A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated fr...

The size of Screen: 277cm Wide x 138 cm High (109 " x 54 3/8")
The both side Left/Right Panel size: 47.2 cm x 138 cm (18 1/2" x 54 3/8")
4 panels in between size: 45.5 cm x 138 cm (17 7/8" x 54 3/8")
Each Fan design size: 55 cm (21 5/8") wide.

This is wonderful 6 panels Japanese Byobu screen from 1750's middle 18th Century with 21 Ougi (fans) design with gold leaf background. This type of painting properly called, "Senmenga" with fan design Byobu called "Senmen Byobu". Th...

Beautiful Japanese Wajima lacquer stand with gold maki-e painting on a nashi-ji (pear skin) background. The designs are scrolling vines with stylized chrysanthemums and paulonias, which are the crests of the emperor and empress. The style of sparkling nashiji lacquer work and the theme were popular in the Taisho period (1912-1926) to the beginning of the Showa era, sometime after the return of the throne to the emperor.

The stand was made for a Tokonoma as a base for a flower arrangement...

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bam...

A rare finely carved cylindrical bamboo incense box depicting Scholars amongst rocks and pine trees in a mountain landscape. This item was made in China in the late Qing period - the characters carved into the top read "Qing Guangxu Nian Zhi" which translates as "Made in the Guangxu reign Qing dynasty" (1875-1908). Condition - one 2cm age related crack at the top - otherwise excellent with no damages or losses and no repairs or restoration. 22.7cm (8.8inches) high.

清晚੏...

Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final lin...

A stunning pair of sake cups depicting monkeys by the famous Kutani potter Matsumoto Saiichi 松本佐一 (b. 1930), using his signature technique, porcelain with underglaze gold leaf. Title: Sake Cups (sakazuki 坏) Medium: porcelain with underglaze gold leaf and overglaze enamel Size: Wider: 3.2 x 8.5 cm and Taller: 5.9 x 5.4 cm Signature in enamel on the bottom of both pieces: Saiichi (佐一) Date: Heisei Period, 2003 for 2004 Condition: no flaws: no cracks or r...

Ca. 1700s

This vase has a graceful, slightly tapering long neck rising from a bulbous body – a classic Song Dynasty form, but this one was produced in the Qing Dynasty in the Song style. The dark “iron wire” crackle pattern covers the entire exterior, including the base, and extends in the the mouth. The interior is also glazed. The glaze is of a thick pale grayish-green celadon type, thinning slightly to a paler gray tone on the mouthrim and stopping just above the footring where th...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

A wild boar kōgo by famous Kyoto potter Imai Masayuki 今井政之 (1930-2023). Decoration is a stylized version of the ancient Chinese character for wild boar. Masayuki used his famous inlaid colored clay technique in producing this piece. Imai Masayuki and the late Miyashita Zenji are considered the two masters of the colored clay technique in Japan. Title: Inlaid Zodiac Wild Boar Incense Container (Zōgan kanshi i kōgo 象嵌干支亥香盒) Colored and inlaid stoneware, 3.8 cm high a...

Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months. Antique gold repairs...

A Chinese silver goblet embossed with a continuous scene of figures and horses set against a background of pavilions, mountains, pagoda and trees. It is raised on three entwined bamboo branches. This is a high quality object of vertu, the figures have human faces with features- look for a laughing old man with animated face. The details are fresh and sharp, the composition very elegant . size: 21 cm high. age: Qing period. condition; very good, no breaks , no restoration, high points good. There...

Additional Photos for Japanese Screen, 1750's
Each Fan painting size, 21 5/8" Long(55 cm).
1. Kuge servant carrying princess on his back trying to cross the water.
2. Three Sparrows and Bamboo.
3. Six Chinese Boys paying around at the study table, parent observing.
4. Tiger and Dog glaring each other.
5. Pretty Japanese Kikyo, Bellflower and other flowers.
6. Sumie Landscape, ...

A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.

The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.

This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.

Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...

An Art Deco bakelite and celluloid snake upper arm bracelet circa 1920s. This genuine period survivor measures 3" x 2-7/8" across the interior and the snake's heads are 5/16" across and both have cobalt blue glass rhinestone eyes. The body is black celluloid with an applied clear yellow layer over a bed of embedded sparkly metallic confetti. This Egyptian style figural bracelet is in mostly excellent condition with no chips, cracks, losses, damage or repairs other than some groove striations/lin...

Fine & Rare Chinese Warring States Pottery Duck with Oxford TL Test

This very rare pottery model of a duck was made during the Warring States period (475 - 221 BC). It is "heavily-potted" and made from quite a high-fired grey pottery. The duck stands with its neck and wings stretched, as if in the act of preparing to fly. Note the detail, especially to the wings, with the tiger heads. The style and decoration suggest this model was based on a bronze example. On the surface in places are the ...

Large Chinese Song / Yuan Dynasty Glazed Buddhist Jar with Sanskrit Inscription

This large and impressive pottery jar was made around the 13th / 14th century, during the Song Dynasty (AD 960 - 1279) or the Yuan Dynasty (AD 1279 - 1368). Until recent years, this type of jar was almost unknown in the west with some people initially attributing them to the Liao Dynasty (same general period but in the north of China). These jars are now known to have originated from Yunnan province in the south-...

A lovely and very large sandstone sculpturel relief, Cambodia, Khmer, Angkor Wat Period, ca. 12th. century AD.

A very important large fragment of a bas relief, very thick and depicting the upperpart of an Apsara Dancer, with multible figures around, climbing on - or hanging from a large three like monkeys. These figures are all very detailed and the whole relief is in an excellent state of preservation for the mediium and period. There's also a small animal visible on the three, perha...