Set of 4 Victorian Classical sterling silver candlesticks. Made by Hawksworth, Eyre & Co. Ltd in Sheffield in 1880. Each: Gadrooned urn socket with detachable bobeche mounted to stepped top of tapering and fluted pillar on raised square base. With one 4-light inset comprising central socket on wax pan to which are mounted 3 scrolled and reeded arms each terminating in same. Central socket has domed cover with vasiform finial. Low relief pendant flowers and garlands with ribbon and paterae. Beadi...

Set of 5 Edwardian sterling silver and enamel place card holders. Made by Sampson Mordan in Chester, 1904-8. Each: Two graduated discs of which the front decorated with grouse standing stiffly, alert to danger; landscape background varies. Flat round base. Perfect for the hunt dinner. Fully marked including date letters for 1904 (2), 1906 (1), 1907 (1), and 1908 (1). Three have design no. 402227 (registered in 1902) and two have design no. 429790 (registered in 1904). Very good condition.

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Charming Edwardian sterling silver picture frame. Made by Tiffany & Co. in New York, ca 1910. Oval window in same flat surround. On front acid-etched daisy chain with dense leaf and flower arrangement; tubular cartouche (vacant). Sides plain with tooled linear borders. With glass, silk lining, and stained-wood back and hinged easel support. For portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 16401A, and director’s letter m. Excellent condition with strong defin...

Victorian Classical sterling silver coffee and tea set. Made by Gorham in Providence in 1885. This set comprises 5 pieces: Coffeepot, teapot, creamer, sugar, and waste bowl. Each: Round body with floral repousse between chased and engraved leaf-and-dart and ogee borders; beaded rims. Handles high looping and covers domed with reeded finial. Coffeepot and teapot have s-scroll spout with applied stylized ornament. Coffeepot neck has engraved stippled zigzag border with incised trefoils.

Fully m...

Set of 8 Edwardian sterling silver and enamel place card holders. Made by James William Benson in Birmingham, 1902 to 1909. Each: Enameled coat of arms and open oval clip mounted to flat octagonal base. Each coat of arms different. Symbols include lions, ravens, eagles, and swords. All fully marked. Date letters vary: 1902 (1), 1905 (1), 1906 (2), 1907 (1), and 1909 (1). Two have indistinct marks. Six have design no. 454426. Retailer’s stamp (“Rowell / Oxford”). Excellent condition with st...

Set of 4 Edwardian sterling silver and enamel place card holders. Made by James William Benson in Birmingham, 1906 to 1908. Each: Enameled coat of arms and open oval clip mounted to flat octagonal base. Same design comprising yellow cross and birds on cobalt ground. In leather-bound case with silk lining and fitted velvet. Case has retailer’s stamp (Army and Navy Co-Operative Society) All fully marked including date letters 1906 (3) and 1908 (1). Design no. 454426 and retailer’s stamp (“Ro...

Set of 4 Edwardian sterling silver figural place card holders. Made by Levi & Salaman in Birmingham 1906. Each: Pair of perched owls with scrolled back clip; raised and round base. Wise birds standing ready to tamp down excessive dinner party levity. In leather-bound case with fitted velvet and silk lining with gilt retailer’s stamp (“Leighton / Lancaster”). Fully marked. Very good condition.

Dimensions: H 1 3/4 x D 1 1/2 in. Gross weight: 2.3 troy ounces. #BW863

Large Classical sterling silver covered urn. Made by Currier & Roby in New York, ca 1920. Girdled bowl with leaf-capped s-scroll side handles, stepped foot and stepped and domed cover with vasiform finial. Traditional form with extra oomph. Beautiful proportions and plenty of room for engraving. Fully marked. Excellent condition.

Dimensions: H 13 1/4 x W 12 x D 7 1/2 in. Heavy weight: 71.5 troy ounces. #BV545

Edwardian Regency sterling silver coffee set. Made by Tiffany & Co. in New York, ca 1910. This set comprises coffeepot, teapot, creamer, sugar, and waste bowl. Tapering and fluted ovoid bodies. Feet domed. Covers double domed with cast flower basket finial. Handles scroll bracket (coffeepot and teapot stained-wood).

All pieces fully marked including maker’s stamp and pattern nos. 13389 (coffeepot and teapot) and 13889D (creamer, sugar, and waste bowl). Coffeepot has director’s letter C (19...

English Victorian Modern sterling silver smoking box 1885. Rectangular with straight sides. Scroll-bracket handle mounted to central panel between two hinged covers. On one in blue enamel “Cigars”; on other “Cigarettes”. Cedar lined. Felt-lined underside. Fully marked including London assay stamp and maker’s initials “T.W”. Very good condition.

Dimensions: H 4 x W 7 3/4 x D 6 1/2 in. Gross weight: 28.3 troy ounces. #BX649

Set of 6 Edwardian Regency sterling silver demitasse holders and saucers. Made by Tiffany & Co. in New York, ca 1914. Each holder: Tapering bowl with open bottom, high-looping capped handle, and raised and spread foot. Each saucer: Round with well and wide and tapering shoulder. Engraved ornamental bands with vases in beaded rondels joined by scrollwork between dentil borders. Fully marked including maker’s stamp, pattern no. 18705E (first produced in 1914), and director’s letter m. Very goo...

Victorian Classical sugar caster. Made by William Gibson & John Langman in London in 1893. Girdled body on stepped foot. Twisted fluting with scalloped borders. Cover has ornamental piercing and finial. Initials EAW engraved on underside. Elegant and substantial in Britannia (that is, 958) silver. Fully marked. Excellent condition.

Dimensions: H 8 1/2 x D 3 1/2 in. Weight: 11.5 troy ounces. #BV187

German Modern 800 silver box, ca 1920. Rectangular with straight sides and crisp corners. Cover hinged with tapering tab; cover top gently curved and inlaid with shagreen in geometric pattern. Cedar-lined interior. Open leather-lined bottom. Marks include maker’s stamp (Wilhelm Binder). Good condition with some wear and rubbing to shagreen.

Dimensions: H 4 x W 7 1/2 x D 5 1/2 in. Gross weight: 28.6 troy ounces. #BX428

Classic Midcentury Modern sterling silver vase. Made by Tiffany & Co. in New York. In form of abstract calla lily with asymmetrical mouth and irregular seam. Raised round foot. Fully marked including maker’s stamp, postwar pattern no. 23425, and director’s letter L (1956-ca 1965). Very good condition.

Dimensions: H 12 1/8 x W 6 x D 4 1/2 in. Weight: 17.7 troy ounces. #BZ424

Romantic Edwardian Art Nouveau sterling silver frame. Made by Tiffany & Co. in New York. Heart-shaped window in same and curved surround flowing into bracket feet. Acid-etched leafing scrollwork and flowers. At top shaped cartouche vacant for engraving a lovey-dovey message. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) display. Fully marked including maker’s stamp, pattern no. 14282, and director’s letter C (1902-7). Excellent condition with stro...

Edwardian Art Nouveau sterling silver epergne. Made by James Dixon & Sons in Sheffield in 1905. Large round and shallow basket set in round mount with shell-and-scroll apron surmounting fluted and knopped baluster on raised and bellied base. Two scrolling and whiplash arms, each supporting ring inset with smaller same basket. Four scrolling stretchers mounted to central pendant knops and same supports on quatrefoil feet. Pierced loose and fluid leaves and scrollwork. Gadrooned rims. Fully marke...

Pair of Art Deco Classical jade and gilt sterling silver candelabra. Made by Lebkuecher in Newark, ca 1920. Each: Cylindrical jade shaft on same octagonal base with carved petal flutes and fretwork. Curvilinear silver gilt arms with block volute terminals mounted to shaft with same; each terminates in single jade socket on silver gilt leaf-and-dart mount. Raised central socket same. Ornamented silver gilt mounts on shaft top and base. Rests on silver gilt foot with block volute supports.

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French Belle Epoque 950 silver tureen, ca 1910. Tapering oval curvilinear bowl on same raised foot with gadrooned rims. Leaf-mounted double c-scroll end handles. Raised cover. Restrained turn-of-the-century Classicism enlivened with a cast still life finial: A couple bird carcasses draped on top of a sweet bunny, with forelegs raised as if to hop away, and hindlegs limp and splayed now that hopping is no longer an option. An unsentimental depiction of the dinner’s ingredients with a bit of gr...