Very rare, this oceanic artifact was brought back by from New Guinea by a pilot sometime in the 1950's. The dog teeth and boar tusks are held together by hand twisted stings woven and interlaced tightly around the widest ends.
a superb spirit board from papua new guinea with a kind of flower face 196cm high was on the cover of christies amsterdam catalogue december 2000 from maurice bonnefoy collection
This gorgeous necklace was made by contemporary New York designer jeweler, Stephen Dweck. It measures 26" long and drapes down approximately 3 1/2" in front. The metal is antique bronze and it has a variety of carved stones including tiger eye, citrine, and agate. It is not signed, like many Dweck pieces I've seen during my employment at Neiman Marcus. I personally sold this to a former client during a Dweck trunk show, and it only bore a paper "Stephen Dweck" label. It is in excellent cond...
Sold Only as a Pair: Monumental Chinese Decorative Blue and White Ceramic Foo Dogs, China, ca. 1940. Very heavy in weight for outdoor or indoor use. Male holds brocade ball under foot while Female has foot on Cub. Some repair to tailcondition. 31" high x 12" wide x 16" long. Ex: Angela Lamm collection, New York.
This porcelain plate was produced in England by Mintons in 1883. The date cipher indicates this year. The plate was produced especially for Tiffany of New York. The painting is attributed to Henry Mitchell, a Minton artist specializing in painting dogs and wildlife. The plate measures 9 ½ inches in diameter. The central focus is the nearly photographic quality painting of a sleeping hound dog on a fur rug. Objects in the background come to life with colors and textures. The surrounding ...
Olmec Jade Greenston Pendants (4). Mexico. Circa. 900 - 600 B.C. 2 1/8” x 2 3/14” L.
Provenance: Estat of Carol Meyer, NYC. Each in the form of Jaguar’s claws, or teeth with curving, tapered ends. Four of the jades formed with concave reverse, each pierced for suspension. Four now strung on a modern gold chain, as pendants to a necklace. All are in excellent condition.
Hanging scroll. A dragon shoots upwards through the clouds. Its head clearly visible, pointing straight up, the tail faintly disappearing in the darkness of the sky. Black ink on silk. Very skillful use of many shades of black and gray. Signed and dated in the lower left: Bunka year of the monkey (1812), Fuyu and artist’s red seal Rintai.
Image: H 52.5 x W 20 in.
Mounting: H 81.5 x W 25 in. (lower roller 27.25 in. wide)
Mounting in excellent condition, painting too.
Zushi in the shape of a Shinto shrine housing a carving of a curled up snake, it’s tongue stuck out. Glass pane behind the double doors, so that the snake is sort of enshrined. Left door inscribed with dedication by the donor. Inside, behind the snake, inscription in black ink, referring to Fudo Myoo, one of the guardians fighting ignorance, and the Deva Marishiten, representing light and sun.
Sugi-wood (cryptomeria) shrine, snake in light wood carving. Japan, Meiji or Taisho era (1910s...
Very rare cast bronze sculpture of the Chinese monk Xuanzang with a pile of Buddhist scriptures rolled up and stacked in the pack on his back and a lotus leaf over his head from which dangles an incense burner, as he returns to China from India.
In his hands he was holding a scroll and a fly whisk that are now missing. Figure stands on an irregularly shaped base. Japan, mid Edo period, 18th century.
Height incl. base ca. 5.25 inches (13.3 cm).
Hands slightly damaged.
Heisey Glass Company made Empress from 1932-34. There are no chips or cracks in the glass. Thanks for looking.
2 are available
Stunningly unique antique Gothic Revival white painted cast iron garden chair by Taggart. Featuring solid construction, this chair makes for a terrific accent piece in your garden or patio.
- Measurements: 19ʺ Wide × 15.5ʺ deep × 39ʺ high
- Seat height is 16.5"
- Very good condition
- Dates early 20th C
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A fine polychrome, New Kingdom wood shabti for Imen-em-heb. Depicted mummiform, wearing a tripartite wig, face and hands in dark flesh tones, arms crossed over chest, hands holding agricultural implements, seed sack, yoke and pots on back, and a column of hieroglyphic text naming Imen-em-heb, sailor of Amon, as the owner. 19th/20th Dynasty, 1293-1070 BC. 8.2 inches high. All original polychrome. From an old French private collection. Comes with a French passport.
An old Tibetan thangka of a main figure of Lama, possibly 14th / 15th century. Natural pigment on canvas. Dimensions: 75 cm x 50 cm. Provenance: Estate of Dr. Edward Gerber
Japanese shin hanga woodblock print titled "Rain at Shinagawa" from the series "Selection of Views of the Tokaido" by Kawase Hasui (1883-1957) dated in the right margin February Showa 6 (1931). The artist's black ink signature and red seal are at the lower left corner of the image. This is a postwar lifetime edition bearing the round 6mm Watanabe publisher's seal at the lower left corner below the signature. Paper size: 15 1/2" x 10 1/4" (image size: 14 3/16" x 9 1/4"). Very good overall condi...
Measuring approximately 7.5 inches high, this highly sought after Black Vargas wax figure with a young child is mounted on its original wooden platform and is one of a series of fascinating "street character wax dolls" conceived of and crafted by Mrs. Conception Vargas Alfonso, daughter of the world-renowned, turn-of-the-20th century-New Orleans, Spanish sculptor, Francisco Vargas.
From approximately 1915 through the 1930's, Mrs. Vargas-Alphonso, influenced by the artistry of her father who a...
19TH century large Japanese Kutani basket shape vase on four feet.
Two nicely decorated panels, one with people in an outdoors setting and the other side scene with bushes, flowers and a bird standing on a branch.
measuring approximately: 12&1/2 inches, 32 centimeters
-Tall. And 12 inches, 30 centimeters - wide.
There is a Kutani mark in the inner handle.
This Kutani vase is in very good condition, no damages and no repairs.
Lavender over amber and colorless cameo vase by DeVez measuring 4 ½ inches tall and 4 ½ inches in diameter. The vase features a mountain, village and lake scene with boat with a top border of flowers and foliage. A differntly shaped vase with the same scene is illustrated in Blount’s “French Cameo Glass” photo 174b on page 107. The cameo signature is illustrated in the same book on page 148 as signature 110. Excellent condition.
Pastel Blue Favrile low compote or candy dish in the rice pattern. The compote is 5 inches in diameter and 3 1/4 inches tall. The rim of the compote has an onion skin border and the foot, which has an opal rim, has a polished pontil mark on which appears the signature “L.C.T. Favrile 5-1776.”