This Juliana large pear sapphire rhinestone bracelet are combined with light blue chatons. The safety chain is in tact.
dimensions: 7 1/4" x 1 7/16"
This Juliana "shades of purple" cluster bracelet is 7" x 1" . The earrings are 1 3/8" x 3/4". The links are oval shaped. Safety chain is complete.Excellent condition.
Reference: Juliana Jewelry reference DeLizza & Elstser identification and value guide, by Ann Pitman, Collector Books 2010, page 258
This is one of the prettiest Schiaparelli sets I have ever had. It is shiny silver plated, likely rhodium and it has an intricate flower design done with sparkling clear rhinestones, ruby red cabochons, and big faux pearls each with a rhinestone in the top. The brooch is 3" x 2 1/2". The matching earrings are clips about 1 1/4" long with a red cabochon on the ear and one of the large pearls with clear rhinestones as a dangle. The set is in excellent condition. The brooch is marked with Schi...
This is a gorgeous brooch - perfect for lots of fall and winter clothes. It is made of shiny silver colored metal, and it is 2 1/4" square. The larged smoked glass pieces are interespersed with bright sparking rhinestones of varying sizes - all prong set. The pin is sightly domed to add interest. It is in excellent condition and it is not marked.
Beautiful heavy 1980s bracelet by Jean Louis Scherrer in goldtone metal with a large centerpiece with an aqua resin stone, and large ball bead chains, with hook clasp and safety chain. Marked SCHERRER, and MADE IN FRANCE. Wearable length is 7 1/2 inches and width at clasp is 1 1/2 inches. Excellent condition. Display form is life size. Photos enlarged to show detail.
An Art Deco bakelite and celluloid snake upper arm bracelet circa 1920s. This genuine period survivor measures 3" x 2-7/8" across the interior and the snake's heads are 5/16" across and both have cobalt blue glass rhinestone eyes. The body is black celluloid with an applied clear yellow layer over a bed of embedded sparkly metallic confetti. This Egyptian style figural bracelet is in mostly excellent condition with no chips, cracks, losses, damage or repairs other than some groove striations/lin...
An exquisite and very fine 18K yellow gold jewel by Henry Dunay, one of the greatest American jewelers of the latter 20th century. The piece comprises a 32" necklace of domed, oval gold links joined by polished arched connectors. The outer surfaces of the links are stippled in a roughly textured finish that contrast nicely with the arched connectors. Two of the links have hidden hinged clasps so that the necklace can be separated into a shorter necklace and a bracelet. Two of the arched conn...
This amazing articulated bracelet is made by contemporary designer jeweler, Jarin Kasi. The snakes body is intricately constructed from sterling silver, and has pave CZ crystals throughout. The head has a large glass faux emerald stone and the eyes are made from hematite glass. The body is 5/8" wide in back and it spans 1 3/4" at the crossover front. It has flexibility but will only fit a wrist of about 6 1/2". It has no markings and it is in excellent condition. This really is a showstop...
This fantastic cuff bracelet was made in the pate de verre technique originated by Maison Gripoix. The gilt hammered brass cuff is 2 3/4" wide and the 3" wide pate de verre applied maltese cross has pearl and rhinestone accents. It has a 5 1/2" interior end to end measurement with a 1 1/2" gap opening, and the metal has flexibility to adjust to most average wrist sizes. It has no markings and it is in excellent condition.
A beautiful silver work with turquoise stones. The total of eleven large turquoise stones (oval cabochon cut) are mounted on these delicate silver filigree which are lightly plated with gold. The gold picks up the light easily, and when it does, it shines and changes the entire look by bringing out the deeper details. Amazing workmanship. The color of the stones is of true turquoise blue without any trace of green or other colors. No damage to the stones; no cracks or chips. The color of 2 ston...
Old Japanese oil painting on canvas in the early postwar period, with the painter's sign of ‘Yoko Konishi’ and “Nude with her back turned / Summer, 1950” at the backside, attached with such simplified wooden frame arranged by the former owner in the later years, in aesthetically aged condition as is as seen. Frame: approx. 42.5 x 33.6cm (16.73 x 13.22in)
selected by hotoke
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Excavation of layered biscuit object of Japanese proto-pottery bowls called 'Yamajawan' (Yama-Chawan / lit. 'Mountain tea bowl') stuck to each other in the kiln-firing, ca. Kamakura-Muromachi period (1185-1573),
approx. H 21cm (8.26in), 15 x 14cm (5.90 x 5.51in)
selected by Jinta
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Fantastic kogo, box for keeping incense, in the shape of a slightly abstracted wish-granting tama or jewel. Brown stoneware with typical white inclusions, greenish brown ash glaze on top. Shigaraki or Iga stone ware. Japan, early to mid Edo period, 17th-18thcentury.
H 2 x L 2.25 x W 2 inches
Minimal traces of usage commensurate with age. All in all excellent condition
Comes with kiri-wood tomobako with inscription.
Anonymous old Japanese sketchbook with such skillfull and refined various botanical drawings on 37 pages (more drawings besides those 12 photo's), with the signed date of Taisho 12-14 (1923-25), approx. 25.3 x 18.7 x 2cm (9.96 x 7.36 x 0.78in). Expected some stains and rips (but at blank pages) due to age as is.
selected by hotoke
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Tiffin Glass Company made La Fleur in the 1930's. There are no chips or cracks in the glass. Thanks for looking.
4 are available
Hanging scroll. Shoki holds Futen’s wind bag which balloons around him and protects him from a very light rain. While Shoki has his hands full trying to control the wind bag, his bulging eyes are rolled in defeat and annoyance towards the right, where a little demon who has a Chinese mortar on his head and holds the pestle in its hand jumps in front of him.
Ink and color on silk.
Signed and red artist’s seal.
Japan, Taisho or early Showa era, 1920s-1930s.
Image: H 43.25 x...
The Byōbu "wind wall" are Japanese screens made up of 4 to 6 panels (the latter being the most common). They serve as partitions or decor for dances in the ceremonial context. They are usually adorned with seasonal flora and fauna, painted in gouache on a gold leaf background.
The large gold "solids" highlight the quiet strength of decorative elements such as cypresses (Paine 1981) which seem to emerge from the mist invoking a symbolism. The convention of these "floating clouds" is even older ...
Late Edo period (around 1800)
Natural iron zunari type kabuto mounted in kaga style.
The zunari or hineno kaButo symbolizes a head.
This helmet has eyebrows made by the uchidachi technique (pushed back)
the shikoro in slats, the last of which is in lacquer imitating the wrinkled leather "é urushi tatakinuri typical of the school of kaga
Menpo of the ryubu type in natural iron, menpo of the noble man with his arrows
Do natural iron tatami mat