Tsuchiya Koitsu
Edogawa (Edo River)
Date: 1930s.
Size: Chuban. Approximately 10.5 x 7.75 inches.
Publisher: Takemura Hideo. Seals on front and back.
Sealed by Koitsu at lower left.
Koitsu catalog no.: TK-TM-68
Medium: Japanese woodblock print.
Condition: Excellent.

Tsuchiya Koitsu
Morning Rain at Lake Hakone
Date: 1938.
Size: Oban. Approximately 16.5 x 11.0 inches.
Publisher: Doi Hangaten.
Printer: Yokoi. Carver: Harada.
This combination of seals indicates an early postwar edition. Also bears the Doi watermark.
Condition: A couple of faint foxing spots in water.

Cyrus leRoy Baldridge (1889-1977)
Peking, 1925
Edition: Numbered 83
Publisher: Watanabe Shozaburo. 6mm seal.
Size: Oban. Approximately 15.25 x 10.5 inches.
Signed in pencil: "C. LeRoy Baldridge".
Medium: Japanese woodblock print.
Condition: Excellent.

Lovely sterling silver keepsake box. Rectangular with straight sides. Cover hinged and tabbed. Cover top has engraved border with dense and overlapping flowers and leaves. Stained-wood bottom, lining, and partition. Cover interior has rectangular tablet (vacant). Hallmarked “sterling silver”. Very good condition.

Dimensions: H 1 3/4 x W 7 x D 3 3/8 in. Gross weight: 11 troy ounces. #BQ281

Takahashi Shotei (Hiroaki)
In the evening; fishing at Tsukudajima
Size: Approximately 15 x 7 inches.
Date: pre-1936.
Publisher: Watanabe Shozaburo. No. 202 in 1936 Watanabe catalog. M-2 in Shotei catalog.
"Made in Japan" stamped on verso.
Condition: Margins edges toned from previous framing.

Tsuchiya Koitsu
Owl
Size: Mitsugiri-ban. Approximately 15.25 by 7.5 inches.
Date: 1930s. This edition ca. 1960s.
Publisher: Doi.
Reference: Koitsu catalog No. TK-DH-75-V1.
Medium: Japanese woodblock print.
Condition: Excellent.

Takehiko Hironaga (b. 1935)
A Store in Kakunodate (2) - From the Akita / Kakunodate Series
Japanese title: Kakunodate no Shouho 角館の商舗 (2)
Size: 24 x 18.5 inches.
Date: 1982.
Edition: 23/50.
Condition: Excellent. Right margin has toning.
Hironaga traveled throughout Japan to make prints of its traditional buildings. The influence of his friend Kiyoshi Saito is apparent in this work.

Nostalgic glass vanity jar with enameled sterling silver cover. Made in London in 1934. Oval jar with straight and fluted sides. Cover has motoring scene: A Victorian lady and two gentlemen tootle along in a turn-of-the-century automobile. A sweet look back. Hallmark includes George V’s silver jubilee mark. Indistinct maker’s mark – possibly Thomas Dalton Pannett & Son, Ltd. Fine condition with strong color.

Dimensions: H 4 1/8 x W 3 x D 2 in. #BN321

Sterling silver porringer. Made by Towle in Newburyport. Crimped bowl and solid handle with pierced oval. Beaded bowl and handle rims as well as beaded volute scrolls on handle. Jazzed-up tradition. Hallmark includes no. 105 and retailer’s name Bailey, Banks & Biddle. Very good condition.

Dimensions: H 1 7/8 x W 7 3/4 x D 5 in. Weight: 5.6 troy ounces. #BP866

Yuichi Hasegawa (b. 1945)
Record of Wind Erosion (Red)
Japanese title: Fushoku-ki (Aka)
Date: 1989
Edition: 4/20
Signed in pencil by the artist.
Paper size: 24.25 x 12 inches. Image size: 20 x 8.75 inches.
Reference: Art Gallery of New South Wales.
Medium: Japanese woodblock print.
Condition: Excellent.

Masao Ido
Zuihou-In III (Rock garden)
Date: 1990.
Size: Approximately 18 x 13 inches.
Edition: 27/180
Signed in pencil and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Faint matte line in margin.
Zuihoin is part of Daitoku-ji Temple in Kyoto.

Paul Jacoulet, 1896 - 1960
Decembre, Japon
Date: 1953.
Size: Approximately 6.25 x 4.25 inches
Self-published. Bears the Jacoulet signature and sparrow seal.
This surimono is tipped at the top center to its original 1953 Japanese Christmas card with green cover design.
Medium: Japanese woodblock print.
Condition: Excellent.
If you have ever warmed up under the kotatsu with hot tea ready, this is the print for you.
"The sign 'Beware of Fire' in the ...

Funazaki Kojiro (b. 1900)
Eboshi Rock in Kaiba Island
From the collection, "One Hundred New Views of Japan"
Size: Approximately 11.75 x 8.75 inches.
Date: 1940.
Limited edition of 150.
Block bears the Kojiro signature and title.
Publisher: Nihon Hanga Kyokai (Japan Print Association)
Medium: Japanese woodblock print.
Condition: Trimmed margins.

Turn-of-the-century Classical sterling silver trophy cup. Made by Tiffany & Co. in New York. Ovoid body, flared mouth, and c-scroll handles with realistic leaf and bud mounts. Spread foot has same applied to four supports. Interior has gilt wash. A fine design with lots of room for engraving. Fully marked including pattern no. 14417 (first produced in 1900) and director’s letter T (1892-1902). Very good condition.

Dimensions: H 10 x W 10 1/2 x D 6 1/2 in. Heavy weight: 54.4 troy ounces. #...

Art Deco 950 silver ice bucket. Made by Tetard Freres in Paris, ca 1930. Trapezoidal with applied rim and two rectangular supports mounted to stained-wood. Sides gently convex with fashionable skyscraper motif. Fully marked with Minerva head and maker’s mark. Very good condition.

Dimensions: H 5 1/4 x W 6 5/8 x D 5 3/4 in. Gross weight: 24 troy ounces. #BN222

Craftsman sterling silver porringer. Made by Tiffany & Co. in New York, ca 1878. Traditional form with shaped open handle. Dense allover fish-scale hammering. Very much a statement design. Hallmark includes pattern no. 5050 (first produced in 1878) and director’s letter M (1873-91). Nice condition with deep period patina.

Dimensions H (handle) 2 3/8 x W 7 3/8 x D 4 1/2 in. Weight: 5.4 troy ounces. #BD353

Gothic sterling silver porringer. Made by Tiffany & Co. in New York. Concave sides on short foot. Rim reeded with applied leaves. Solid handle with carved figure of medieval horn-blowing huntsman. An impressive example of the breadth of historic resources and techniques that Tiffany mined during the 19th century. Hallmark includes pattern no. 9680 and director’s letter T (1892-1902).

Dimensions: H 3 x W 9 7/8 x D 5 in. Gross weight: 8.6 troy ounces. #BN233

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time bl...