This bowl is painted overall with a floral design in orange, green, and yellow enamels with black enamel outlines. The interior rim is decorated with a similar motif, and a single flower is painted on the interior base. The foot is encircled with double lines in underglaze cobalt blue and an underglaze cobalt blue design is painted on the base. The bowl has typical rim-fritting, and there is a small chip to the interior of the foot that has b...
The stand and bowl of this vessel were cast separately and permanently joined at the time of production. The lid is topped with a lingzhi fungus. The entire piece is covered in an old brownish patina and small areas of verdigris. The lid fits very well into the grooved rim of the bowl. The lingzhi is cast as part of the lid, and has some areas of orange-ish patina. The interior of the stand is dark gray with some verdigris and the bowl interior is also a grayish tone. There are s...
This attractively-shaped bowl was made in the 13th - 14th century during the Yuan (AD 1279 - 1368) or early Ming Dynasty (1368 - 1644). It is particularly "heavily-potted" and coated in quite a thick finely-crackled celadon glaze save for the unglazed stacking ring in its centre and its heavy foot. The glaze has a very pleasant "silky-smooth" feel to it. This high-fired type of ware is variously described as stoneware or porcelai...
(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final lin...
This attractive large porcelain dish was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. It is of the type known as "Swatow" or "Zhangzhou" ware. It is coated in a thick glaze, the bold underglaze blue decoration of good colour featuring in the centre, a standing phoenix, surrounded by various floral patterns and flower blossoms. The outer wall is decorated with simple thin blue lines. The sand/gri...
This large pottery jar of "hu" form was made during the Western Han Dynasty (206 BC - AD 8). It is "heavily-potted" and made from a fine-grained grey pottery that is relatively highly-fired. It has quite a large foot, wide body and a fairly short neck. On opposing sides at the waist are moulded "taotie" mask handles that are unusually large and with exceptional detail. Further decoration is provided by several wide bands that surrou...
This unusual blue & white porcelain bowl was made during the mid to late 16th century c.1560-1580. The outer surface remains undecorated whereas the inner surface is particularly elaborately decorated. In the centre is a standing bird, most likely a crane (a symbol of longevity), together with various plants and blossoms. The surrounding wall is decorated with a pattern featuring lotus leaf panels and tassels.
This is...
The primary colors utilized are a tonal range of yellows, blues and greens suggesting a spring or early summer day. The gentleman is ...
This fine pottery model of a horse was made during the Western Han Dynasty (206 BC - AD 8). It is made from a fairly high-fired fine-grained grey pottery and has been "cold painted" in a pale pink pigment with details on top in red and black pigments. The horse stands upright and alert.
Height 27.5 cm. It is in fine condition with only faint traces of repair to a couple of the vulnerable legs (as should, of course, re...
This unusual pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC), or possibly the earlier Banshan Phase (c.2600 - 2300 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. It is quite thinly-potted and highly-fired, made from a pale yellowish-brown pottery. Joining the shoulder of the wide body to the flared mouth edge are two loop hand...