Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...

Connecticut Queen Anne era highboy, circa 1760s-70s. Cherry/pine. Size: 35 inches wide x 69 inches high x 19 inches deep. A New England 18th century 2-part flat top highboy. The upper chest has five drawers, including one with fan carving, above four graduated drawers; while the base displays a single long drawer over three drawers, with the central drawer front carved with a fan. The case is supported on delicate cabriole legs with pad feet. The apron of the base is ornamented with a comple...

A square Chinese cloisonne enamel gau box with four arched apertures and gold gilt strap loops for personal carrying. Richly decorated on a yellow ground with designs of formal lotus and foliage, the top side panel has a dark blue fylfot. The back panel, with the large red Shou-type character, slides up to open. Made for the Tibetan market, this dates early to mid 19th century, but could possibly be late 18th. Measures 3.35 inches high, 3" across, 1" deep.

24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...

Made in USA. All metal hand hammered in the American Modernist or Arts & Crafts metal art smith tradition, this face motif free standing 116 grams copper metal sculpture can hold a vase or can be worn as a cuff bracelet. All hammered by one set of hands from beginning to end resulting in this art work by this metal art smith and signed: HANDMADE MIMI DEE.
See Image 2: Can be displayed on a table or in a shelf to hold a small bud vase or worn as a massive cuff bracelet. 116 grams.
St...

Ca. early 1800s

These vases of tapering square form are decorated overall in famille rose and noir enamels, each having four cartouches depicting courting scenes, surrounded by geometric and floral designs. There are four smaller cartouches on the necks with scenes of scholars and young men. The rims are thinly glazed, and the bases are unglazed. There is professional restoration to the base of the neck on one vase, and a small chip to the base of the other that was also professionally res...

English George III Mahogany Bureau Bookcase with broken Arch Pediment, Ca. 1800, 92" high, 42" wide-bottom section, 45" wide-top section, include crown and feet, 16" deep-bottom section, 13" deep-top glass door section, broken Arch Pediment with Pierced and foliage carved swan's neck Pediment, Satinwood inlaid band on molded cornice above two(2) glazed doors and four(4) removable shelves in upper section. Lower section consist of one(1) removable shelf inside two(2) figured Mahogany one(1) boa...

Signed studio original hand hammered brass bold kinetic ethnographic like pendant necklace sculpture with four major segments which include an added bold carved carnelian ear of corn dangle.

Looks equally well in a shadow box on your wall, window hanging art piece or around your neck. It was wrought in a USA studio in the in the Mid Century Modernist or Arts and Crafts tradition by this self directed metalart maker and signed Mimi Dee - Handmade.

*Bold north to south: 8" X 3...

A set of four vary rare blackwood Hungmu lady's side chairs. The chairs match as a pair except for the back panels. Two have a square and two have a circle. This most likely had some meaning for the owner. Age: Mid Qing. Size: H:94cm. W:48cm. Condition: No repairs. Some looseness from age. can be fixed very easily.

French 18th Century Louise XV period Provincial hand carved dark Oak Cupboard Buffet, 74" high, 55" wide, 20" deep-bottom cupboard section, 12 1/2" deep-top shelving area, retain old heavy Brass Hinges and black iron original lock mechanism inside. Three(3) shelves behind the decorative racks to hold plates on top, and deep hand carved large Sunflower with vines on the top, above large open space, with one shelf behind two blind doors which carved with original floral and vines in front of the ...

Fine Large Chinese Jin Dynasty Carved Stone Tile - Bird (AD 1115 - 1234)

This extremely rare large stone tile dates to the Jin Dynasty (AD 1115 - 1234). The carving is of fine quality and features a bird standing with outstretched wings in a circle, itself within a square panel. It was undoubtedly once part of a series of similar stone panels (indeed we have another from the series, see also our item stock number MA282).

Height 53 cm (20.75 inches), width 48 cm (19 inches), weight 18.05 ...

Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...

This sterling silver Georg Jensen bangle with four inlaid agate disks—no. 254—is a very rare Georg Jensen piece. It was launched in 1975 and I bought it in 1984. It was never worn. Moreover, it has gone out of production. This marvelous piece of jewelry was designed by Kim Naver for Georg Jensen. The piece is marked with the Georg Jensen mark in a circle of dots, 925S Denmark, and the number 254. It has a few signs of its age, not from wear and tear but from having lain unused for decad...

Pair Korean Scholar's Book Chests, four(4) claws Korean Dragon and Phoenix Bird are battling in the flame, inlaid with Mother of Pearl, twisted Brass and faux tortoise shell, 41" high, 27" wide, 12 1/2" deep each in the background of dark brown lacquer with gold powder sparkling finish. Inlaid design of the wings of Phoenix Bird and Dragon are spread out into both sides, and the back is plain dark brown lacquer finish. Whole Book Chest supported by scrolling feet, shows continuous inlaid work....

Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...

Fine Large Chinese Han Dynasty Glazed Pottery Hu Jar (with Oxford TL Test)

This fine and impressive pottery jar (hu) was made during the Han Dynasty (206 BC - AD 220). It is made from a fairly high-fired reddish pottery and coated in a particularly attractive glossy thick streaky green and finely-crackled glaze, the colour of which varies according to its thickness. Interestingly, the drips of glaze to the mouth rim and the pooling of glaze to the flat base show that this jar was fired upsid...

Solid sterling earrings with inset chrysoprase by Jensen USA designer, Laurence Foss. These were made in 2005 and bought directly from the artist. They hang 2-1/2" excluding wires. One corner/edge of a pendant is a tiny bit curved but it was purchased that way.

Rare Chinese Tang Dynasty Painted Pottery Stupa Jar (AD 618 - 906)

This tall pottery set comprising stand, jar and cover was made during the Tang Dynasty (AD 618 - 906). Each part is made from a relatively high-fired grey pottery and "cold painted" in orange and white pigments, the decoration comprising geometric and floral (lotus) patterns. The stand has cut-out apertures and petals to represent a lotus flower. The cover has purpose-made holes in its upper part; it is painted with lotus lea...