The warrior’s armor and helmet, samurai sword, spears, banners and paper carps (later cloth) in the sky are all tools used to showcase boy’s day in Japan. This tradition
started early Edo period (1603-1868) by samurai families wishing their son’s good health and studies to be honorable samurai.
This set is made in Kyoto, Japan and is called “Kyo-armor”. Kyoto had been the capital of Japan for over 1000 years. The culture there was developed to serve the best for the emperor...
Nobori banners, carps, warrior's Yoroi and Kabuto helmets, samurai dolls and swords were all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parents' wish to inspire their sons in manliness, discipline, bravery and the honor codes which are associated with them.
Originally, nobori were used on the battlefield to identify the troops; some were to show the warriors where their taisho (general) was, others were used to shift the troops. ...
Strikingly beautiful Japanese Nishijin obi. The style of the obi is the most formal and expensive style which is called maru obi; the design covers front and back, from one end to the other end. This is an older obi than it looks. The colors are vibrant yet elegant. The design
is for the joyous occasion with cranes, hand drums, flowers, pines and repeated pattern of waves (sei kai ha) in gold.
Measurements:
A wild boar kōgo by famous Kyoto potter Imai Masayuki 今井政之 (b. 1930). Decoration is a stylized version of the ancient Chinese character for wild boar. Masayuki used his famous inlaid colored clay technique in producing this piece. Imai Masayuki and the late Miyashita Zenji are considered the two masters of the colored clay technique in Japan.
Title: Inlaid Zodiac Wild Boar Incense Container (Zōgan kanshi i kōgo 象嵌干支亥香盒)
Colored and inlaid stoneware, 3.8 cm high and...
IMAGE OF BIRD
Woodblock print of a Japanese‐style painter, Kono Bairei (1844-1895 / ref. https://en.wikipedia.org/wiki/K%C5%8Dno_Bairei). Paper: approx. 15 x 21cm (5.90 x 8.26in), Frame: approx. 27 x 33cm (10.62 x 12.99in).
Highlight of such Bairei's true worth expression for the both of recognizing the subject correctly and feeling of vitality by catching the instant of movement at the same time.
Removed its acrylic board for antireflection when shooting the ...
TRAY OF RYOKAN
Large wooden tray actually used at old 'ryokan' (Japanese‐style hotel), Showa period, early-mid 20th century, D 35.6-34.8cm (14.01-13.70in), H 5.8cm (2.28in). Aesthetic grain expression and calm comfort for use.
Expected some fine scratches due to aging with use. *Only a tray is available to purchase, as the other stuff (cups) of usage example are not attached.
selected by ONEN
* Please...
This neo-classically inspired porcelain pitcher is magnificent in its grace and, dare I say, grandeur. It expands as it rises from its gilded circular foot then recedes to give rise to a towering helmet style beaker. The base of the handle is anchored in a shield from which it serpentinely shoots up and then down to attach to the rim. The gilding is sumptuous especially around the hand painted scene of a riparian idyll with 2 people in discourse. Although the gilding has suffered loss, the paint...
A fine and rare 19th century Japanese cloisonne bi-fold table screen in the Kyoto school of Namikawa, depicting a ho bird and dragon. The finely coiled wiring is gilded, as are the back panels of the screen. Each cloisonne panel is wood framed, joined with hinges of silver. Fully opened, the screen measures 8" high and 9" wide.
Condition: Quite fine, with only wear commensurate with age.
A great bamboo styled vase with paintings at two sides and inscription at two sides. Great Daoguang mark in the bottom. High 23.5 cm = 9.25 inch. Has a minor glaze hairline (not trough the body) at the top inside. Otherwise great condition.
Please note! Customer satisfaction is our top priority. We guarantee 100% accuracy and correct information for each object listed on our website. We are happy to offer a one-time exchange only policy on the return of any object within 30 days o...
Oni (ogres) in a kimono dancing in front of the Yama, the ruler of Hell. Yama is the son of Hindu god Sun. He is the presiding deity and also known as Dharma. In Japan Yama is known as Enma. Later adopted in Buddhism, Yama was understood by Buddhists as a god of the dead, supervising the various Buddhist "hells". A line of souls leads to his office where he decides whether a soul goes to Heaven or Hell. Oni are considered as a servant under the Enma there. Here, the scene depicted comically the ...
Additional Photos for Japanese Screen, 1750's
Each Fan painting size, 21 5/8" Long(55 cm).
1. Kuge servant carrying princess on his back trying to cross the water.
2. Three Sparrows and Bamboo.
3. Six Chinese Boys paying around at the study table, parent observing.
4. Tiger and Dog glaring each other.
5. Pretty Japanese Kikyo, Bellflower and other flowers.
6. Sumie Landscape, ...
Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era. The quality of the artwork tells us that this nobori is likely to have been done ...
Many fine antiques were exported via Hong Kong in the beginning Chinese economic reform days. This fine sancai warrior statue was exported to Japan round '80 and stored by Japanese famous collector. It was excavated from the room of huge tomb as one of the twelve god guards It is seemed the warrior had a sword, it is seen monster animal's face on the both sleeves that is a influence from Persia. It is guaranteed as genuine piece by Noriki Shimazu the famous Japanese researcher for Asian antiques...
This is an exceedingly rare calligraphy on hand-made paper by famous Kyoto artist Tokuriki Tomikichiro. He was best known for his prints, but was originally trained as a painter. It is delicately brushed on Japanese hand made paper (24.2 cm x 21 cm), a bit smaller than shikishi size, and much thinner. Two edges are deckled. It is inscribed “Close Friend” (知音). Signed: Tomi (富), red seal: Tomi (富). Date inscribed on the back in pencil: 94.11.30. Condition: minor handling creases, mi...
A very rare and interesting, Buddhist bronze ewer (kundika) in classical form w. rounded, oblong body, a short sprout and a long neck. Lid for the opening. There are three circling bands, two on the body and one on the neck. The sprout set with a raised lotus pattern. The piece is of relatively heavy casting and with remains of leaf gilding on black surface. A superb piece and a serious collector’s item. According to its transmitted history the ewer comes from the Buddhist temple, the Chishaku...
The size of Screen: 277cm Wide x 138 cm High (109 " x 54 3/8")
The both side Left/Right Panel size: 47.2 cm x 138 cm (18 1/2" x 54 3/8")
4 panels in between size: 45.5 cm x 138 cm (17 7/8" x 54 3/8")
Each Fan design size: 55 cm (21 5/8") wide.
This is wonderful 6 panels Japanese Byobu screen from 1750's middle 18th Century with 21 Ougi (fans) design with gold leaf background. This type of painting properly called, "Senmenga" with fan design Byobu called "Senmen Byobu". Th...
The is a very rare large Koi vase created by a master. The koi are large and much finer than most ever seen on this style of vase. The vase is 9 1/2 tall and 11 1/4 inches wide. Rims are silver with an old Jungin stamp. Condition of this vase is excellent.
An antique Satsuma figural group of a prone bull with a guardian. The bull with crackled cream ground, gilt noseguard and retaining rope and with polychrome painted and gilt backcover. The young man in a gilt and multicolor painted traditional Japanese garment resting on the animal while holding a book in his hand. 11.5" long, 6" high. An exceptional piece.
Condition: Flawless, ex-Christie's