A box for keeping incense – kogo – decorated with a carriage used by court nobles and members of the Imperial family of the past in dense gold dust sprinkle on a black lacquer background. The sky sprinkled with clouds of nashiji. Insides with dense nashiji. The bottom section decorated with a rock surrounded by bamboo in gold togidashi and kao of tea master Hisada Soya. Silver rims.

Tiny signature in gold lacquer on the bottom: Gaho.

The kogo was made for the tea master Hisada So...

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. This insence container is called "Garan" that means basement stone of big Buddhist temple. It seems as a natural rock. Size 5.5cm(W) 4.7cm(H) Accessary wooden box with signature

Just released from my personal collection is this fantastic set of three pieces that date circa ancient China's Western Zhou period; a decorated bronze dagger axe with and accompanying horse bridle fitting decorated with coiled snakes, and a bird finial. All three pieces were purportedly uncovered together. The bridle fitting was partially cleaned to reveal the magnificent coiled snake decor. The bird finial appears to have originally been inlaid but the material is now gone. The dagger axe...

Very large pear-shaped chaire. Very dark brown stoneware, thin walls, with thin glaze of oily colors and fiery brown-red running down. Ofuke ware, Owari Province (Nagoya), Japan, late 18th century.

H 4 ½ inches

Fine condition, old handwritten label, identifying the piece as Ofuke, dating it to 1780s.

Provenance: Private collection of chaire (collection no. 37); bought from E & J Frankel, New York, May 17, 1984; ex Vassar College collection; ex Pratt Institute collection (1906)

A wild boar kōgo by famous Kyoto potter Imai Masayuki 今井政之 (1930-2023). Decoration is a stylized version of the ancient Chinese character for wild boar. Masayuki used his famous inlaid colored clay technique in producing this piece. Imai Masayuki and the late Miyashita Zenji are considered the two masters of the colored clay technique in Japan. Title: Inlaid Zodiac Wild Boar Incense Container (Zōgan kanshi i kōgo 象嵌干支亥香盒) Colored and inlaid stoneware, 3.8 cm high a...

A rare finely carved cylindrical bamboo incense box depicting Scholars amongst rocks and pine trees in a mountain landscape. This item was made in China in the late Qing period - the characters carved into the top read "Qing Guangxu Nian Zhi" which translates as "Made in the Guangxu reign Qing dynasty" (1875-1908). Condition - one 2cm age related crack at the top - otherwise excellent with no damages or losses and no repairs or restoration. 22.7cm (8.8inches) high.

清晚੏...

Antique Japanese “Yogi” bed comforter, hand-spun cotton with "tsutsugaki" paste resist dye in aizome Japanese indigo dye. The design is auspicious symbol, Sho-Chiku-Bai (pine, bamboo, plums). The shoulder and collar areas are accented with "kasuri" cotton. Excellent condition - no holes on the front except one small L shape cut (3/4"x3/4") on the lower area, some repairs on the liner. Cotton wadding was taken out and cleaned (but not washed). Approximately 57" wide x 77" long, ...

A Chinese blue and white incense burner, bombe shaped and decorated with a vibrant underglaze blue and a continuous scene of three figures in a mountainous background , buildings and trees. Buddhist precious Objects decorate a band under the rim and the censer stands on three feet. It is a highly desirable item and a fine example of Kangxi blue and white porcelain. Age: 1662-1722. size 24.8 cm . in diameter. condition: the body is free from damage and restoration, there are glaze losses and a co...

A beautiful hand thrown stoneware vase of tapering shape with three very small ears; mottled blue glaze / rubbing eggs glaze creating a stunning effect made by Ito Tosan. Ito Tozan I (1846-1920) or Ito Tozan II (1871-1937). Seal mark underneath reading Tozan, enclosed in the original stamped cotton bag. It comes with a collector box from the 50´s. Late Meiji to Early Showa, 20th cent. H. 26, 5 x Diam 7,5 cm. Condition: Fine. **** Ito Tozan I (1846-1920) started his artistic career as ...

Chawan in Raku style, made in dry lacquer technique (kanshitsu) simulating ceramic. The lacquer is applied in such a way that you see small crevices and patches of red and brownish black lacquer in the same way we see it in Raku ware. Japan, Meiji era.

H ca. 3 ½ inches, dia. Ca. 4 ½ inches.

Excellent condition.

Comes with brocade pouch and plain wooden box.

A small Japanese mimikuchi shaped vase, with spiral design, used to hold the burn incense sticks. The burner is about 3 7/8" tall x 4" in diameter and dates to the turn of the Century. The condition is excellent/perfect, and it has been polished. The asking price includes shipping within the USA.

Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months. Antique gold repairs...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

This is a SAKE BOTTLE OF JAPANESE BIZEN WARE. It was made around 40 years ago. Very good condition (please see photos). Diameter: 2.9". Height: 5.5". Weight with box: 17.50 oz (500 grs). Bizen Pottery is one of the six famous ancient medieval pottery styles in Japan. It is also known as "Imbe Pottery" based on the name of the area. The brownish surface produced by the combination of clay and fire. During the firing process, the straw burns away, leaving a 'flash' of sodium vapor on the surfa...

Blance de Chine incense burner on a spreading foot with thick foot-ring,swelling and narrowing body, everted rim and two nicely shaped handles. Covered outside and the upper part of the inside with an ivory-white glaze. Condition: Perfect condition. Measurement diameter 10.4 cm = 4.1 in (inclusive handles 14.5 cm = 5.7 in)

Please note! Customer satisfaction is our top priority. We guarantee 100% accuracy and correct information for each object listed on our website. We are happy t...

The size of Screen: 277cm Wide x 138 cm High (109 " x 54 3/8")
The both side Left/Right Panel size: 47.2 cm x 138 cm (18 1/2" x 54 3/8")
4 panels in between size: 45.5 cm x 138 cm (17 7/8" x 54 3/8")
Each Fan design size: 55 cm (21 5/8") wide.

This is wonderful 6 panels Japanese Byobu screen from 1750's middle 18th Century with 21 Ougi (fans) design with gold leaf background. This type of painting properly called, "Senmenga" with fan design Byobu called "Senmen Byobu". Th...

A fine and very rare bat-shaped porcelain censer with what are apparently bat head feet. We believe that there would originally have been a wood cover secured into the two outer holes and that the incense smoke would have escaped through the three central holes.

This item was made in China for the domestic market as a temple or home alter piece in the early 18th Century, probably during the reign of the Kangxi emperor (1662-1722).

Condition - excellent - no damages and no restoration.

8...

Japanese Kiri wood two(2) section Tansu, Kiri and Cedar chest on chest, Meiji period, before 1900, 42" high, 33" wide, 17" deep with 5 graduated size long drawers, and carved and engraved floral shape black iron back plates have different motif carvings, and black iron handles. Pine wood used in the back and split in some areas caused by dryness and old age, shows wear and tear in original condition, as found condition from Japan.

An amazing 970 silver necklace with crescent shaped bezel set onyx cabochons in a cascading design by Antonio Pineda.

This necklace measures about 16 1/4" around with a diameter of about 5". Drops down in front about 2 1/2". Each crescent is about 1 5/8" across.

Has a secure box clasp.

Marked with 970, Pineda Crown, Silver, Hecho en Mexico, Eagle 17 and style number YY 456.

Has some tarnish and minor signs of wear. The stones feel smooth with only one tiny flake to one point. Wei...

A Chinese jade vase, carved as a lotus leaf with a flower in one corner and a ribbon tying the leaf and its coiled trailing stalk forming the base. The composition is very attractive, the body is quite thinly carved and the stone is of celadon hue. A high quality example of Qing lapidary arts, it measures 14 cm ( 5 1/2 inches) high. It comes with its own custom made wooden base. Age; 19 C. condition: excellent.

A 950 silver Komai damascene panels bracelet circa 1900 1920. This scarce bracelet from Japan features eleven 1-1/16" x 3/8" loop-linked panels with inlaid silver and gold on a black matte (actually iron) ground. The panels resemble those in room dividing screens, and each has a different design and a simple engraved design on the back of the silver sections. It also has a long safety chain and a box clasp which is stamped 950 SILVER. This bracelet measures 7-1/8" x 1/1/8". It is in excellent...

Made in USA. All metal hand hammered in the American Modernist or Arts & Crafts metal art smith tradition, this face motif free standing 116 grams copper metal sculpture can hold a vase or can be worn as a cuff bracelet. All hammered by one set of hands from beginning to end resulting in this art work by this metal art smith and signed: HANDMADE MIMI DEE.
See Image 2: Can be displayed on a table or in a shelf to hold a small bud vase or worn as a massive cuff bracelet. 116 grams.
St...

An abstract sculpture made of fused, oblong and un-glazed porcelain tubes. The piece has been modified by willful hammering to provide it with the desired shape. Signed and dated: Takeuchi Kouzo 2009, a unique piece in the ‘Modern Remains’ series. Takeuchi Kouzo was born in 1977 in Hyogo Prefecture. In 2001 he graduated from Osaka University of Arts ; went on to study at Tajimi Municipal Ceramic Design Institute, Gifu graduating in 2003. Takeuchi has quickly become one of the leading expo...

Nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parents' wish to inspire their sons in manliness, discipline, bravery and the honor codes which are associated with them.

Originally, nobori were used on the battlefield to identify the troops; some were to show the warriors where their taisho (general) was, others were used to shift the troops. ...

A great hammered silver vase with small knobs around the shoulders, soft hammer marks covering the surface of the vase. Signed on the bottom with a chiseled signature by the artist, Shiro, together with Mitsukoshi stamp, Silver and Sterling. Enclosed in the original tomobako, the original box, inscribed Silver vase on the exterior of the lid and signed and sealed on the inside. Size: H 20 x W 22 cm. Condition: perfect, with good silver oxidation patina. **** Sekiya Shiro (1907-1994) was b...

Many fine antiques were exported via Hong Kong in the beginning Chinese economic reform days. This fine sancai warrior statue was exported to Japan round '80 and stored by Japanese famous collector. It was excavated from the room of huge tomb as one of the twelve god guards It is seemed the warrior had a sword, it is seen monster animal's face on the both sleeves that is a influence from Persia. It is guaranteed as genuine piece by Noriki Shimazu the famous Japanese researcher for Asian antiques...

Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era. The quality of the artwork tells us that this nobori is likely to have been done ...

The warrior’s armor and helmet, samurai sword, spears, banners and paper carps (later cloth) in the sky are all tools used to showcase boy’s day in Japan. This tradition started early Edo period (1603-1868) by samurai families wishing their son’s good health and studies to be honorable samurai.

This set is made in Kyoto, Japan and is called “Kyo-armor”. Kyoto had been the capital of Japan for over 1000 years. The culture there was developed to serve the best for the emperor...

Beautiful Japanese Wajima lacquer stand with gold maki-e painting on a nashi-ji (pear skin) background. The designs are scrolling vines with stylized chrysanthemums and paulonias, which are the crests of the emperor and empress. The style of sparkling nashiji lacquer work and the theme were popular in the Taisho period (1912-1926) to the beginning of the Showa era, sometime after the return of the throne to the emperor.

The stand was made for a Tokonoma as a base for a flower arrangement...

From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors...

Signed Studio Piece

Signed studio original hand hammered brass bold kinetic pendant necklace sculpture that frames a tree with nine branches of sterling silver, brass and copper with two antique faceted red amber beads. Looks equally well in a shadow box on your wall, window hanging art piece or around your neck. It was wrought in a USA studio in the in the Mid Century Modernist or Arts and Crafts tradition by this self directed metalart maker and signed Mimi Dee - Handmade.

*Bold n...

Signed studio original hand hammered brass bold kinetic ethnographic like pendant necklace sculpture with four major segments which include an added bold carved carnelian ear of corn dangle.

Looks equally well in a shadow box on your wall, window hanging art piece or around your neck. It was wrought in a USA studio in the in the Mid Century Modernist or Arts and Crafts tradition by this self directed metalart maker and signed Mimi Dee - Handmade.

*Bold north to south: 8" X 3...

Description:

A wood water basin was nicely carved in shape of a lotus leaf with a lotus pond.
It was preserved in very good condition by nice brownish patina.
Some of the seeds in the lotus pond were still movable when some were sticked but nothing is missing.
It was a charming and very rare piece by this type.
Most of the old wood pieces were made as brush pots in relief carving.
This piece was carved in delicate workmanship to imitate the lotus leaf by thin wall a...

Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...

Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...

Fine Large Chinese Han Dynasty Glazed Pottery Hu Jar (with Oxford TL Test)

This fine and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive glossy thick streaky green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upsid...