This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bam...
Antique Japanese “Yogi” bed comforter, hand-spun cotton with "tsutsugaki" paste resist dye in aizome Japanese indigo dye. The design is auspicious symbol, Sho-Chiku-Bai (pine, bamboo, plums). The shoulder and collar areas are accented with "kasuri" cotton. Excellent condition - no holes on the front except one small L shape cut (3/4"x3/4") on the lower area, some repairs on the liner. Cotton wadding was taken out and cleaned (but not washed). Approximately 57" wide x 77" long, ...
Beautiful Katazome stencil dye work on thick, lightweight, coarsely woven cotton. It is decorated with auspicious motives; crane and long-tailed turtle in the framework of sho-chiku-bai (pine, bamboo, plum blossoms), the symbols of longevity and happiness. Bamboos, canes and pines are hidden, actually all over here in the form of scrolls. Three rolls of
13.1/2" (width) x 123 1/4" (long), roughly 98cm wide x 313cm long. Excellent condition with some color loss, very little holes or stain...
This is an old silk fukusa from Meiji period (1868-1912). This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony. Lined with a deep red crepe silk, this fukusa is almost in perfect condition.
Pine trees are considered as sacred in Japan. Here, an ancient pine tree is mostly done with the gold couching, overlaying of threads (wrapped in gold) rather than going in and out of the base fabric. The color of gold is particularly pretty here contructing to t...
Old Japanese decorative roof tile, Onigawara, depicting the legend of Jo and Uba, spirits hunting in the pine trees of Takasago. They symbolize the harmonious marriage and long life together. This tile was probably on the roof of the traditional wedding place once. Dimensions are approx. 11 1/2" high x 18 1/2" width and 5" depth, 14 pounds.
A beautiful 19th C. Japanese bronze suiteki water dropper for writing in the shape of sun burst. In excellent condition. W:13cm $485
This old Japanese Noh theater mask has the expressive face of an old man. The mask is carved from paulownia wood and dates to middle Edo period, around 1750. The patina is wonderful.
Mask measures approx 8 inches high and 6 inches wide
There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits. ...
Beautiful Shusu (satin silk) Uchikake kimono from the Meiji period (1868 - 1912). All hand sewn with embroidery and gold couching work - overlaying of threads (real gold wrapped around thread) rather than going in and out of the base fabric.
The dimensions are 50 inches between from tip to tip of the sleeves, 60 inches long and 29 and half for the sleeve length. All the edges and openings are generously stuffed with raw silk. The photos shown here do not capture the true quality of this gow...
This is a beautiful Japanese cloisonne vase. Though not signed, the workmanship and colors clearly speaks Hayashi Kodenji made this. This same opinion is held by North America's leading cloisonne collector. The vase stands 7 1/4 inches tall. It appears perfect but there is a virtually invisible repair to the midnight blue enamel edge shown in the last image.
Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era. The quality of the artwork tells us that this nobori is likely to have been done ...
Unusual mask with flat top, small forehead, relief pierced through eyes, protruding nose, open mouth showing pierced through teeth, short rounded chin. Wood, dark patina. Remnants of thin superimposed layers of polychrome pigments. Himalayan Region, early 19th century, probably earlier. Height: 10 1/4" (26 cm). The mask is nicely mounted on a custom metal stand which enhances its strange beauty. Old accident at base of chin, some erosion and flaking, otherwise very good condition. Note: this pie...
Beautiful Japanese Wajima lacquer stand with gold maki-e painting on a nashi-ji (pear skin) background. The designs are scrolling vines with stylized chrysanthemums and paulonias, which are the crests of the emperor and empress. The style of sparkling nashiji lacquer work and the theme were popular in the Taisho period (1912-1926) to the beginning of the Showa era, sometime after the return of the throne to the emperor.
The stand was made for a Tokonoma as a base for a flower arrangement...
TRAY OF RYOKAN
Large wooden tray actually used at old 'ryokan' (Japanese‐style hotel), Showa period, early-mid 20th century, D 35.6-34.8cm (14.01-13.70in), H 5.8cm (2.28in). Aesthetic grain expression and calm comfort for use.
Expected some fine scratches due to aging with use. *Only a tray is available to purchase, as the other stuff (cups) of usage example are not attached.
selected by ONEN
* Please...
Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months. Antique gold repairs...
12 BODHISATTVA
A line of 12 Japanese Buddhist wooden figurines of 'Sho Kannon Bosatsu' (Avalokitesvara) fixed on the wooden plate, hand-carved during November-December in 1966, W 37 x H 10.5 x D 3 cm.
selected by hotoke
* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy ...
The size of Vase : 14" High x 8 7/8" Dia, 4 5/16" Top Dia
35.5 cm x 22.5 cm, 11 cm top dia.
This very fine Japanese Porcelain Vase done with
Yomon (relief works, raised works) with pale yellow green glaze,
in design of Ho-O bird intricately done in Yomon(relief) works.
It is made same era of Seifu Yohei 4th. The vase
is very similar to Seifu. The vase is made from Taisho to Showa.
It came with Kiriwood Tomobako as well as wooden stand.
Inside cover has Ja...
Japanese Sake cup - Hagi ware with box - Beautiful blue glaze work of Seigan Yamane. The cup has the maker's signature mark stamped on the bottom. Height: 2.0" (5 cm). Diameter: aprox 2.5" (6.5 cm). Condition: The cup has a chip in the edge cover by the glaze, apparently made during the manufacturing process (please, see photos).