Netsuke of a Buddhist priest wearing a hood and patchwork robe seated in front of a gong, a striker in one hand and a rosary in the other, a boy attendant next to him about to pour tea from a kettle into a cup. There is a feature unusual for high quality netsuke - the priest is actually a demon and has a revolving face, with one side showing a demon with vicious expression, and the other a tranquil male one. Perfectly captured facial expression of the boy who appears to be confused by the transf...
Edwardian Classical sterling silver urn. Made by Tiffany & Co. in New York. Curved and tapering bowl with leaf flange on domed foot; leaf-capped, wrapped, and mounted high-looping side handles. Chased leafing-scroll border with pendant flowers. Mouth rim wavy with applied leaves. Foot rim has applied swags and leaves. Gilded inside and out. Turn-of-the-century sumptuousness. Fully marked including maker’s stamp, pattern no. 14368B and director’s letter C (1902-7) and volume (7 1/2 pts). Very...
Edwardian sterling silver porringer. Made by William B. Kerr in Newark, ca 1910. Round with gently upward tapering sides and solid shaped handle. Rectilinear frames with etched scenes of girl kneeling in prayer, feasting from a fruit platter, and seated at table with steaming pot and bowl of porridge. With text propounding dubious causality: “Every night / my prayers I say, / And get my dinner / every day;” and “And every day / that I’ve been good, / I get an orange / after food”. Cent...
Pair of Victorian Classical sterling silver sauceboats. Made by Tiffany & Co. in New York, ca 1883. Each: Rectilinear body with lip spout and curved corners on same raised foot; high-looping leaf-covered handle with ribbed cast volute scroll terminal between scrolls and incised volute scroll mount. Repousse rinceaux band between molded lines. Stylized egg-and-dart rims. Fully marked including maker’s stamp, pattern no. 7370 (first produced in 1883), and director’s letter M (1873-91). Very go...