This is an extremely rare and important Imperial Korean 15th/16th century Choson Dynasty iron brown decorated punchong pear-shaped vase. It was used for holding wine or decoration in the Korean palace during the Choson Dynasty. It was finely and spontaneously painted with two fish patterns in iron brown under the slip glaze. It is in perfect condition with original minor glaze flakes. Similar vases are in the British Museum and Musee Guimet, Paris. Dating: 15th century/16th century; Height: 11.5...
Fine Pair of Tall Chinese Han Dynasty Burnished Pottery Vases
This fine, impressive and very rare pair of pottery vases was made during the Western Han Dynasty (206 BC - AD 8) or possibly a little earlier. They are of a particularly pleasing and elegant form, the wide bodies rising up from the flat bases, then constricting into long slender necks and finally opening up into fairly wide mouths. They are quite "heavily-potted" and made from a dense fine-grained dark grey pottery, the surface o...
A massive bronze (copper tin alloy) vase cast in Han dynasty Hu shape and with Han style Taotie mask handles. The archaistic style decoration is an amalgam of Shang and Zhou dynasty motifs. These consist of upper and lower bands depicting stylized dragons and a central band of large Taotie ("monster"} masks. All are reserved against a flattened Leiwen (cloud) daiper ground. Below the upper two horizontal bands are pendent 'Cicida Blades'.
An accompanying 1973 British Museum letter suggests a...
A Chinese 'Longquan' kiln celadon-glazed arrow vase, probably Yuan/Ming Dynasty.
Height: 15 cm Width / Diameter: 7.7 cm
Fine Large Chinese Jin Dynasty Carved Stone Tile - Bird (AD 1115 - 1234)
This extremely rare large stone tile dates to the Jin Dynasty (AD 1115 - 1234). The carving is of fine quality and features a bird standing with outstretched wings in a circle, itself within a square panel. It was undoubtedly once part of a series of similar stone panels (indeed we have another from the series, see also our item stock number MA282).
Height 53 cm (20.75 inches), width 48 cm (19 inches), weight 18.05 ...
24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...
Antique Chinese late Qing Dynasty woman’s informal satin silk robe, finely embroidered in satin silk stitch with six roundels displaying vases with branches of various flowers and butterflies, amidst branches, peonies, magnolias, and goldfish, all picked out in bright shades of red, blue, pink, brown, and orange, reserved on a cream - white ground, and edged by black silk. The cuffs, embroidered in suite, are bordered with a band of brocade woven with five-clawed Principal Celestial Long Drago...
DESCRIPTION: A beautifully mounted Chinese roof tile of a Ming warrior seated upon a horse. The bearded soldier, his right hand on his hip, sits erect upon his amber horse which stands on the curved tile base. This earthenware tile has been decorated in a sancai glaze of predominately green and amber colors. A beautifully carved custom rosewood base has been made for this large tile, the base itself probably being over 100 years old. CONDITION: Quite good condition with the usual wear one wou...
Antique Chinese tall vase, beautiful dripping flambe glaze in purples and reds with hints of green, inside has light green glaze, Qing Dynasty (19th century).
Size: 16 3/4" high x 8" wide
Ca. 1700s
This vase has a graceful, slightly tapering long neck rising from a bulbous body – a classic Song Dynasty form, but this one was produced in the Qing Dynasty in the Song style. The dark “iron wire” crackle pattern covers the entire exterior, including the base, and extends in the the mouth. The interior is also glazed. The glaze is of a thick pale grayish-green celadon type, thinning slightly to a paler gray tone on the mouthrim and stopping just above the footring where th...
A Kangxi period very large baluster- shaped jar and cover, decorated in blue and white with the body showing 36 panels each enclosing a composition of butterflies amongst leafy peony sprays. The borders also reflect a floral image whilst the cover repeats the themes of the panels.
This impressive example is of monumental size 57cm (22 and 1/2 inches) high and boasts a vibrant and even blue colour and meticulous painting .
Important Note:
There is an identical jar and cover in the Topkapi S...
Excellent, elegant circa 1940s necklace by William Spratling, arguably the most important name in Mexican Silver. Heavy for it's size, this solid liquid silver necklace is constructed of hollow silver bars over seven silver chains of variying lengths. This design is understated, and extremely rare. The shortest chain measures just under 15" in length. The necklace is authentic and bears Spratling's circa 1940s stamp. Excellent vintage condition.
A lovely massive relief carved in fine-crystalized white Marble from a grave, Roman Imperial Period, Eastern mediterraean, Late 2nd. / first half 3rd. century A.D.
The relief is showing a frontally standing family with raised right hands in an architectural frame.
Size: 42 cm. wide and 33 cm. tall and 7 cm. thick - a very impressive piece!
Condition: Choice, some overall wear, but fine for the type.
Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...
This latest painting depicting a tree on the grounds of Phillips Academy in Andover Ma can be viewed at the Andover Historical Society "Places" juried art show from 09/09/17 through 12/22/97 and is signed by this self learned painter as Mimi Dee at lower left. It is housed in a hand painted frame by same.
Title: Tree - Phillips
ID# 0808171110
Image: 5 X 7" - a perfect fit for that small office space!
Medium: Acrylic on artist panel
Frame: Gesso textured and painted by...
A superb oil on canvas American folk art painting depicting a man orating about temperance. He is standing beneath trees which are arching to almost form a bower over him. A courting couple is on either side of him, with a church in the background. The symbolism of the couples probably reflects the belief that marital and family relations improve in temperance households. Note also that the orator is holding a bottle in his left hand, probably just after having poured the contents on the ground...
Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...
Rare Chinese Tang Dynasty Painted Pottery Stupa Jar (AD 618 - 906)
This tall pottery set comprising stand, jar and cover was made during the Tang Dynasty (AD 618 - 906). Each part is made from a relatively high-fired grey pottery and "cold painted" in orange and white pigments, the decoration comprising geometric and floral (lotus) patterns. The stand has cut-out apertures and petals to represent a lotus flower. The cover has purpose-made holes in its upper part; it is painted with lotus lea...
Large Chinese Eastern Han Dynasty Sichuan Glazed Pottery Dog (for repair)
This pottery model of a standing dog was made during the Eastern Han Dynasty (AD 25 - 220) and excavated from Sichuan province. It is made from a "heavily-potted" reddish-coloured pottery. The upper body has been coated with a thin green glaze that has mostly degraded although there is a run across the chest where the glaze is thicker and finely-crackled. The dog stands upright and alert with its ears pricked up. Note ...