Antiquarian Art Co.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1970 item #1150191 (stock #523)
Antiquarian Art Co.
Inquire for Price
A beautiful California landscape oil on canvas board signed lower right Maurice Braun. measuring 11 x 14 inches framed in a quality 24k gold frame.

BiographyMaurice Braun (1877-1941). Painter. Maurice Braun was born in Nagy Bittse, Hungary on Oct. 1, 1877. Braun immigrated with his family to the U.S. in 1881 and settled in NYC. He began drawing at age three and in his early teens was apprenticed to a jeweler. In 1897 Maurice Braun began a five year study period at the NAD followed by one year with Wm M. Chase. He was an established portrait and figure painter in New York before moving to San Diego in 1910. After opening a studio on Point Loma, Maurice Braun founded the San Diego Academy of Art in 1912 and served as its director for many years. Braun remained in San Diego except for the years 1922-24 when he maintained a studio in Silvermine, CT. His Impressionist paintings of the Southwest desert, southern California hills, and High Sierra brought him great national acclaim. At the end of his career he specialized in still lifes of flowers and oriental objets d'art. An ardent follower of Theosophy, their teachings of the unity of nature and man is evident in his work. Maurice Braun died in San Diego on Nov. 7, 1941. Source: Edan Hughes:

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1940 item #643333 (stock #270)
Jessie Arms Botke oil painting on board view of Death Valley California. A almost surealist feeling depicted in this painting a great example of this creative artists work in a plein air painting painted on site in Death Valley. This painting is pictured in the Jessie Arms Botke Book "Birds Boughs and Blossoms" a copy of the book is included in the purchase of this painting. Provenance the estate of the artist. Measuring approx. 10 x 12 inches framed in a hand carved 18k gold leaf frame.
All Items : Fine Art : Paintings : Oil : Pre 1950 item #1357852 (stock #800)
Post impressionist oil painting of a partial nude in blue tones. Reminiscent of Picasso's Blue Period. Signed lower right and presented in original dark wood frame with white insert. Masonite panel measures 20 x 30 inches.
All Items : Fine Art : Paintings : Watercolor : Pre 1950 item #1298949 (stock #700)
Original finely detailed watercolor of a Neoclassic architectural interior design by Daniel MacMasters (1893-1981). Unsigned from a collection of his works. MacMorris was a renowned portrait painter, muralist, illustrator, decorator and designer. His New York City studio was above Carnegie Hall. He studied with Joseph Pennell, Robert Henri, and George Bridgeman. He exhibited at the Durand-Ruel Galleries in New York. Image, 20"H x 28"L. overall framed size 35" L x 28" H
All Items : Fine Art : Paintings : Oil : Europe : French : Pre 1960 item #1172909 (stock #568)
A fine original oil on Canvas signed lower right and on verso titled Polombaro Italy. A beautiful painting a fine example of this renowned artist work. Measuring approx. 20 x 24 in a quality hand carved 24k gold leaf frame.

Biography, Rene Genis was a 20th century French painter renowned for his landscapes and still lifes and for his palette of very transparent blues and greens. Genis studied at the École des Beaux-Arts in Bordeaux, then at the École des Arts Decoratifs in Paris. Starting in 1959 he had numerous one-man exhibitions in Paris and New York. In the summer of 2002 he had a one-artist exhibition at Galerie 26 on the Place des Vosges, Paris. This still life by Genis entitled "L'Artichaut" was done in 1951 in Fauvist greens, yellows, reds and purples. His work can be seen in museums in Aix-en-Provence, Bordeaux, Lyon and at the Musée Municipal d'Art Moderne in Paris.

All Items : Fine Art : Paintings : Oil : Pre 1960 item #1298956 (stock #703)
Oil on paper abstract composition by Harold Christopher Davies, signed lower right. From the estate of the artist and the Hoover Gallery, San Francisco. Davies' work was exhibited at the San Francisco Art Association, the Oakland Art Gallery, the Birmingham Museum, the Southampton Museum, the University of Long Island Museum, the Parrish Art Museum, the Hoover Gallery (San Francisco), the Haggin Museum and the Huntsville Museum. Image, 22"W x 18"H. Overall framed size 33" W x 27" H.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #1356240 (stock #796)
Original 1950s vintage "Portrait of a Woman" oil on canvas presented in a gilt wood frame. Canvas measuring 20"W x 26"L overall framed size 25" x 31"L
All Items : Fine Art : Paintings : Oil : Europe : British : Pre 1837 VR item #1369098 (stock #814)
Antiquarian Art Co.
Price on Request
George Romney English, 1734–1802 watercolor painting on paper portrait of Lady Pamela Fitzgerald. The late 18th-century work is signed by the artist to the upper left corner. Presented in an ornate gilt and gesso frame under glass with a linen liner. To the lower center is a brass-tone name plate. Measuring image 8.0" W x 12.25" H overall framed size 14.5" W x 19.0" H x 2.5" D.
All Items : Fine Art : Paintings : Oil : Pre 1960 item #1307444 (stock #729)
Portrait of a Woman by Emile Kosa Jr. signed lower right on heavy watercolor paper. In excellent condition measuring 15" x 20".

Biography

Emil Kosa Jr. was born in Paris, France on November 28, 1903. His father was a Czech artist. He moved to the United States with his family at the age of four. Kosa studied at the Prague Academy as a teenager and then at the California Art Institute in Los Angeles in 1927. He returned to Paris later in 1927, and studied under Pierre Laurens at l'École des Beaux-Arts. In 1928, he returned to Los Angeles and studied and later taught at Chouinard and the Otis Art Institutes. Kosa spent the last 35 years of his life working for 20th Century Fox studios as a special effects artist. In 1963 he won an Oscar for his work on Cleopatra. During this time Kosa, along with maintaining a studio-home in LA, decorated churches, theatres, and private homes and continued teaching in Laguna Beach, California. Kosa exhibited at Los Angeles County Museum of Art in 1940, the Biltmore Salon in Los Angeles in 1941. He also showed his works in many other locals nationally including the Carnegie Institute, the Denver Museum, and the Frye Museum. He won dozens of awards in California and nationally from 1928-1961. He is represented in many museums across the United States including the LACMA, the Santa Barbara Museum, the Boston Museum of Fine Art, and the San Diego Museum. Kosa worked in both watercolor and oil. He painted many portraits including the official portrait of Governor Earl Warren. He also painted landscapes, seascapes, figures, and floral works.

All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1990 item #1409893 (stock #906)
Original oil on paper titled "Western Hills Series #56" and signed lower right by Katherine Chang Liu, 1988. Liu an internationally renowned painter and teacher. Born in China, Liu received a full scholarship to UC Berkeley. Her work has been featured in 26 books and over 70 magazine articles. She is listed in "Who’s Who in American Art" and "Who’s Who in American Women." Her work can be found in many private and corporate art collections. This painting was in the corporate collection of Clorox corp. inventory number is on the side. Image, 24"L x 13"H . overall framed size 35.5ʺW × 2ʺD × 24.5ʺH
All Items : Fine Art : Prints : Engravings : Pre 1837 VR item #1409660 (stock #903)
Original antique Curtis floral botanical hand colored etching c1804. Presented in archival matte and framed in a contemporary classic frame. Overall size 13 x 16 inches. William Curtis began publication of the Botanical Magazine in February 1787 and it continued almost without interruption for 160 years. These Curtis prints are particularly prized for their lavish, beautifully hand colored large illustrations principally by Sydenham Teak Edwards, James Sowerby and William Kilburn. Even now, after all this time of living with Curtis prints, we are still left in awe by their beauty. Each single measures approximately 5 ½ inches wide by 9 inches long. Please view our other Curtis botanical prints compatible with each other for decorative grouping.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1900 item #1388384 (stock #859)
Antique oil painting of a fall landscape northeastern US. Presented in a vintage gilt frame. Painting image measured 11 x 14 inches overall framed size14 x 18".
All Items : Fine Art : Paintings : Oil : Pre 1960 item #1378077 (stock #817)
Oil painting on canvas of a nude female figure signed A Brook lower right- Alexander Brook (1898 – 1980) . Image size 22"x 30", overall dimensions 26.5" x34.5". Lightly textured. In Good Condition. Born in Brooklyn, New York, Alexander Brook was a realist painter, whose works consisted mostly of still-life subjects, landscapes, and figures, often of women. He was very successful in his day, winning second prize to Picasso's first prize at the Carnegie Institute International Exhibition of Modern Painting in 1930. In New York, he studied at the Art Students League between the years of 1914-1918. It was at the Art Students League that Brook developed significant relationships with Niles Spencer, Reginald Marsh, Kenneth Hays Miller, Yasuo Kuniyoshi and, perhaps most significantly, Peggy Bacon, whom he married in 1920. Along with Kenneth Hayes Miller, Brook studied with John C. Johansen, Frank V. DuMond, George Bridgeman and Dimitri Romanofski. Within this group lay the foundations of American Realism. Brook was a member of the Society of Independent Artists, who rebelled against the strictures of the National Academy of Design. In 1938 Brook traveled to Savannah, Georgia, there he did some of his most provocative work. After two years in the South, Bacon and Brook were divorced. Brook later married the painter Gina Knee. During the years 1928 through 1939, Alexander Brook had works in over one-hundred exhibitions, fifteen of which were one man shows. By 1942, Brook had resumed teaching at the Art Students League. Demand for the artist's work kept him in significant collections, galleries, and museums, including the Downtown Gallery (New York), the National Academy of Design, the Rehn Gallery, the Larcada and the Knoedler galleries. Brook received awards at the Art Institute of Chicago (1929), the Pennsylvania Academy (1931), the Guggenheim Fellowship (1931), and the San Francisco Art Association (1938).
All Items : Fine Art : Prints : Woodcuts : Pre 1700 item #1269310 (stock #657)
Original Albrecht Dürer woodblock print "The Flight into Egypt", from: The Life of the Virgin (B. 89; M., Holl. 201; S.M.S. 179) woodcut, circa 1504, This impression on laid paper with a Fleur de Lis watermark (Meder 122) it is an original 16th century print after the Italian edition with narrow margins with a 1 cm repaired tear top left otherwise in very good condition B. 11¾ x 8 5/16 in. (299 x 211 mm.) S. 11 7/8 x 8 5/16 in. (301 x 212 mm.) Archival framing the print is tiped to archival matte at top. An exqusite example of this important artists work.
All Items : Fine Art : Paintings : Oil : N. America : American : Pre 1950 item #1410538 (stock #909)
Vintage large oil painting on canvas of a figurative Nude Female nude signed lower right Lois Gross c. 1950 painted before her marriage to Dr. Douglas G. Smiley. Measuring 32" x 50" In excellent vintage condition. LOIS GROSS SMILEY (American, born 1925, died 2019) Lois Gross Smiley was an abstract expressionist who specialized in landscape, still life and figural painting in oils and pastels. Born and raised in New York City, Smiley’s artistic training coincided with the emergence of the New York abstract expressionist and gestural abstraction painting movement. Born in New York City in 1925, Smiley attended the prestigious Dalton School in New York’s upper east side, where she studied under two prominent artists: the well-known Mexican painter Rufino Tamayo and the abstract expressionist Vaclav Vytlacil. Tamayo, who is considered a figural abstractionist, also taught Helen Frankenthaler at Dalton. Vaclav Vytlacil co-founded the American Abstract Artist Group, the predecessor of the New York School and Abstract Expressionism that contributed to the development and acceptance of abstract art in the United States. After Dalton School, Smiley went on to major in painting at Sarah Lawrence College where she received her Bachelor of Art degree in 1946. While at Sarah Lawrence, she studied drawing and painting and art history with Kurt Roesch a German born expressionist who showed and was represented by the prominent Curt Valentin gallery. In Manhattan Smiley also studied etching and engraving with Stanley William Hayter at his famed atelier 17 and Japanese woodblock printing with Bill Paden. Smiley’s work can be described as combining Cubist-inspired spatial concerns with an expressionistic approach to line and color. She worked in oils, pastels and watercolor and said of her work “Although my paintings seem abstract, each has a subject that derives from nature, felt and observed. I hope to arrive at an essence strong enough to evoke a shared recognition with the viewer.” In addition to painting, Smiley worked at the Hudson River Museum, Yonkers as the Assistant Curator of Exhibitions from 1970-1973. She taught drawing and painting in her New York studios from 1964-1990. In 1960 and 1976, Smiley received awards for watercolors she exhibited at the National Association of Women Artists held at the National Academy, New York City. She had her first solo exhibition in 1962 at the Riverdale Neighborhood House, New York and another at the Carlton Gallery, New York in 1976. In 1972, she participated in the Hudson River Museum juried group show and in 1978 she was invited to participate in the Bronx Museum of Arts “Arte, Arte, Kunst” exhibition. Smiley was a member of the National Art Association, The National Association of Women Artists, and the Cambridge and Concord Art Associations. In 1951, Lois Gross married Dr. Douglas G. Smiley by whom she had two daughters. She moved to Wellesley, Massachusetts in 1991 after her husband died to be near her daughter. She quickly became part of the New England art community, teaching drawing at the Cambridge Art Association and the Concord Art Association, where she also exhibited. She showed at the Danforth Museum Framingham, Ma where she received the directors’ award for best in show. In 1993, she held a solo exhibition at the Harvard Neighbors Gallery in Cambridge and from 1987-1996; she showed many exhibitions at Douglas Parker’s “On the Vineyard Gallery.” Smiley maintained a studio in Wellesley. She showed and was represented by the Art In Giving Gallery, where 50% of the sales of her paintings went to help fight childhood cancer. In an interview, Smiley spoke of the importance of using the finest quality materials in her work. She used linen canvas, which she stretched herself and made her own frames and also made her own pastel sticks. Many of her paintings are in private and corporate collections
All Items : Fine Art : Paintings : Oil : Pre 1920 item #1254561 (stock #631)
Winter Landscape Pastel by Fred Wagner image size 20" L x 26"W. overall framed size 27 x 33. Signed lower right. Wagner exhibited at the Pennsylvania Academy over 35 times from 1906-1940, winning prizes in 1914 and 1922. Wagner exhibited at the Carnegie 14 times from 1898 - 1925. He showed two works at the Armory Show, and exhibited 11 times at the Corcoran between 1907 - 1935. He had a special exhibit of 100 pastels, at the Corcoran in April 1924. Wagner exhibited at the National Academy of Design in 1884, 1907, 1925 and 1928.
All Items : Fine Art : Prints : Etchings : Pre 1920 item #1090612 (stock #427)
The Frugal Repas by Pablo Picasso from the edition of 1913 on arches paper trimmed with .5 inch margins a fine impression of this most famous of prints. Plate size 18 1/4 x 14 7/8 in. (46.4 x 37.8 cm) . A fine addition to any collection framed and archival matted in a fine gallery presentation frame.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1930 item #986901 (stock #299)
Vicente Puig portrait of a ballerina Rosina oil on board Signed upper left circa 1927. A beautiful painting by a highly acclaimed Spanish artist.