Antique Chinese late Qing Dynasty woman’s informal satin silk robe, finely embroidered in satin silk stitch with six roundels displaying vases with branches of various flowers and butterflies, amidst branches, peonies, magnolias, and goldfish, all picked out in bright shades of red, blue, pink, brown, and orange, reserved on a cream - white ground, and edged by black silk. The cuffs, embroidered in suite, are bordered with a band of brocade woven with five-clawed Principal Celestial Long Drago...

This is an old silk fukusa from Meiji period (1868-1912). This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony. Lined with a deep red crepe silk, this fukusa is almost in perfect condition.

Pine trees are considered as sacred in Japan. Here, an ancient pine tree is mostly done with the gold couching, overlaying of threads (wrapped in gold) rather than going in and out of the base fabric. The color of gold is particularly pretty here contructing to t...

A textile panel made of different dyed silk stripes, exquisitely embroidered with motifs from Zoroastrian myths such as fishes or botehs. The backing is a coarse blue dyed cotton, framed by a black ribbon. These embroidery panels originally would have formed the knee to ankle section of one trouser leg, of a shalvar (pantaloon) from a Zoroastrian woman's wedding costume. Condition: one stripe with small fabric losses (see photo 6), few tears, an old mend, little faded. Dimension: c. 49.4 cm x 13...

Beautiful Shusu (satin silk) Uchikake kimono from the Meiji period (1868 - 1912). All hand sewn with embroidery and gold couching work - overlaying of threads (real gold wrapped around thread) rather than going in and out of the base fabric.

The dimensions are 50 inches between from tip to tip of the sleeves, 60 inches long and 29 and half for the sleeve length. All the edges and openings are generously stuffed with raw silk. The photos shown here do not capture the true quality of this gow...

Antique Japanese men’s silk juban, an undergarment worn under a kimono. The dimensions: 51 ½” across and 53” from shoulder to bottom hem.

Antique 18th – early 19th Century Chinese Qing Dynasty Carved Dragon Belt Hook mounted as a magnifying glass handle in a gilt copper mount with engraved flowers and leaf decoration attached to a circular polished magnifying lens. A well carved belt hook with a large dragon head hook with bulging eyes, curled horns and pierced mouth. The body of the belt hook is carved with fine openwork with a writhing chilong holding lingzhi in its mouth. The reverse with a raised button. In the late 19th ...

Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months. Antique gold repairs...

A fine, antique handmade pure silver tea kettle (ginbin) with knobbed surface covering the body. Each knobbed, Arare, is meticulously formed and added. Open-work knob on lid with finely worked details. Signed in the botton: Dai (great) including small pure silver mark (gin). Fitted kiri-box. H 17 cm (with handle), D 13 cm. Weight: 387 g. Condition: Excellent, used item , a slight dent on the left side of the sprout.

There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits. ...

Description:

A Lapis Lazuli Carving was exquisitely done by master craftsmanship.
Depicting a mountain view with pine trees and pagoda when old man riding a deer up to the winding road, it was a picture the scholars would always be dreamed of.

Date: Qing Dynasty, 18th Century.

Width without wood stand: 9.3cm.
The wood stand is newly made.

A SIMILAR PIECE WAS IN THE NAGEL AUCTION, 2009.

Inscriptions: Man San Train Fon(the mountain is full of joyful ...

Antique American Indian Beaded Dance Harness Authentic Antique 19th century American Indian (Canadian Plains Cree from Saskatchewan) dance harness composed of black trade silk fabric with twelve rosettes white red and blue glass beads sown to hide discs enclosed by hanging feather attachments. The central panel of the bandoleer is constructed in a geometrical pattern beaded with emerald green and burgundy glass beads on a thick fabric. The entire sewing was done by hand. These items come fr...

Used by the bride for wedding this elaborate kingfisher feather crown is a very old and rare piece. The oldest kingfisher ornaments were made by glueing the feathers onto heavy paper. Metal wire was only used to attach pieces together. Both paper and the feathers are fragile, so not many of these old pieces have survived. This one is in average to good condition, some paper loss and some feather loss. It has its original long silk tassels and large glass beads though some of the small beads...

Outstanding quality antique, 19th century, Islamic, Turkish Ottoman Empire, (Egypt), Cairo -Ware, Mamluk Revival, Silver and copper, inlaid brass, large hanging Mosque lamp, “Qandeel."

A brass body of classical dome form and small conical finial surmounted by an elaborated openwork finial, the central wide band adorned with four large copper, inlaid and pierced, medallions containing a calligraphic Arabic inscription, profusely inlaid in thick silver and interrupted by four elaborated cart...

Sculpture of a long-nosed tanuki, walking with a hat on its back and a flask in its left paw. The piece is built around a large piece of root wood that comprises the torso, legs, the enlarged scrotum and tail. The head is a separate piece of root wood, the ears inserted. The sake flask is a small piece of root wood, and the hat is carved from a slab of a different wood species.

Hat and sake bottle are attached to the tanuki with braided silk cords.

Mingei.

Root wood with black...

A Rare Khmer Pre-Angkor Masterpiece: Standing Avalokiteshvara Figure, Gray Stone 8th Century Standing in samabhanga with both arms broken, wearing vertically striated sampot secured by a decorated belt and knotted in the center. With single fishtail-shaped flange falling to the front. Naked upper body with well defined breasts and incised belly-button. Estimate Value: $25 000 - $35 000 Measurements: Height - 150 cm (59 In) Provenance: Private collection, acquired late 1950s...

Late Qing hand carved turquoise snuff bottle with bok choy and radish along with an ant, cicada, grasshopper and cricket. The workmanship and details is superbly done including the insects, having very fine details to the legs, antennae and bodies. Presented on a rosewood stand, this snuff bottle has a wonderful color and patina and is one of the coolest bug type carved snuff bottles that we have encountered in some time. In excellent condition, a later spoon and cork was applied. Measures: H...

A Fine And Rare Khmer bronze figure of Hevajra, Angkor Baphuon Period 11th Century. Standing in Paryankasana with his sixteen arms radiating around his body and formely the hands holding separate casted attributes. Wearing vertical striated sampot secured by a belt and with long fish tail shaped flange falling between his legs. The reverse with butterfly shaped element, bejewelled, his head with nine faces with incised ridged eyebrows set above incised almond shaped eyes, broad noses, pouti...

Large and beautiful Burmese dry lacquer seated buddha, black lacquer with gold gilt, decorated all over with inlaid mirrors and colored glass, compassionate expression.

A mudra in Buddhist statues is a gesture and body posture holding special meaning and commemorating a few of the important moments in the Buddha’s life. One of the most common and popular mudra found depicted in Buddha statues is the Bhumisparsha, translated as the "touching earth gesture". The gesture represent the ...