A fine Steuben Blue Aurene vase approximately 8" h. Very good to excellent condition with an occasional dark spot indicative of age. The underside is marked Steuben which is common for end of Carder era pieces. Much Steuben was unsigned.
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Wonderful blue Cluthra M-handled vase standing 10 inches tall and 7 inches in diameter at its widest point. The vase is shape 8508 and is entirely mixed blue and white from top to bottom. It does not shade to white at the bottom. The bubbles in the Cluthra are small (1/4 inch diameter or less) and are well distributed. There is no damage to this unsigned vase.
An unsigned Steuben acid cut back vase, Steuben factory shape 5145, 12 inches tall. The vase is green jade cased over alabaster in what may be a unique design. Ther are two panels each of two designs. The butterfly panels are similar to the pattern on a vase shown as Ill. 177 on page 113
of "The Glass of Frederick Carder" by Paul Gardner. The panels featuring the flower or rosette is quite similar to the pattern known as “Carved Jade” illustrated on an acid cut back vase shape 5000 as ...
Blue & White Soft Paste Vase with Pomegranates, 18th Century
The vase is 8 inches (20 cm) tall, and 6 inches (15 cm) in diameter.
It has hairline cracks, glaze crazing, stains, and surface wears and scratches (as seen in the photos).
Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you nee...
Heavy, thick walled vase in cobalt blue cased in crystal, with silvery air traps in a repeating
geometric pattern.
The vase stands 8 inches tall and is 4 inches in diameter at the top. the base tapers to 2 1/4 inches.
This vase weighs in at 9 pounds, a lot of weight to work with on a handmade, hand-finished piece!
The piece is signed on the base Orrefors/Ariel 295 E-4/Ingeborg Lundin
Condition of the vase is excellent with no chips, cracks or repairs. 1974
A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.
The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.
This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.
Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...
24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...
A fine and very rare 'Transitional' vase painted in inky blue depicting a mountain landscape in classical scholars' taste. This item was made in the Dehua kilns, Fujian province, southern China, in the 17th Century, probably circa 1670-1680, early in the reign of the Kangxi emperor (1662-1722). For many additional pictures please view item #0626 at our Liverpool shop website at 69aliverpool.co.uk.
Condition - very good - there is a light brown under glaze "production" hairline inside the mou...
With a height of 32 inches, this is a rare and impressive example of early 19th century Imari ware. Both the vase and stand are finely decorated in shades of blue, gold and orange.
Condition is excellent.
A collection of three (3) pieces of Venini glass from 2002. All three pieces have the round clear Venini Murano Made In Italy label to the side, and all are signed venini 2002 on the base. There are no chips, cracks or repairs to any of the pieces.
The collection contains the following pieces:
A 9 inch (22.9 cm) tall 'a canne' vase in green, crystal, and light blue stripes. It tapers from 6 inches (15 cm) at the rim, down to 4 inches (10 cm) at the base.
An 8 inch (20 ...
A beautiful hand thrown stoneware vase of tapering shape with three very small ears; mottled blue glaze / rubbing eggs glaze creating a stunning effect made by Ito Tosan. Ito Tozan I (1846-1920) or Ito Tozan II (1871-1937).
Seal mark underneath reading Tozan, enclosed in the original stamped cotton bag. It comes with a collector box from the 50´s.
Late Meiji to Early Showa, 20th cent.
H. 26, 5 x Diam 7,5 cm.
Condition: Fine.
**** Ito Tozan I (1846-1920) started his artistic career as ...
Fostoria Heirloom Blue Opalescent Epergne, produced from 1959-1970. This bowl measures 16" long. And, with the center vase, stands a bout 9" tall. In excellent condition.
This is a beautiful Japanese cloisonne vase. Though not signed, the workmanship and colors clearly speaks Hayashi Kodenji made this. This same opinion is held by North America's leading cloisonne collector. The vase stands 7 1/4 inches tall. It appears perfect but there is a virtually invisible repair to the midnight blue enamel edge shown in the last image.
Jiaqing Period, ca. late 1700s
Each vase is decorated overall with various flowers on a medium-blue enamel ground within a continuous geometric fretwork pattern of gilt wires. Both the rim and base is gilded, now having some wear showing on each vase. The square area on the base is left from an old sticker removed in the past. Both vases have a melon form label body with a flaring mouth rim that is partially gilded inside. The interiors are not enameled and the old bronze has taken on a gr...
Simple, classic designs!
A collection of pencil neck vases and a large brandy snifter all in satinato glass. Orange, green, blue and yellow satinato colors are represented. All pieces have a clear satinato foot. Pieces were designed and made by Carlo Moretti for Rosenthal-Netter.
Original Rosenthal-Netter labels or remnants of same on the bases of several of the pieces.
Varying heights of 17, 14, 10 1/4, and 6 1/2 inches (43, 35.6, 26 and 16.5 cm)
Condition is excellen...
A large rouleau vase of porcelain decorated with the Three Auspicious Gods (sanxing) of Daoism, in polychrome enamel glazes (famille verte style) on a deep, blue ground.
Excellent quality of work. China, late Qing to early Republican Period, ca. 1900–1925. Marked with a Kangxi-period nianhao. H 46 cm. Condition: Excellent.
Antique Chinese late Qing Dynasty woman’s informal satin silk robe, finely embroidered in satin silk stitch with six roundels displaying vases with branches of various flowers and butterflies, amidst branches, peonies, magnolias, and goldfish, all picked out in bright shades of red, blue, pink, brown, and orange, reserved on a cream - white ground, and edged by black silk. The cuffs, embroidered in suite, are bordered with a band of brocade woven with five-clawed Principal Celestial Long Drago...
Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...
Rare Chinese Tang Dynasty Painted Pottery Stupa Jar (AD 618 - 906)
This tall pottery set comprising stand, jar and cover was made during the Tang Dynasty (AD 618 - 906). Each part is made from a relatively high-fired grey pottery and "cold painted" in orange and white pigments, the decoration comprising geometric and floral (lotus) patterns. The stand has cut-out apertures and petals to represent a lotus flower. The cover has purpose-made holes in its upper part; it is painted with lotus lea...
