alvin Corporation in Providence. Tall baluster with flared rim and short foot. Overlay in form twisted tendrils entwined and overlaid with flower heads. Glass is green. Silver fully marked including maker’s stamp and no. G3219/6. Very good condition with nice patina.

Dimensions: H 14 x D 5 in. #BX622

Pair of tall Edwardian Classical sterling silver candlesticks. Made by Barbour Silver Co. (part of International) in Hartford, Conn., ca 1910. Each: Ovoid socket with round detachable bobeche on tapering shaft with base knop; raised foot. Engraved borders comprising paterae with pendant flowers and vases joined by garland. Fully marked including maker’s stamp and no. 101C. Very good condition with a few pings.

Dimensions: H 14 1/4 x D 4 7/8 in. Weighted. #BY402

Aesthetic sterling silver olive spoon. Made by Gorham in Providence, ca 1885. Cast stem with entwined leaf and olive. Shallow and pierced bowl with engraved leaves. At other end pick comprising graduated triangles. Butler finish. Fully marked including maker’s stamp and no. 267. Very good condition with deep patina.

Dimensions: H 11 3/4 x W 1 x D 3/4 in. Weight: 2.2 troy ounces. #BZ228

Art Nouveau glass claret jug with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Cylindrical with small lip spout and spread base; c-scroll handle in silver collar. On underside cut-to-clear star. Overlay in form of entwined and scrolling fruiting grapevine with pendant bunches and leaves. Asymmetrical scrolled cartouche engraved with interlaced script monogram. Silver fully marked including maker’s stamp and no. R326. Very good condition.

Dimensions: H 9 1/2 x W 5 1/2 ...

Federal Classical silver ladle. Made by Gould & Ward in Baltimore, ca 1820. Upturned fiddle terminal engraved with script monogram. Marked “Gould & Ward Baltimore” with “11-12”, which was the Baltimore alloy. Gould & Ward succeeded Gelston & Gould and was in turn succeeded by Gould, Stowell & Ward. A genealogy of Baltimore silver embodied in a useful serving piece. Very good condition with nice patina.

Dimensions: H 13 x W 4 3/8 x D 3 3/4 in. Weight: 6.2 troy ounces. #BY489

Winthrop sterling silver bowl. Made by Tiffany & Co. in New York, ca 1922. Curved sides and gently tapering shoulder with reeded rim; stepped foot ring. Acid-etched ornament. In well is patera comprising beaded rondel (vacant) radiating leaf-and-dart. On shoulder is band of laurel wreaths inset with flower heads. A great piece in the historic Regency Revival pattern in a hard-to-find form. Fully marked including maker’s stamp, pattern no. 20159A (first produced in 1922), and director’s lett...