Antiquarian Art Co.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1940 item #1301845 (stock #710)
Original oil on canvas "Still Life Flowers" signed lower right and dated 1939 by Willem Paerels (1878-1962) Born Delft Holland. Studied in Brussels and exhibited in both Paris and Brussels. Member of the Brabant Fauvism and In the 1940s and 50s Paerels taught at the Academy in Leuven Belgium. Canvas 15"L x 12.5"W overall framed size 22" L x 19" W.
All Items : Fine Art : Paintings : Oil : Europe : French : Pre 1960 item #1086153 (stock #417)
Claude Lacaze original oil on panel cubist nudes by the sea signed lower left. measuring Approximately 20 x 30 inches in excellent condition.

Biography

Lacaze was a painter who was heavily influenced by Cubism and Post-Cubism, particularly by fellow Bordeaux painters such as André L’Hote. He was born in Angoulême, Charente and studied at the Lycée Montaigne in Bordeaux and it was there, under an inspirational art master, that his desire to be an artist was initiated. He enrolled at L’École des Beaux-Arts in Bordeaux and studied under André Edouard Marty. At first, his style was decidedly Cubist, showing the influence of Picasso through the aforementioned L’Hote. However he softened the linear effect somewhat as his career developed and this is particularly apparent in his paintings of nudes. He staged his first solo exhibition in Paris in Rue Visconti quite soon after leaving art school. He also exhibited through his career at other locations in Paris, his home city of Bordeaux, Sainte Maxine, Angoulême and Périgueux but he seems not to have had a particularly commercial attitude to his work apparently sometimes not even turning up to the opening nights. Lacaze was appointed Professor of Fine Art at Collège de Puyguillen and also joined the artistic group Maison des Artistes. Exhibitions:  Paris, Galerie Visconiti; Périgueux, N.T.P.; Angoulême, Galerie Tison d’Argence; Bordeaux, Galerie du Loup; Sainte Maxine, Galerie L’Oleil Fauve. The Musée des Beaux Arts de Bordeaux also exhibited his work.

All Items : Fine Art : Paintings : Oil : Europe : French : Pre 1940 item #1053165 (stock #387)
A beautiful classic nude by Yves Diey oil on canvas signed lower right measuring approx. 36 x 38.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1368670 (stock #646)
Antiquarian Art Co.
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Charles François Daubigny landscape oil on panel signed lower left presented in a quality gold leaf frame. Panel measures 10.5"W x 7.75"H. overall framed size 16.0" W x 13.0" H x 2.5" D A French landscapist of the Barbizon School, Charles-Francois Daubigny was born in 1817 in Paris. In 1835, having received a small scholarship, he went to Italy, where he spent an unproductive year. He earned a living by doing engravings for books and regularly sent to the Salon peaceful landscapes, painted in a highly detailed style, with great respect for nature.
All Items : Fine Art : Paintings : Oil : Europe : French : Pre 1990 item #1101197 (stock #452)
Claude Lacaze original oil painting on canvas of cubist nudes signed lower left. measuring Approximately 26 x 40 inches in excellent condition.

Biography

Lacaze was a painter who was heavily influenced by Cubism and Post-Cubism, particularly by fellow Bordeaux painters such as André L’Hote. He was born in Angoulême, Charente and studied at the Lycée Montaigne in Bordeaux and it was there, under an inspirational art master, that his desire to be an artist was initiated. He enrolled at L’École des Beaux-Arts in Bordeaux and studied under André Edouard Marty. At first, his style was decidedly Cubist, showing the influence of Picasso through the aforementioned L’Hote. However he softened the linear effect somewhat as his career developed and this is particularly apparent in his paintings of nudes. He staged his first solo exhibition in Paris in Rue Visconti quite soon after leaving art school. He also exhibited through his career at other locations in Paris, his home city of Bordeaux, Sainte Maxine, Angoulême and Périgueux but he seems not to have had a particularly commercial attitude to his work apparently sometimes not even turning up to the opening nights. Lacaze was appointed Professor of Fine Art at Collège de Puyguillen and also joined the artistic group Maison des Artistes. Exhibitions:  Paris, Galerie Visconiti; Périgueux, N.T.P.; Angoulême, Galerie Tison d’Argence; Bordeaux, Galerie du Loup; Sainte Maxine, Galerie L’Oleil Fauve. The Musée des Beaux Arts de Bordeaux also exhibited his work.

All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1344432 (stock #785)
Antique oil-on-canvas painting of a French country scene with an inn or carriage stop. Signed lower right by Gerald Summers, an English artist actively painting from 1907 to 1938. Displayed in a vintage giltwood frame. Canvas size, 14"L x 18"; overall, 21"L x 25"H.
All Items : Fine Art : Paintings : Oil : Europe : French : Pre 1800 item #1113948 (stock #487)
Jean Baptiste Oudry original paintings on board of Hunting dogs signed and dated on reverse Oudry 1730 and each dog is named. Oudry accompanied Louis XV hunts and sketched on sight and later painted larger oils from these sketches. each measuring 16.5 x 21.5 cm.

Biography

Louis XV, king of France, often called Jean-Baptiste Oudry to Versailles to paint the royal hounds--in the king's presence. "Monsieur Oudry had acquired such a habit of conversing with high-ranking persons and of working in their presence that he painted as calmly at the court as he would in his own studio," marveled a contemporary. Though his father was a painter and art dealer, Oudry's first serious training came from portrait painter Nicolas de Largillière. By about 1720, the young man was concentrating on animals, hunts, and landscapes. He became a member of the Académie de Peinture et de Sculpture in 1719 and a professor there in 1743. From 1726 Oudry had great success designing tapestries. In 1734 he was named director of the Beauvais tapestry manufactory, which he re-established by bringing in artists like François Boucher. Two years later, he became director of the Gobelins manufactory. Supervising all tapestry production gave Oudry considerable influence on French decorative arts. He also had a large studio and was literally overwhelmed by commissions. His clients included Czar Peter the Great of Russia and the Queen of Sweden. Oudry's work was marked by attention to detail combined with freedom of execution. A master of chiaroscuro, he maintained a lifelong interest in light and reflections.

All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1378081 (stock #819)
Antique oil painting on canvas of fireworks, likely of Bastille day from the Seine in Paris. The work depicts a dark evening nocturne offset by bright red and yellow fireworks with multiple figures in 18th century period attire in the foreground. Thickly applied paint is used throughout the painting to provide texture. The painting has been professionally relined, and is from the late 19th-early 20th century. Signed “Roybal,” bottom right, and presented in a black and gilt wood frame. Canvas size: 24" x 30".
All Items : Fine Art : Paintings : Oil : Europe : Pre 1930 item #986901 (stock #299)
Vicente Puig portrait of a ballerina Rosina oil on board Signed upper left circa 1927. A beautiful painting by a highly acclaimed Spanish artist.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1333167 (stock #756)
Original antique oil painting of a woman playing guitar in a garden. A 19th century Italian oil on canvas measuring 20 x 30 inches. Presented in a quality hand carved gold leafed frame.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1298976 (stock #705)
Original Antique 19th century Italian oil painting on canvas. Titled "Lake Como" and initialed SPH. lower right. Canvas 14"L x 20"W. Overall framed size 20" L x 26" W.
All Items : Fine Art : Paintings : Oil : Europe : Italian : Pre 1940 item #1362386 (stock #810)
A beautiful vibrant original oil painting of Sail Boats c. 1940 oil on canvas signed faintly lower right. Heavy impasto and bold application of paint with dramatic color make this piece an extraordinary work of art. Canvas size 16 x 20 overall framed size 21.5 x 25.5. In very good vintage condition.
All Items : Fine Art : Paintings : Oil : Europe : British : Pre 1837 VR item #1369098 (stock #814)
Antiquarian Art Co.
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George Romney English, 1734–1802 watercolor painting on paper portrait of Lady Pamela Fitzgerald. The late 18th-century work is signed by the artist to the upper left corner. Presented in an ornate gilt and gesso frame under glass with a linen liner. To the lower center is a brass-tone name plate. Measuring image 8.0" W x 12.25" H overall framed size 14.5" W x 19.0" H x 2.5" D.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1960 item #1172909 (stock #568)
A fine original oil on Canvas signed lower right and on verso titled Polombaro Italy. A beautiful painting a fine example of this renowned artist work. Measuring approx. 20 x 24 in a quality hand carved 24k gold leaf frame.

Biography, Rene Genis was a 20th century French painter renowned for his landscapes and still lifes and for his palette of very transparent blues and greens. Genis studied at the École des Beaux-Arts in Bordeaux, then at the École des Arts Decoratifs in Paris. Starting in 1959 he had numerous one-man exhibitions in Paris and New York. In the summer of 2002 he had a one-artist exhibition at Galerie 26 on the Place des Vosges, Paris. This still life by Genis entitled "L'Artichaut" was done in 1951 in Fauvist greens, yellows, reds and purples. His work can be seen in museums in Aix-en-Provence, Bordeaux, Lyon and at the Musée Municipal d'Art Moderne in Paris.

All Items : Fine Art : Paintings : Oil : Europe : British : Pre 1900 item #1250989 (stock #627)
A fine antique portrait of a Race horse in a stable with a dog. Signed lower center indistinctly measuring 16" x 20" oil on canvas.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1305964 (stock #727)
Oil painting by jules Dupré of cattle and a cottage in a landscape. Oil on mahogany panel measuring 27.5 x 32.5 Inches. signed lower right. Dupre (1811-1889), French painter, was one of the chief members of the Barbizon school of landscape painters. Dupré's color is sonorous and resonant; the subjects for which he showed marked preference are dramatic sunset effects and stormy skies and seas. Among his chief works are the Morning and Evening at the Louvre, and the early Crossing the Bridge in the Wallace Collection.
All Items : Fine Art : Paintings : Oil : Europe : Pre 1900 item #1340864 (stock #776)
A beautiful antique Italian Neapolitan gouache painting grand tour era 19th century. Depicting the bay of Naples in the Moonlight with a couple on a bridge Mt. Vesuvius Erupting in the distance. Image 6"L x 9"W. Matted and framed overall size 13" L x 16" W.
All Items : Fine Art : Paintings : Oil : Europe : Dutch : Pre 1900 item #1179274 (stock #577)
Antiquarian Art Co.
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Jozef Israels, Dutch fisherman"s wife at the beach waiting for his return. A beautiful impressionist painting oil on canvas signed lower left measuring approx. 14 x 18 inches in excellent condition. Biography

Jozef Israëls, (born January 27, 1824, Groningen, Netherlands—died August 12, 1911, The Hague), painter and etcher, often called the “Dutch Millet” (a reference to Jean-Franƈois Millet). Israëls was the leader of the Hague school of peasant genre painting, which flourished in the Netherlands between 1860 and 1900. He began his studies in Amsterdam and from 1845 to 1847 worked in Paris under the academic painters Horace Vernet and Paul Delaroche. Israëls first tried to establish himself as a painter of Romantic portraits and conventional historical pictures but had achieved little success when in 1855 ill health compelled him to leave Amsterdam for the fishing village of Zandvoort, near Haarlem. That change of scenery revolutionized his art: he turned to realistic and compassionate portrayals of the Dutch peasantry and fisherfolk (e.g., Waiting for the Herring Boats, 1875). In 1871 he moved to The Hague, and he often worked in nearby Scheveningen. Besides oils, Israëls worked in watercolours and was an etcher of the first rank. His later works in all media express a tragic sense of life and are generally treated in broad masses of light and shade. His painting style was influenced by Rembrandt’s later works, and, like Rembrandt, Israëls often painted the poor Jews of the Dutch ghettos (e.g., A Son of the Chosen People, 1889). His son Isaac (1865–1934), also a painter, adopted an Impressionist technique and subject matter and had some influence on his father’s later work.