Antiquarian Art Co.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1413790 (stock #924)
A beautiful antique oil painting by T. Walter of a French landscape titled "Autumn in the Ccvennes" a mountain range in the south central France. 19th century signed lower left oil on canvas. Presented in a the original magnificent antique gold leaf frame. Frame 39.5 X 34.25 canvas size 28.75 X 22 in
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1970 item #1413791 (stock #925)
Original vintage abstract oil painting of a horse and rider by Rex Ashlock. Oil on panel this art work is acquired from the artists Estate Trust controlled by the artists sister Margaret Wilmot. Overall size 19 x 14" in excellent condition. The instructor who would have the most impact on Ashlock over the course of the next two years was his near-contemporary, David Park [1911-1960]. "David Park instilled, or inspired, in me the feeling of how really to look at the subject you are painting. I recall an incident in his class that was funny but also left a lasting impression on me. We were painting a female nude model directly in oil. David Park came to my easel, his eyes darting back and forth between the model and my painting. Then he exclaimed to me, "See those breasts! You've captured them just right! They're coming right at ya!'" Park's energy and enthusiasm directly fueled Ashlock's interest in expressive painting. However, un-helped by - and unable to come to terms with - the complex emotional circumstances of his life, he would spend the next twenty years trying to find his own unique style and mode of expression. In 1940 he married a woman more sympathetic to her dreams of mysticism and social status than the down-to-earth struggles of the artist-at-work. A daughter, Margaret, was born in 1944. Family finances demanded that he take odd jobs just to make ends meet. Finally, in 1947, shortly before his son Peter was born (1948), he secured a teaching-position at the California School for Arts and Crafts in Oakland. Among his colleagues on the faculty was Richard Diebenkorn. That year he also won the watercolor prize at the annual exhibition of the San Francisco Art Association. By 1951 he was teaching at the University of California at Berkeley's Extension Division and at the Berkeley Evening Adult School. In 1955, he returned to the California School of Fine Arts as a teacher. . In 1957 he took advantage of an offer to ride East, packed his paintings onto the car-rack, and left his wife and two children to move to New York City. He became friendly with many of the abstract artists of the first generation of the New York School, drinking at the Cedar Tavern with Franz Kline, Willem de Kooning [1904-1997], and Kostas the Greek, who had a photographic memory of where "every painting was to be found in every European museum." (Kostas loved to mythologize; when he told a story, it changed with every telling, as if he were constantly experimenting with new brushwork.) They were all mourning the death of Cedar-regular Jackson Pollock, who had died in 1956. Ashlock had learned of Pollock's death on his first day in New York when the headline leapt out at him on the day he arrived in New York for a summer-visit. Ashlock's early New York works, marked by broad fields of single colors with subtle tonal changes, some characterized by moon-like shapes, others by calligraphic emblems, show the influence of leading abstract expressionists Adolph Gottlieb [1903-1974], Ad Reinhardt [1913-1967] and Mark Rothko [1903-1970]. "I never had a class in color. I studied it on my own. I bought a book by Hilaire Hiler, a San Francisco painter of small precise abstractions. He was interested in the abstract idea of color. For me it was a means to an end. I met Hiler in New York and visited with him. . . Finally, I evolved an attitude trusting my eyes." EXHIBITION RECORD 1945 Raymond & Raymond Gallery, San Francisco (solo) 1947 San Francisco AA (at San Fran. Museum Art. Walter watercolor prize) 1948 City of Paris Gallery, San Francisco (solo) 1949 Centennials Gallery, Berkeley (solo) 1950 Larry Blake Gallery, Berkeley (solo) 1950 San Francisco AA (at San Fran. Museum Art. Drawings prize) 1953 Contemporary Gallery, Berkeley (solo) 1953-54 de Young Museum, San Francisco 1954 L. Labaudt Gallery, San Francisco (solo) 1954 Valley Art Association, Sayre, Penn. (solo) 1954 G. Paul Bishop Gallery, Berkeley (solo) 1956-57 Duveen-Abraham Gallery, New York 1957 L'Envoi Gallery, San Francisco (solo) 1957 Phoenix Gallery, New York 1958 Bleeker Gallery, New York 1960 Brata Gallery, New York 1963 Brata Gallery, New York (solo) 1962 Bodley Gallery, New York (solo) 1962 Allan Stone Gallery, New York 1967 Avnet Gallery, Great Neck, New York 1969 Staten Island Art Association 1972-73 Princeton Art Association, New Jersey 1973 Caravan House, New York 1974 Painters & Sculptors Society of New Jersey (Honorable Mention, sculpture) 1977 Bond St. Gallery, New York 1979 Painters & Sculptors Society of New Jersey (National Arts Club, New York) 1981 Mushroom Gallery, Spokane, Wash., 1981 Touchstone Gallery, Spokane, Wash. 1981 1983 Westside Gallery, Spokane, Wash. 1984 Spokane Civic Center
All Items : Fine Art : Drawings : Pre 1910 item #1413793 (stock #926)
Original pastel drawing of Venice by Joseph Pennel signed lower left c.1900. Presented matted and framed Dimensions18ʺW × 1ʺD × 16ʺH. Artist Biography Born in Philadelphia, Pennell graduated from Germantown Friends. He studied art first at the School of Industrial Art (now the Philadelphia College of Art), and later at the Pennsylvania Academy of Fine Arts. Both as a friend and biographer of James Abbott McNeill Whistler, Pennell worked as either a writer or illustrator on more than one hundred books. Pennell frequently collaborated on art and travel books with his wife, Elizabeth Robins Pennell. For publications such as Century, McClure's, and Harper's, Pennell traveled the world, producing etchings, pen-and-ink drawings, and lithographs of cathedrals, plazas, street scenes, and palaces. He also made panoramic views of major construction and engineering projects, such as the Panama Canal and the locks at Niagara Falls. During World War I, he created a number of important poster designs as a part of Charles Dana Gibson's Division of Pictorial Publicity of the Committee on Public Information, which was organized when the United States entered the war in 1917. Pennell characterized the relationship of government to the arts at the time: "When the United States wished to make public its wants, whether of men or money, it found that art–as the European countries had found–was the best medium." Therese Thau Heyman Posters American Style (New York and Washington, D.C.: Harry N. Abrams, Inc., in association with the National Museum of American Art, 1998)
All Items : Fine Art : Paintings : Watercolor : Pre 1900 item #1413992 (stock #927)
Original antique watercolor painting of Adam and Eve cast from Paradise by Joseph Boggs Beale. Original artwork for his magic lantern work. Acquired from the Artist original estate collection. Presented matted and framed. Famed magic lantern slide artist Joseph Boggs Beale was born in Philadelphia, Pennsylvania, on December 10, 1841. He was the eldest child of Louise Boggs McCord (1815-1887) and Dr. Steven Thomas Beale (1814-1899), a prominent dentist and founder of the Pennsylvania Association of Dental Surgeons. Beale demonstrated an aptitude for drawing while attending the prestigious Philadelphia's Central High School and later the Pennsylvania Academy of Fine Arts. In 1862, the twenty-year-old Beale returned to Central High School as a professor of writing and drawing, winning the position over realist painter Thomas Eakins. During the Civil War, Beale served with the Company D, 2nd Regiment, Blue Reserves of Philadelphia. He was quickly appointed to regimental artist and created battle sketches for various publications. After the war, he became an illustrator for numerous magazines including, Harper's, Frank Leslie's Weekly, and the Daily Graphic. Beale lived in Chicago for several years with his wife, Mary Louise Taffart, before returning to Philadelphia in the early 1870s. Much of the artist's work was lost in the Great Chicago Fire of 1871. After Beale's return to Philadelphia, the prosperous glass slide dealer Caspar W. Briggs & Sons hired the talented illustrator to produce original slide designs for early projectors, known as magic lanterns. Illustrated glass slides were placed inside these machines and the image was projected onto a screen as a form of entertainment. Beale created 1,804 black and white paintings during his time at Caspar W. Briggs & Sons. The artist used a range of dark paints on charcoal gray paper, highlighted with Chinese opaque watercolors. The result, luminous and detailed illustrations with dramatic color contrast. Many of Beale's paintings chronicle American history from Native American folklore, colonization, the federal period, Civil War, to Victorian life. His illustrations also capture, Biblical and popular narrative stories. By the time of his death on February 26, 1926, Beale had become renowned for his realistic magic lantern paintings. Several years after the artist's death, a large quantity of his work was discovered in the home of a glass slide producer from Germantown, Pennsylvania. Since then, Beale's paintings have been dispersed into public and private collections.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1940 item #1414504 (stock #928)
Beautiful large original vintage Italian impressionist oil painting of Naples Harbor at sunset. Oil on canvas signed lower left G. Mariani. Canvas measures 24 x 36 inches. Artist Biography G. Mariani (Italian, 20th C.-), came from a family of artists who had been painting the beautiful cities and surrounding country life in and around their home of Naples, Italy, for many years. His father was the well known Italian landscape & cityscape painter Mario Mariani (Italian, 1907-) and he also had a brother, V. Mariani (Italian, 20th C.-) who was also an accomplished painter. G. Mariani loves to paint the water, the small harbors and particularly his home area of the Bay of Naples. He is well known for his coastal & seascapes views and fishing villages/marine scenes and for sunset skies which he often painted, as well as interior scenes of Italian country life. He was represented by his father Mario out of his art studio & gallery in Naples, where Mario not only represented his own work, but that of his two sons, as well as other represented artists. less DETAILS Tear Sheet Dimensions42ʺW × 2ʺD × 30ʺH
All Items : Fine Art : Paintings : Watercolor : Pre 1800 item #1414505 (stock #929)
An Original antique watercolor painting o af bird an ornithological study by Carl Linnaeus c. 1776. With notations and information. Presented matted and framed in archival materials. This is a wonderful, expertly drawn, original watercolor is from a German ornithological manuscript. Each watercolor is on chain-linked, watermarked paper. The titled Vogel in Beschreibungen und Abbildungen nach dem XII. vollstandigen Natur-system des Ritters Carl von Linne und nach der ausfuhrlichen Erklarung des Herrn Prof. Phil. Ludw. Statius Muller. This roughly translates to Birds in descriptions & illustrations after the natural system of Carl Linnaeus as translated by Philipp Muller. A rare and beautiful art work both decorative and historical . Please view our other original individual paintings from this antique journal like framed for Hanging in groupings
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1960 item #1416422 (stock #930)
Original vintage oil painting portrait of a nude woman reading signed lower left by Wanda Stella Variable. Oil on canvas measuring 24 x 30" with a thin wood frame. Best known for her still life, portraiture, and landscape, Wanda Varriale was born in New York City on October 2, 1923 and died on March 17, 1997 in Teaneck, New Jersey. Varriale was married and lived in Teaneck for most of her adult life. She studied at the Arts Students League in New York under nationally known painters Louis Bouche, Julian Levi, Sidney Dickinson, Joseph Hirsch, Bruce Dorfman, Richard Mayhew, and Vincent Malta. She also studied with Helen Wolfe at her New York studio. One critic has said of her work: "Varriale's still life is notable for it's grace and for the arresting quality of it's clean and vivid colors. The outstanding characteristic of her portraits is the relaxed and easy atmosphere in which they seem to have been done. There is no stiffness or undue reserve in her subjects; they do not appear to be posing and are neither strained nor idealized, but completely natural." As well as giving private lessons, she taught art the Studio 5 Art Center/Gallery in Teaneck. Varriale was a Life Member of the Art Students League, the Fellow of American Artists Professional League of New York, the Catherine Lorillard Wolfe Art Club, the Bergen County Artists Guild (Trustee and Program Chairperson), the Salute to Women in the Arts, and the Portrait Society of New Jersey. She was the recipient of more than forty awards including the Gold Medal for oils with the Catherine Lorillard Wolfe Art Club of New York (the Heydenryk Frame Award and the Robert Simmons Brush Award), an Honorable Mention with the Knickerbocker Artists of New York, and a Best In Show with the Bergen County Artists Guild. Varriale exhibited at the Bergen Community Museum (three person show) 1978 and (Bergen County Artists Guild Tri-state Exhibitions) 1975 and 1977, the Jersey City Museum (New Jersey Award-winner Show) 1970, the Montclair Art Museum 1964, the Newark Museum (American Artists Professional League 1968, the Hammond Museum of New York, the American Artists Professional League of New York (Grand Central Galleries) 1977 and (Lever House) 1967, 1968, 1970, 1971, 1973, the New Jersey Painters and Sculptors 1971, the Knickerbocker Artists Annual 1971, the National Arts Club Annual 1968, 1969, the Allied Artists of America Annual 1967, the Catherine Lorillard Wolfe Art Club (National Academy of Design and National Arts Club) 1962 through 1977, and the A.C.A. Galleries, New York City Annual Competition for a First New York Show 1957, 1958, 1959. Solo exhibitions were at the La Galleria, Abraham & Strauss, the Bergen County Players Theater, the Upper Saddle River Theater, the Unitarian Church, Paramus, the Tenafly Library, the Teaneck Theater, and the Englewood Hospital. Regional exhibitions at the Hunterdon Art Center, the Edward Williams College, AAPL the Caldwell College, AAPL, the Art Centre of the Oranges, the Ringwood Manor Art Association, the Portrait Society of New Jersey, and the Ridgewood Art Association
All Items : Fine Art : Drawings : Contemporary item #1416423 (stock #931)
Modern charcoal drawing of a cosmic abstract. Signed indistinctly lower right and dated 2003. Presented in a minimalist blonde wood frame. Image size: 22 x 30”, overall dimensions: 27 x 34”.
All Items : Fine Art : Drawings : Pre 1970 item #1416424 (stock #932)
Vintage, mid century contour drawing of a female nude by Gerard Haggerty. Circa 1960-1970s. Pen & ink on paper, presented in cream colored matting and a muted silver frame. Image size: 14 x 20”, overall dimensions: 21 x 27.5”. Gerard Haggerty’s work has been featured in the XXIIII AMERICAN DRAWING BIENNIAL, the XXIV AMERICAN DRAWING BIENNIAL, the Smithsonian Institution’s Contemporary American Drawings IV and Contemporary American Drawings V (Purchase Prize). He has won fellowships from the National Endowment for the Arts, the National Endowment for the Humanities, and the Ford Foundation. His one-person exhibitions have included Space Gallery in Los Angeles and Dome Gallery in New York City. His art is included in the collections of the Bowdoin College Museum of Art, the Chrysler Museum of Art, the Laguna Museum of Art, the Portland Art Museum, Michael Douglas, Jack Nicholson, and others. Gerard Haggerty taught at Brooklyn College, CUNY, UCSB, and the Chautauqua Institution. Haggerty is a highly literate artist who draws the history of his own time as he sees it. He tempers ordinary sights with personal vision, anxious wit and a general humanistic awareness in order to pull universal truths from particular occasions.
All Items : Fine Art : Drawings : Charcoal : Pre 1940 item #1416810 (stock #934)
Original Vintage Art Nouveau Drawing of a Lady by Charles Sheldon c.1930. Presented matted and framed. Acquired with a group of art from the estate of the artist. Charles Gates Sheldon (b. 1889 / d. 1960) Charles Sheldon was born in Worcester, Massachusetts in 1894. He spent most of his life in Springfield. In high school, he contributed to the artwork in the yearbook. Sheldon studied at the Arts Students League. He then studied under Alphonse Mucha in Paris. He started working for Ladies Home Journal doing artwork of hats, gloves and fashion work. Sheldon moved into advertising doing creative advertising for clients such as, Fiberloid hair brushes, Fox Shoe Company, La Vogue lingerie and Gainsbourough. The ads had many stars features such a Zigfeld Follies. By 1921, Sheldon was working for high fashion companies. In 1924 and 1925, Sheldon created cover art for the Christmas issue of Colliers and a Halloween issue cover for Saturday Evening Post. By the late 1930's, magazines started to moving towards photography for their covers. However, Sheldon continued to produce his his delicate, dreamy, pastel portraits for the Breck Shampoo Company. Sheldon retired in the late 1950's. In 1960, he died at his home is Springfield. When his home was torn down in 1978, a hidden room was found full of "artwork by his contemporary illustrators such as J.C. Leyendecker, Howard Chandler Christy, Maxfield Parrish, and Charles Dana Gibson".