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Michele Cascella (1892-1989) Michele Cascella was a very congenial and humane person, as well as a tenacious worker. The techniques Michele used were pastels, pencil and pen and ink drawings, oils, watercolors, ceramics, lithography and textiles. His most frequent subjects were the landscapes of Abruzzi, locations all over Italy, Portofino, Paris, London, New York, California, Mexico, Hawaii, Tuscany, flowers, portraits and still life. Michele himself said that Henry Rousseau and Picasso had the greatest impact on the art world, while Van Gogh, Utrillo and Raoual Dufy most influenced his own work. He is referred to as an Italian Impressionist, post-impressionist and neo-impressionist. Also primitivism and crepuscular landscape artist are used to describe his work. Michele’s works are preserved at: The Basilio Cascella Civic Museum in Pescara The Pinacoteca Comunale M. Cascella in Ortona The Risorgimento Museum and the Historical Collections in Milan The Victoria and Albert Museum in London The National Modern Art Gallery in Turin Banca Nazionale del Lavoro in Rome The Museum of the Jeu-de-Paume in France The National Gallery of Luxembourg The House Museum of Gabriele D’Annunzio in Pescara The De Saisset Art Gallery of Santa Clara University in California, Permanent Collection The Modern Art Gallery in Brussels, The National Modern Art Gallery in Rome.
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Jozef Israëls, (born January 27, 1824, Groningen, Netherlands—died August 12, 1911, The Hague), painter and etcher, often called the “Dutch Millet” (a reference to Jean-Franƈois Millet). Israëls was the leader of the Hague school of peasant genre painting, which flourished in the Netherlands between 1860 and 1900. He began his studies in Amsterdam and from 1845 to 1847 worked in Paris under the academic painters Horace Vernet and Paul Delaroche. Israëls first tried to establish himself as a painter of Romantic portraits and conventional historical pictures but had achieved little success when in 1855 ill health compelled him to leave Amsterdam for the fishing village of Zandvoort, near Haarlem. That change of scenery revolutionized his art: he turned to realistic and compassionate portrayals of the Dutch peasantry and fisherfolk (e.g., Waiting for the Herring Boats, 1875). In 1871 he moved to The Hague, and he often worked in nearby Scheveningen. Besides oils, Israëls worked in watercolours and was an etcher of the first rank. His later works in all media express a tragic sense of life and are generally treated in broad masses of light and shade. His painting style was influenced by Rembrandt’s later works, and, like Rembrandt, Israëls often painted the poor Jews of the Dutch ghettos (e.g., A Son of the Chosen People, 1889). His son Isaac (1865–1934), also a painter, adopted an Impressionist technique and subject matter and had some influence on his father’s later work.
Biography, Rene Genis was a 20th century French painter renowned for his landscapes and still lifes and for his palette of very transparent blues and greens. Genis studied at the École des Beaux-Arts in Bordeaux, then at the École des Arts Decoratifs in Paris. Starting in 1959 he had numerous one-man exhibitions in Paris and New York. In the summer of 2002 he had a one-artist exhibition at Galerie 26 on the Place des Vosges, Paris. This still life by Genis entitled "L'Artichaut" was done in 1951 in Fauvist greens, yellows, reds and purples. His work can be seen in museums in Aix-en-Provence, Bordeaux, Lyon and at the Musée Municipal d'Art Moderne in Paris.