A graceful treasure, this 1930's Chanel pin has tremblant wings, and three shades of enamel with clear rhinestone accents. It is in perfect condition. 3" by 2" and very three dimensional. Old Chanel script signature on the back.
This is an Antique Endless Knot Diamonds Circle Brooch. This Brooch has a Center old mine cut Diamond approximately .75 carat ....clarity being SI1 to VS2 and Color is HI. There are another 6 old cut diamonds at the end of the Swirls that are 1/6 Carat each approximately totaling another One Carat; these are Old Mine Cuts SI Clarity and H Color. At the Edges of the Circle there are another 102 Diamonds approx. .03 Points each for a little over an Additional 3 Carats; there are some single c...
A Large and Impressive Hand Painted Dutch Delft Vase. Eight reserves; four large ones of a bird and four lesser ones of a stag. Label on the base says "De Oude Moriaans Hoult (The Old Moors Head) Holland Delft (the mark) 1759". This refers to the potters mark, which was first used in 1759 (the Old Moors Head dates from 1648). Dimensions; 16" high, approximately 4.5 pounds in weight. Normal wear for Delft.
A magnificent vintage platinum brooch formed as a floral bouquet featuring three primary blossoms tied at the bottom with a ribbon, and set with a mix of old single cut, old Swiss cut, old European cut, old mine cut, early modern brilliant round cut and French cut diamonds and round brilliant cut sapphires. The center flower features a .83-carat, old mine cut diamond of fancy cognac color and SI2 clarity; surrounded by sapphires. A flower bud is represented just above by a prong-set .34-carat ...
Important antique Satsuma vase made by the master artist ONISHI SUIGETSU CIRCA 1780 in perfect condition
no damages and no repairs.
Depicting the seven GODS of fortune, reaches and happiness.
The master artist ONISHI SUIGETSU worked in the late 18th century in Japan. He was a pupil of MOCHIZUKI GYOKUSEN MAKOTO.He was a painter of figures,birds and flowers.He was a teacher to MATSUMURA GOSHUN.
Size approximately: 7 inches, 18 centimeters- tall,
Circumference-20 inches, 51 centimeters.
Ko-Kutani means old-Kutani or pre-Kutani.
Kutani kiln is famous for its gorgeous overglaze enamels.
In fact, Ko-Kutani did not made in Kutani kiln, made at the kiln in Imari area even ahead Kutani kiln.
These pieces are called Nanjing(China)type and expressed bird and plants with overglazed gorgeous enamels by elaborate hand work.
5 pieces for one set are contained in wooden box,
The seal mark expresses "大明成化”（GREAT MING CHENG HUA PERIOD), but while it is not real, it means ...
Japanese Edo to Meiji period ten-sided polygon form Imari porcelain vase decorated in the kakiemon style in polychrome enamel and gilt highlights with a prominent flying phoenix bird on the front and three pawlonia leaf groupings extending around the circumference. Ten alternating geometric and stylized floral bands extend vertically up the sloping neck. An alternating scalloped band is above the foot. 19th century. Stands just over 10” high. Very good overall condition with minor typical...
A fine,large and very rare eight sided documentary vase (with fitted wood stand) - decorated in Chinese scholar's taste and bearing two poems. The first, small poem on the neck of the vase, describes the under glaze blue painted picture on the reverse side. Roughly translated - "Fisherman looks across riverbank - there are Huang Yang trees. There are three roads leading home and he carries a 'dan' (two baskets with carrying yoke). He is wearing a raincoat and hat and it is raining - he sees a fa...
Old Japanese oil painting on canvas in the early postwar period, with the painter's sign of ‘Yoko Konishi’ and “Nude with her back turned / Summer, 1950” at the backside, attached with such simplified wooden frame arranged by the former owner in the later years, in aesthetically aged condition as is as seen. Frame: approx. 42.5 x 33.6cm (16.73 x 13.22in)
selected by hotoke
* Please understand that E...
Excavation of layered biscuit object of Japanese proto-pottery bowls called 'Yamajawan' (Yama-Chawan / lit. 'Mountain tea bowl') stuck to each other in the kiln-firing, ca. Kamakura-Muromachi period (1185-1573),
approx. H 21cm (8.26in), 15 x 14cm (5.90 x 5.51in)
selected by Jinta
* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, sinc...
Fantastic kogo, box for keeping incense, in the shape of a slightly abstracted wish-granting tama or jewel. Brown stoneware with typical white inclusions, greenish brown ash glaze on top. Shigaraki or Iga stone ware. Japan, early to mid Edo period, 17th-18thcentury.
H 2 x L 2.25 x W 2 inches
Minimal traces of usage commensurate with age. All in all excellent condition
Comes with kiri-wood tomobako with inscription.
Anonymous old Japanese sketchbook with such skillfull and refined various botanical drawings on 37 pages (more drawings besides those 12 photo's), with the signed date of Taisho 12-14 (1923-25), approx. 25.3 x 18.7 x 2cm (9.96 x 7.36 x 0.78in). Expected some stains and rips (but at blank pages) due to age as is.
selected by hotoke
* Please understand that EMS shipping fee is additionally charg...
Tiffin Glass Company made La Fleur in the 1930's. There are no chips or cracks in the glass. Thanks for looking.
4 are available
Hanging scroll. Shoki holds Futen’s wind bag which balloons around him and protects him from a very light rain. While Shoki has his hands full trying to control the wind bag, his bulging eyes are rolled in defeat and annoyance towards the right, where a little demon who has a Chinese mortar on his head and holds the pestle in its hand jumps in front of him.
Ink and color on silk.
Signed and red artist’s seal.
Japan, Taisho or early Showa era, 1920s-1930s.
Image: H 43.25 x...
The Byōbu "wind wall" are Japanese screens made up of 4 to 6 panels (the latter being the most common). They serve as partitions or decor for dances in the ceremonial context. They are usually adorned with seasonal flora and fauna, painted in gouache on a gold leaf background.
The large gold "solids" highlight the quiet strength of decorative elements such as cypresses (Paine 1981) which seem to emerge from the mist invoking a symbolism. The convention of these "floating clouds" is even older ...
Late Edo period (around 1800)
Natural iron zunari type kabuto mounted in kaga style.
The zunari or hineno kaButo symbolizes a head.
This helmet has eyebrows made by the uchidachi technique (pushed back)
the shikoro in slats, the last of which is in lacquer imitating the wrinkled leather "é urushi tatakinuri typical of the school of kaga
Menpo of the ryubu type in natural iron, menpo of the noble man with his arrows
Do natural iron tatami mat
Aged Japanese Buddhist stone sculpture of the two elements as upper gem-shaped 'Kurin' ("Space") and lower reclining half-moon shaped 'Furin' ("Wind") which is the topmost of 'Gorinto' (Five-element pagoda / ref. https://en.wikipedia.org/wiki/Gorint%C5%8D) used for memorial or funerary purposes seen commonly in temples and cemeteries. Early Edo period, 17th-18th century.
Very large type with such profound presence (*can't stand on by itself). approx. ...
Wooden nyoi (ruyi in Chinese) scepter, an implement used by Buddhist priests during a ceremony or during formal preaching. Carved naturalistically in the shape of a lotus bud on a long stem with a lotus leaf wrapped around the stem. Rose wood or sandal wood. Made in two pieces.
Japan, 19th century.
Length 13-1/8 inches
Tiny chip at leaf edge. Fine condition.