Victorian Cast Iron Articulated Lion Head from England, Circa 1850 C.E. with remains of pigment and wonderful patina. Curly mane and long fangs. Hinged at the jars for articulation and on custom stand. Mask is 13" high. In excellent condition.Ex: Windsor Antiques, New York. According to Maya Muratov of the Metropolitan Museum of Art, articulation can be traced back to the ancient Greeks. Among the numerous types of Greek terracotta figurines, one group stands out. These are figurines with jointe...
"Brother, can you spare a dime?" This fun vintage large cast iron Fedora hat-form paperweight is straight out of the 30's, comprised of gold painted nicely detailed banded hat with a worn look, circa 1940, probably American made. Measurements: 4 1/2" long x 3 1/2" wide x 2 1/2" high. Great condition having a few bumps and bruises made to look authentic. Slight wear to the finish adds to the overall look of the hat.
The seated lion modeled with open jaws, revealing their fangs and tongues, the bodie richly decorated with molded manes and breasts and legs, while their heads are applied with brown curly hair and eyebrows and their ears are veined as leaves. Decorated in Yellow, Green an Purple. Condition: Excellent condition. Measurement: high 25.3 cm = 10 in
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A Zuni Polychromed Wood Kachina Group, depciting three Koyemsi, or Mud Heads, of classic articulated form and decoration, one, carrying Kianakwe Shikan’ona, White Kianakwe of the East on its back, dressed in a cloth manta, the white painted case mask with concentric bands in numerous colors with white dotted details, the other, carrying a bowl in his hand; possibly a depiction of the Kianakwe Ceremony. Heights: from 10" tp 13.75".
A large and very expressive, ceramic figure of sitting shishi, lion-dog, with turned head. It is covered in a creamy, white crackled glaze. The open, staring eyes made of inserted glass are rendered with gold. Unsigned. Japan, late Edo, before 1850. H. 35 cm, L. 25 cm, W. 16 cm. Condition: good, but for a few chips, fire cracks and minor area of repair on underside.
A very rare well-potted and painted 8.25" Ko-Imari model of a standing boy reaching into an urn. The boy's face is painted with black hair and features a gilt head band. Both his robe and the urn are painted in blue, orange and iron red.
Condition: Excellent, with no chips, hairlines or repairs.
A Fine And Rare Khmer bronze figure of Hevajra, Angkor Baphuon Period 11th Century.
Standing in Paryankasana with his sixteen arms radiating around his body and formely the hands holding separate casted attributes.
Wearing vertical striated sampot secured by a belt and with long fish tail shaped flange falling between his legs.
The reverse with butterfly shaped element, bejewelled, his head with nine faces with incised ridged eyebrows set above incised almond shaped eyes, broad noses, pouti...
From France, gorgeous 1980s French clip earrings in cast goldtone metal with long strands of wired faceted glass beads in jewel colors with matching brilliant
rhinestones set in the tops, in the moghul style. The strands are finished with matching head pins. Great size -- 4 1/4 inches long and 1 1/8 inches wide.
Excellent condition. Photos enlarged to show detail
A Remarkable Indian or East Asian offering Bowl on Stand, late 19th or early 20th century.
The bowl is cast and then finished by fine chisel work and engraving, all against an intricate punched ground. It features a myriad of hunters and animals, the trees seem full of game. On the hilly horizon can be seen various dwellings and pavilions, tiny birds in the sky. The base is an arrangement of three elephant heads supporting an acanthus cup on which sits the offering bowl.
I have ...
Folk Art Portrait by American Artist, attributed to Sheldon Peck (1797-1868). This Portrait was purchased at a North Carolina auction from the Larew Collection. The 19th century oil on canvas portrait of a gentleman was said to be Thomas Johnston from Concord, NC (Sept. 1850). It was marked on the original canvas (relined) bought in Davie County. It is mounted in a mahogany veneer frame with yellow pine backing. Canvas 29" 24" and the Frame is 38" x 33". The portrait was restored in 1973 by Hen...
These authentic and extraordinarily RARE, hand-forged, wrought iron, Slave Ship Ankle Shackles were de-accessioned from a private collection. Ankle shackles such as these were used to restrain and imprison kidnapped Africans below decks in the slaver ships' holds during what is known as the ‘Middle Passage’, the brutal voyage endured by captured Africans from the West Coast of Africa to enslavement in the Americas- the second portion of what was known as the transatlantic slave trade.
Wh...
Presented as a historical and cultural artifact, this seldom-found, vintage, 1942, Ten Little Colored Boys book illustrated by Emery I. Gondor and published by Howell, Soskin Publishers, New York, is in very good condition.
Measuring 10.75 inches wide x 8.25 inches long, the book has seen extremely gentle use as evidenced by the minimal wear of the little boys' heads which, while providing visual interest, are primarily present to allow easy turning of each page. Given this purpose, it is ...
Antique Polish Baroque (17th-18th century Poland) bronze church hanging incense burner censer-thurible. The censer thurible is of baluster form with a pierced domed top and surmounted by a patriarchal cross with a double cross-bar. It is made of several elements: a domed top, bowl, a round conical base, and are cast separately and turned from a solid piece of bronze. The round conical base is fastened to the bowl by the handmade bronze screw from the antique's period time. The domed top is hand ...
Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...
Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...
Fine Large Chinese Han Dynasty Glazed Pottery Hu Jar (with Oxford TL Test)
This fine and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive glossy thick streaky green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upsid...
Solid sterling earrings with inset chrysoprase by Jensen USA designer, Laurence Foss. These were made in 2005 and bought directly from the artist. They hang 2-1/2" excluding wires. One corner/edge of a pendant is a tiny bit curved but it was purchased that way.
Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...
Rare Chinese Tang Dynasty Painted Pottery Stupa Jar (AD 618 - 906)
This tall pottery set comprising stand, jar and cover was made during the Tang Dynasty (AD 618 - 906). Each part is made from a relatively high-fired grey pottery and "cold painted" in orange and white pigments, the decoration comprising geometric and floral (lotus) patterns. The stand has cut-out apertures and petals to represent a lotus flower. The cover has purpose-made holes in its upper part; it is painted with lotus lea...