Because of the delicate nature of this form, and the fact that not that many were made, it is highly uncommon to find surviving examples in any condition, let alone one as beauti...

Very soft clay modeled in a mold and fired at low heat. Painted with gofun (ground eggshell producing the white color), natural/mineral pigments and gold, applied after the figure has cooled. The soles of the paws are left uncolored (light brown)

Japan, Meiji era, about 1900.

H 7.4 x L 7 x W 3.25 in.

The black and white of the dog’s fur is soiled, rubbed, and somewhat cr...

From approximately 1910 through the 1930's, Mrs. Concepcion Vargas-Alphonso, influenced by the great artistry of her famous ...

From approximately 1910 through the 1930's, Mrs. Concepcion Vargas-Alphonso, influenced by the great artistry o...

This stoneware jar was made during the Song Dynasty (AD 960 -1279). We have had a few similar "dragon" jars over the years but it is extremely rare to see such a jar with not only a cover, but a cut-out bowl in which it stands. We have known that such items existed as there is one illustrated in a Chinese museum book (see above for reference). 

Such jars as this with an applied dragon around its shoulder are f...

Arguably the most desirable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This figure was made around the mid 8th century and is a particularly elegant example. The lady stands with her hands clasped together under her flowing robe and her head turned a little to the right. Note also the elaborate hairstyle. It is relatively highly-fired and made from a buff-coloured pottery that has been "...