This is one of the prettiest Schiaparelli sets I have ever had. It is shiny silver plated, likely rhodium and it has an intricate flower design done with sparkling clear rhinestones, ruby red cabochons, and big faux pearls each with a rhinestone in the top. The brooch is 3" x 2 1/2". The matching earrings are clips about 1 1/4" long with a red cabochon on the ear and one of the large pearls with clear rhinestones as a dangle. The set is in excellent condition. The brooch is marked with Schi...

There is rhodium plated metal brooch with black and red enmael. There is some wear to the enamel of the pelican's bill. All the pave rhinestones appear to be bright.

There is a Hallmark that is barely visible Made in USA and a symbol which I cannot photograph which appears to be a star with circle made of dots (Fred Gray).

Circa 1920s

Reference: Warman's Vintage Jewelry Identification and price guide, By Leigh Leshner, Krause Publications 2008 p. 117, p.11

Reference: American Costu...

A magnificent vintage platinum brooch formed as a floral bouquet featuring three primary blossoms tied at the bottom with a ribbon, and set with a mix of old single cut, old Swiss cut, old European cut, old mine cut, early modern brilliant round cut and French cut diamonds and round brilliant cut sapphires. The center flower features a .83-carat, old mine cut diamond of fancy cognac color and SI2 clarity; surrounded by sapphires. A flower bud is represented just above by a prong-set .34-carat ...

A graceful treasure, this 1930's Chanel pin has tremblant wings, and three shades of enamel with clear rhinestone accents. It is in perfect condition. 3" by 2" and very three dimensional. Old Chanel script signature on the back.

This Hattie Carnegie is unsigned. It has her characteristic lucite (resin) coral body with clear rhinestones set in gold tone. It has a ridged segmented curler body, scales, horn and lower jaw open to expose the openwork metal. It is 2 7/8" x 1 3/4" . Excellent condition.

Trifari sterling 'Alfred Philippe' jelly belly rabbit eating leaves brooch is sterling vermeil with rhinestones and lucite body.

Condition: excellent

Size: 1 5/8" x 1 3/4"

Reference: Fun jewelry, Schiffer p. 82,

Reference: American Costume Jewely, Art and industry (2008) v.2 p. 180.

Date: 1943, Des 135,169

Give a gift of timeless love from the past with this beautifully crafted Victorian 14K yellow gold, seed pearl and diamond interlocking heart pendant/pin, circa 1900-1910. Openwork hearts are set throughout with seed pearls. The brooch centered with one approximate 4.4mm round sparkling European cut diamond weighing 0.32 cts. The diamond is l1 in clarity, and J-L in color. Modern clasp has been added. Pin measures 3/4" dia. Wt. 4 grams. Excellent condition. A small treasure from the past for ...

Size: 4 1/8" x 2 1/8"

Reference: American Costume Jewelry, Brunialti v.1 p107

Hallmark: Coro

Condition: yellowing of rhinestones. Paint in great condition.

An Art Deco bakelite and celluloid snake upper arm bracelet circa 1920s. This genuine period survivor measures 3" x 2-7/8" across the interior and the snake's heads are 5/16" across and both have cobalt blue glass rhinestone eyes. The body is black celluloid with an applied clear yellow layer over a bed of embedded sparkly metallic confetti. This Egyptian style figural bracelet is in mostly excellent condition with no chips, cracks, losses, damage or repairs other than some groove striations/lin...

Description: gold plated sterling with rhinestones and enameling.

Condition: Excellent

Size: 2 1/8" square

Hallmark: CoroCraft sterling in cartouche

Reference: Fun Jewelry, Shiffer, p. 15

Reference:

A pine needle pattern Tiffany Studios large round inkwell. The inkwell is 6 inches in diameter and 3 1/4 inches high. The base of the inkwell is marked “Tiffany Studios New York” and is model number 847. The green slag glass has the darkest color I have seen in any of the Tiffany Studios etched metal and glass forms. There is a colorless inkwell insert in the inkwell and there is no damage to this piece.

Large Artist's Proof of Munjado Calligraphy by the Famous Kim Ki Chang aka Unbo (1913 - 2001). Despite being deaf, Unbo was one of Korea's most beloved 20th Century artists. His works are now sought by museums and collectors internationally. This is the original signed AP (Artist's Proof) of this large lithograph, where Unbo gives us a most creative rendering with anthropomorphic figures in the ancient style of figurative munjado calligraphy. 38.5 x 28.5 inches, 98 x 72.5 cm.

Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imported from China. In fact, some pottery styles uniquely Japanese (such as Shino) are thought to have been born out of unsuccessful attempts to emulate these extremely high-quality and refined ceramics. The number of such pieces imported was so great that today it is not uncommon for Chinese collectors to visit Japan in search of authentic...

20024609 A rosaria cut to clear Pairpoint 7 ½ inch tall comport in the “Adelaide” pattern. The shape is identified as A-294. The 8 ½ inch diameter piece is enhanced by its’ cut stem. There is a polished pontil and there is no damage.

Japanese late Meiji period cloisonné enamel ovoid form vase attributed to Hayashi Kodenji (1831-1915) or his workshop decorated around the circumference with pheasants among a dense variety of chrysanthemums, daisies, and other flowering plants in a landscape with rockery and flowing water all set against a dark cobalt blue ground. A foliate patterned band is above the foot and a narrow geometric band is below the mouth rim. Silver rims are at the mouth and foot. A tiny unreadable “junjin�...

A vertically ribbed green jade Steuben vase. The 5 inch tall vase is 4 inches in diameter with a polished pontil marked with an acid stamped script Steuben signature. The vase is decorated with an engraved Old English style “P” monogram.

Pair of Japanese Meiji period silverplate floral repousse-decorated temple pricket candle stands (“shokudai”), or candlesticks, with chrysanthemum form scalloped bases and holders densely covered in chrysanthemums and leafy foliage. Bases are weighted. Late 19th to early 20th century. 24 1/2" and 25" high each x 9” diameter base. Very good overall condition with a nice patina and only minor wear evident. The top holder on the shorter stand leans slightly. From the estate of Tucson ...