Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors.

Like so many greats throughout history, Kanjiro (1890 - 1966) was ...

Early 20th Century Chinese Black Coral Carved Old Sage & Boy

It is 3.1 inches (8 cm) tall by 1.9 inches (4.8 cm) wide. It is 37.3 gram.

It has inclusion and trace of glue at the bottom (as seen in the photos).

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Outstanding quality antique, 19th century, Islamic, Turkish Ottoman Empire, (Egypt), Cairo -Ware, Mamluk Revival, Silver and copper, inlaid brass, large hanging Mosque lamp,Qandeel. A body of classical dome form and small conical finial surmounted by an elaborated openwork finial, the central wide band adorned with four large copper, inlaid and pierced, medallions containing a calligraphic Arabic inscription, profusely inlaid in thick silver and interrupted by four elaborated cartouches decora...

Antique 18th – early 19th Century Chinese Qing Dynasty Carved Dragon Belt Hook mounted as a magnifying glass handle in a gilt copper mount with engraved flowers and leaf decoration attached to a circular polished magnifying lens. A well carved belt hook with a large dragon head hook with bulging eyes, curled horns and pierced mouth. The body of the belt hook is carved with fine openwork with a writhing chilong holding lingzhi in its mouth. The reverse with a raised button. In the late 19th ...

This early 20th century carved jade brush rest is 8 ¾” long, 3” high and 1 ¼” thick. It depicts three playful PiXiu facing each other. PiXiu are Chinese mythical creatures who are considered to be very powerful protectors in the practice of Feng Shui. Not only can they protect an individual or a family, they will also draw wealth from all directions. The PiXiu resembles a winged lion and is the ninth offspring of the dragon. It has a pair of bulging eyes, a long, bushy tail and one ...

Antique oil painting on canvas of fireworks, likely of Bastille day from the Seine in Paris. The work depicts a dark evening nocturne offset by bright red and yellow fireworks with multiple figures in 18th century period attire in the foreground. Thickly applied paint is used throughout the painting to provide texture. The painting has been professionally relined, and is from the late 19th-early 20th century. Signed “Roybal,” bottom right, and presented in a black and gilt wood frame. Canvas...

Antique Japanese large and deeply carved ranma depicting three sages (from left to right): Le-tieguai (with the iron crutch) , Zheng si yuan (with the tiger) and Gama Sennin (with the frog). There is much of the original paint still intact. Wonderfully carved with great detail and expression. Most likely from a Shinto temple. Edo Period (18th century). Size: 27" high x 87" long x 3" deep. (very heavy!)

This is a woman's shift ("kurta") from Swat Valley, Pakistan. It measures 125 cm from one sleeve extended to the other; the gusset measures 24 cm; the bust 57 cm. From top shoulder to bottom hem it measures 91 cm. The sleeve opening is 17 cm. The embroidery technique is pink and red floss silk on indigo-dyed and black cotton depicting geometric shapes typical of the embroidery of the Swat Valley. Condition of this textile is excellent. Estimated age: mid to late 20th century.

Large Artist's Proof of Munjado Calligraphy by the Famous Kim Ki Chang aka Unbo (1913 - 2001). Despite being deaf, Unbo was one of Korea's most beloved 20th Century artists. His works are now sought by museums and collectors internationally. This is the original signed AP (Artist's Proof) of this large lithograph, where Unbo gives us a most creative rendering with anthropomorphic figures in the ancient style of figurative munjado calligraphy. 38.5 x 28.5 inches, 98 x 72.5 cm.

Japanese late Meiji period cloisonné enamel ovoid form vase attributed to Hayashi Kodenji (1831-1915) or his workshop decorated around the circumference with pheasants among a dense variety of chrysanthemums, daisies, and other flowering plants in a landscape with rockery and flowing water all set against a dark cobalt blue ground. A foliate patterned band is above the foot and a narrow geometric band is below the mouth rim. Silver rims are at the mouth and foot. A tiny unreadable “junjin�...

Pair of Japanese Meiji period silverplate floral repousse-decorated temple pricket candle stands (“shokudai”), or candlesticks, with chrysanthemum form scalloped bases and holders densely covered in chrysanthemums and leafy foliage. Bases are weighted. Late 19th to early 20th century. 24 1/2" and 25" high each x 9” diameter base. Very good overall condition with a nice patina and only minor wear evident. The top holder on the shorter stand leans slightly. From the estate of Tucson ...

OFUKUSAN

Humorous Japanese *Ofukusan pottery figurine with such powerful face. Showa period, 20th century. approx. H 5cm (1.96in)

*Ofukusan – Iconic face of homely and cheery Japanese woman who brings many happiness


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WATER

Deep mingei iron talisman plate against fire, with a single kanji letter design of "water", hanged on the wall of house or warehouse as its traditional usage in Japan, Showa period, early-mid 20th century, approx. 31 x 20cm (12.20 x 7.87in)


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A wonderful pair of Chinese export porcelain dogs with a rich turquoise glaze. In excellent condition, they measure 6.5 inches high. Dates early 20th century.

EARED WHITE SNAKE OKIMONO

Auspicious sacred vintage Japanese wood carving okimono of "eared" white snake coiling hoju (precious stone) up as a lovely and very rare type hardly seen. So, or perhaps would be a unique imaginary creature (as god) composed of inari-fox head or wolf head or deer head?? and white snake body (with hoju) as the luckier sacred trinity than the usual zodiacal type composed of just white snake and hoju (potent for prosperous business)...? Sign...

Antique Japanese bronze incense burner in the charming cast form of a goose, standing on both webbed feet, broad body serving as the incense burning receptacle with long outstretched neck and head raised high with beak open in mid-call, the detailed wings serve as the cover with one aperture of an upturned feather serving as the lid finial. Genuine patina from use, neck is not hollow, otherwise fine condition. 10-3/4 in. high x 3-1/4 in. wide x 6-3/4 in. long. 2 lbs. (892g.) Early 20th century.

Korean celadon had begun to be made in early 10th century under influence by Chinese. Especially in the early stage the color of celadon was very clear to be comparable to fine Chinese celadon. This work is presumed to have been made in the early stage, examining the color and the shape. It has a small repaired crack at the adoral edge and there is a small part that the glaze does not lay on, near the inside bottom. This tea bawl was excavated in mid 20th century and used as a tea ceremony i...