All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1920 item #1269049 (stock #653)
Antiquarian Art Co.
This image of the Buddha is in a naturalistic style most probably prompted by colonial influences. It has been carved in wood, lacquered and gilded and inset with glass fragments backed with coloured foil (known as hman-zi- shwei-cha) and overlaid thayo work, a process whereby thin, rolled strands of lacquer and ash putty are applied in patterns. The image is in the Mandalay style and shows the Buddha seated in vajrasana, with his right hand gesturing to the earth in the bhumisparsa mudra position. It is probably the most characteristic form of religious sculpture in Burma (Lowry, 1974). The posture, known as 'calling the earth to witness', represents the moment when the Buddha was seated in meditation under the Bodhi tree during the evening before his enlightenment. Mara asked him to name anyone who would give evidence that he had given alms, and the Buddha motioned to the earth with his right hand and said that the earth would bear witness to that - in a previous incarnation when he was known as Vessantara, he had given alms to such an extent that the earth had begun to quake. The image shows the Buddha seated on a low platform or socle and dressed in ample robes with naturalistic folds and pleating. Earlier images of the Buddha across Southeast Asia tended to show the monastic robes in a much more schematic way. The eyes have been inlaid with a white material, usually described as mother-of-pearl, with black pupils probably painted on with black lacquer. The cranial protuberance (unisha) is rounded and the head decorated with tight curls in low relief. Unusually, the curls are arrayed in a pattern on the back of the head, rather than being in a more typical, somewhat random manner. The image has been lacquered with black lacquer and then gilded. Overall, the image is very sculptural and decorative: the naturalistic flow of the robes, and the refinement of the face, are particularly pleasing.37"T x 32"W x 24"D. In good antique condition some minor losses and age cracking.
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1700 item #1154696 (stock #537)
A fine Khymer period bronze Buddha fragment with traces of original gold gilding. Mounted to museum stand measuring overall 13 inches the Buddha 10 inches. A museum quality example would be a fine addition to any collection.
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1800 item #1154546 (stock #535)
An antique bronze head of the Buddha Thailand Sukhothai style early 19th century. A serene face with elogated ears and a top unisa flame. in good antique condition measuring approx. 13.5 inches tall with mounted stand the Buddha it self overall approx. 12 inches,
All Items : Antiques : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1910 item #1335632 (stock #762)
A splendid Thailand gilt bronze Shiva, distinguishing in traditional classic Ayutthaya style dating back to the 15th-18th century Siam, well-cast and highly detailed with raised ornamentation of floral and foliate forms, adornments of jeweled necklaces, girdle and crown in traditional Ayutthaya royal attires, with flames rising beneath his knees, the Creator/Destroyer is kneeling in adoration above a beautifully sculpted bull, Nandi. Shiva holds in his ten extended arms the attributes associated with his cosmic activities: the trident, hammer, sword, knife, rope, arrow, and the snake Naga in his lower left hand. Antique circa 1900. Measuring 17" x 10 x 3".
All Items : Antiques : Regional Art : Asian : Southeast Asian : Ceramics : Pre AD 1000 item #1322965 (stock #742)
Antiquarian Art Co.
An ancient southeast Asian (Thailand) pottery bowl from the Ban Chiang culture, dating to approximately 500 B.C. A wonderful piece measuring approx 10" x 8.5" in excellent ancient condition a small hair line at the top edge. This a distinctive vessel with a bold form and individualistic style, the body rises from a rounded base. The piece is adorned with exuberant painted curvilinear forms This striking earthenware vase was produced at the site of Ban Chiang, Thailand, and is typical of works attributed to its later phases. A site of remarkable social complexity, Ban Chiang is considered the most important prehistoric settlement so far discovered in southeast Asia. It marks an important stage in human cultural, social and technological evolution, presenting the earliest evidence for farming and complex metallurgy in the entire region. Its long cultural sequence, size and economic status has no parallel in any other contemporary site. Representing a seminal point in the history of human development in its region, it is unusual for vessels of this type to survive undamaged and in such excellent condition.