Japanese lacquer tray with a mountain stream and cranes in a raised landscape scene. This small/medium tray is about the best as they come in displaying many types of lacquer techniques including Maki-e, Hiramaki-e, and Takamaki-e with superb colors and fine gold nashiji work having shaped corners with concave edges. The cranes, pine trees, and mountains are all done in raised relief with the cranes showing incredible details. The stream flowing down from the top is rendered in several finely ...
Japanese black lacquered on woven Bamboo Trunk, with red lacquered wooden frame on the bottom, Ca. 1920's, 14 1/2" high, 27 1/4" x 15 1/4" wide, two(2) black iron lock compartment on the side and large handles in front and back and corners are wrapped around with black iron. Wooden stretchers on the bottom to support for strength, blue rice paper lining inside the top and the bottom. Some black lacquer loses on the surface and corners are worn.
A fine Japanese incense burner, made of wood with pierced gilt copper lid, the interior with copper lining. On a black lacquer ground slightly raised decoration showing a landscape with rockwork and trees in different gold lacquer techniques. Condition: please look at the photos carefully, traces of age and usage, few small lacquer losses, rim with two cracks, lid slightly distorted. Dimension: c. 8.4 cm high, c. 4.8 cm long and wide.
Japanese Black Lacquered on woven Bamboo and hinged top Trunk with wooden frame for strength and Black Iron hardware, Ca. Meiji, 1880's, 22" high, 31" wide, 16" deep, Red lacquered leaf shape mon decoration with Kanji Characters, original woven rope handle in the back, and original Rice Paper lining inside. Some black lacquer finish pieces are off from the woven Bamboo surface.
Japanese two(2) section Tansu, Cedar and Cypress Wood, Chest on chest, Meiji period before 1910's, 42"high, 34" wide, 17" deep, 2 large long graduated size drawers on upper section above one long drawer above shorter drawer next to 2 small drawers on the right side, lacquer painted Crane on the black iron round back plates, and pulls. Some of the small upper section black iron pieces are broken off and one top round black iron back plate has no crane design, maybe replaced later date some time ...
Munga Ningyo of a Samurai in Court Attire by Toyotomi Hideyoshi. Late Edo Period. Height: 10 inches, 25.5 cm.
Nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parents' wish to inspire their sons in manliness, discipline, bravery and the honor codes which are associated with them.
Originally, nobori were used on the battlefield to identify the troops; some were to show the warriors where their taisho (general) was, others were used to shift the troops. ...
A Japanese lacquer bowed top box with portrait of a Kabuki actor - presumably named in gold lacquer and the role of Daihachi named in a lustrous iron color. All slightly raised work, the portrait is in gray, black, red, flesh tone, browns and gold. Lines including pattern and folds in the figure's attire and hair in his coiffure and sideburns cleanly defined with raised work. Metal along the facing edges of the top and bottom have no doubt contributed nicely to the preservation of the box. Actor...
Beautiful Japanese Wajima lacquer stand with gold maki-e painting on a nashi-ji (pear skin) background. The designs are scrolling vines with stylized chrysanthemums and paulonias, which are the crests of the emperor and empress. The style of sparkling nashiji lacquer work and the theme were popular in the Taisho period (1912-1926) to the beginning of the Showa era, sometime after the return of the throne to the emperor.
The stand was made for a Tokonoma as a base for a flower arrangement...
A large and very expressive, ceramic figure of sitting shishi, lion-dog, with turned head. It is covered in a creamy, white crackled glaze. The open, staring eyes made of inserted glass are rendered with gold. Unsigned. Japan, late Edo, before 1850. H. 35 cm, L. 25 cm, W. 16 cm. Condition: good, but for a few chips, fire cracks and minor area of repair on underside.
Chinese Antique Crane and Peaches Scroll, colorfully and vibrantly painted with dancing red-crested crane next to stream and ripe peach-laden tree, pigment beautifully applied, late 19th century, two seals and signed artist name Zhao Ahi Qian (1829-1884), picture size: 54.5"H 27.75"W, overall size: 86.5"H 36.25"W, some wear in center of painting.
A box for keeping incense – kogo – decorated with a carriage used by court nobles and members of the Imperial family of the past in dense gold dust sprinkle on a black lacquer background. The sky sprinkled with clouds of nashiji. Insides with dense nashiji. The bottom section decorated with a rock surrounded by bamboo in gold togidashi and kao of tea master Hisada Soya. Silver rims.
Tiny signature in gold lacquer on the bottom: Gaho.
The kogo was made for the tea master Hisada So...
TRAY OF RYOKAN
Large wooden tray actually used at old 'ryokan' (Japanese‐style hotel), Showa period, early-mid 20th century, D 35.6-34.8cm (14.01-13.70in), H 5.8cm (2.28in). Aesthetic grain expression and calm comfort for use.
Expected some fine scratches due to aging with use. *Only a tray is available to purchase, as the other stuff (cups) of usage example are not attached.
selected by ONEN
* Please...
Four finely carved wooden (maybe sandalwood) masks with lacquering and most with glass bead eyes. Showing different types of theatre masks as Hannya, Oni etc. Condition: minor rim frits, the Hannya mask with few lacquer losses. Dimension: c. 5.1 cm long x c. 3.5 cm wide.
Elegant old lacquer towel rack, makie on black lacquer. The dimensions are 25" across at the top, 20 1/4" at the bottom and 22 1/4 inches in height.
DESCRIPTION: A skillfully lacquered suzuri-bako (writing box) from the Meiji Period, early 1900’s. The lid of the rectangular box is decorated with a takamakie floral design in gold, silver and shu (a hue of red-orange) lacquer on a black ro-iro ground. The interior of the lid and box are sprinkled in a nashiji cloud motif. This suzuri-bako is a complete set, fitted with the original water dropper and inkstone and its original kiri (paulownia) wood box with inscription. Excellent conditio...
A 10.8" square tray signed Teizan and sealed Kinzan, mid Meiji period, depicting an unfortunate encounter between a hawk and a goose.
Condition: Quite good overall condition, There is a faint nick and short enamel crack to the front of the tray, two small areas of enamel cracking to the reverse, and pitting usual to the period. No dents or restoration.
There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits. ...
Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months. Antique gold repairs...