A pair of ancient Egyptian bronze and inlaid stone eyes. Late Period, 600-300 B.C. Right eye measures 2 inches wide. Left eye measures 1 3/4 inches wide. Originally, from a NYC private collection.

A large bronze image, cast in two pieces, showing the Tamil deity Aiyanar riding on his horse. The bejewelled cavalier is holding a curved sword and a round shield, wearing decorated bloomers. The stallion with sumptuous harness. Condition: traces of usage. Dimension: c. 29.8 cm high, c. 24 cm long, c. 8.8 cm wide, weight: 3.4 kg.

Large Chinese Song / Yuan Dynasty Glazed Buddhist Jar with Sanskrit Inscription

This large and impressive pottery jar was made around the 13th / 14th century, during the Song Dynasty (AD 960 - 1279) or the Yuan Dynasty (AD 1279 - 1368). Until recent years, this type of jar was almost unknown in the west with some people initially attributing them to the Liao Dynasty (same general period but in the north of China). These jars are now known to have originated from Yunnan province in the south-...

A square Chinese cloisonne enamel gau box with four arched apertures and gold gilt strap loops for personal carrying. Richly decorated on a yellow ground with designs of formal lotus and foliage, the top side panel has a dark blue fylfot. The back panel, with the large red Shou-type character, slides up to open. Made for the Tibetan market, this dates early to mid 19th century, but could possibly be late 18th. Measures 3.35 inches high, 3" across, 1" deep.

Fine Tall Chinese Western Han Dynasty Painted Pottery Soldier (with stand)

This impressive pottery model of a warrior was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a dense grey pottery and quite highly-fired. He stands alert with his right hand raised. The pack on his back, a container for arrows, shows that he is an archer. In the hands would originally have been placed a miniature wooden shield and weapon, now long since rotted away and lost....

DOROMENKO

Primitive Japanese earthen toy for children called 'Doromenko' (lit. 'Mud face') including rare motif like ghost, fox, fish, etc., 19th century, approx. 3-3.5 cm (1.18-1.37in). Aged deterioration as is but in generally good condition.


selected by rust + antiques




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RACCOON DOG TABLE LAMP

Lovely vintage Japanese 80s pop sofvi (plastic) table lamp that is motif of traditional Shigaraki ware tanuki (raccoon dog) statue. Height 16 cm (6.29in), Bottom diameter 8.6 cm (3.38in). Scratches and slight stains due to age.


selected by rust + antiques




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FART

Contemporary art work with such humorous old Taisho-period’s painting on ‘washi’ (Japanese paper) pasted on canvas. Super beam! 27 x 22 cm (10.62 x 8.66in).


selected and made by Jinta




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Toshi Yoshida (1911-1995)
Autumn from the Birds of the Seasons series.
"Serenity of Red Maple"
Date: ca. 1980.
Size: 21 x 13.25 inches.
Publisher: The Yoshida Family Studio. Issued by the Franklin Mint.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Top and bottom back margins have tape residue. Very slight toning.

Viking Glass Company made this cat in the 1960's. There are no chips or cracks in the glass. Thanks for looking.

Aladdin Mantle Lamp Company made the Quite 1937. There are no chips or cracks in the glass. The lamp comes with a Model B burner. Thanks for looking.

A large and very impressive tomb pottery horseman, Chinese, 1368-1644 AD. The type has been thoroughly tested and was burnt approx 500 years ago, placing it in the mid Ming period, c. early-mid 16th. century.

The pottery horseman, a higher-ranking officer, was probably originally equipped with a standard of wood, that has now decayed. He is clad in body armor in blue and torquise and wears a cone- shaped helmet. He is riding a white horse with details in torquise.

A rare to...

OKEGATA

Various patterns of wooden rulers for measuring various parts of side face of wooden bucket or barrel so-called ‘Okegata’ (also called ‘Shojiki’, which means ‘Honesty’) as Japanese craftsman’s tool, Showa period, early-mid 20th century, Japan. Largest: 29 x 6 x 0.5 cm (11.41 x 2.36 x 0.19in), Smallest: 13.5 x 3.5 x 0.5 cm (5.31 x 1.37 x 0.19in).


selected by Pottari




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Eisho Narazaki (1862-1936)
Interior of Asakusa Kannon Temple
Size: Oban. Approximately 15.25 x 10.5 inches.
Date: 1932
Publisher: Watanabe Shozaburo. Watanabe C seal at left margin, indicating a first edition printed 1929-42.
Medium: Japanese woodblock print.
Condition: Toned paper.
There is so much to look at in this lively, superbly printed image.

Kawase Hasui (1883-1957)
Moon at Magome
Date: 1930.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe C (sausage) seal at right margin, making this a first edition produced between 1929-1942.
Reference: Hotei #165.
Medium: Japanese woodblock print.
Condition: Point-sized repair in upper left corner of sky. Original drying pinhole at left margin covered with paper.
"The scene conveys the rustic 'poetic' charm of Ma...

Late Qing hand carved turquoise snuff bottle with bok choy and radish along with an ant, cicada, grasshopper and cricket. The workmanship and details is superbly done including the insects, having very fine details to the legs, antennae and bodies. Presented on a rosewood stand, this snuff bottle has a wonderful color and patina and is one of the coolest bug type carved snuff bottles that we have encountered in some time. In excellent condition, a later spoon and cork was applied. Measures: H...

A well-hollowed Chinese snuff bottle carved from bright celadon jade. The stopper is made from a green stone with a bone spoon. The bottle needs standing help. Condition: few traces of usage. Dimension: c. 6.7 cm high.

Japanese limited edition copperplate etching titled “Kyoto #7: Kozan-ji” by Tanaka Ryohei (1933-2019). Pencil-signed, dated '96, and numbered 141/150 in the lower margin. The title in kanji is at the bottom left margin. Paper: 11 5/8" x 10 1/4" (image: 6 3/8" x 8"). Very good overall condition with a possible faintly visible smudge in the upper left margin corner. There are a few distressed fibers on the back, but the print does not appear to have been previously framed.