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Zhang Daqian (1899-1983) 張大å/ Listening to Waterfalls

Zhang Daqian (1899-1983) 張大千/ Listening to Waterfalls


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Directory: Vintage Arts: Regional Art: Asian: Chinese: Pre 1960: Item # 1263769
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張大千 拄杖聽泉圖(碧綠山水畫屏系列之四) 設色鉤金紙本立軸 1959年作 款識:松雲新裹濤千尺,杖履人扶走一丘。長物随身渾已盡,看山留得两青眸。己亥五月大千居士爰。鈐印:張爰之印、大千居士、雲璈錦瑟爭為壽。出版目錄: 2006年4月:《詩外簃藏張大千書畫》(文物出版 社)施萬逸著 ; Plate 151。 2009年3月:《張大千畫集》(福建美術出版社中國名家畫集系列);Plate 85。張大千是二十世纪中國畫壇影响巨大、又最富傳奇色彩的國畫大師,在繪畫、書法、篆刻、詩詞方面都有相當造詣。早期專心研習古人書畫,特别在山水畫實踐和理論方面頗有建樹。後旅居海外,畫風工寫結合,重彩、水墨融为一體,尤其是開創潑墨與潑彩,发展了中國畫全新的藝術風格。張大千的繪畫風格,經歷師古、師自然和師心三階段。他40歲前以古人為師,40歲至60歲之間以自然為師,60歲後以心為師。早年遍臨古代大師名跡,從石濤、八大山人到徐渭、郭淳以至宋元诸家乃至敦煌壁画,所畫作品造型嚴謹精確,設色瑰麗。60歲後在傳統筆墨基础上,融匯西方現代繪畫元素,潑彩潑墨大行其道。對其藝術風格,齊白石謂之:一筆一畫,無不意在筆先,神與古會。 徐悲鴻在其所著的《張大千畫集》(上海中華書局1936年出版)序文中稱其為五百年来一大千 。1941-43年間,他曾攜眾多弟子門人會同青海塔爾寺五名藏傳佛教畫師兩次赴敦煌考察和臨摹長達兩年七個月之久,此後在繪畫風格方面技法愈加出神入化和爐火純青,不獨構圖匠心獨運、線條靈動瀟灑,且設色眀姸綺麗,典雅清新。他後敦煌時期曾創作出許多山水和歷史、佛教人物畫巔峰之作,這些力作最初為畫家本人的大風堂收藏,而後於上世紀五、六十年代陸續轉讓給香港大藏家徐伯郊、陸海天等人。Zhang Daqian (1899-1983) / Listening to Waterfalls 52 X 19 1/4 inches 132.1 X 48.9 cm Color on Paper Dated 1959 Inscribed and signed with three artist seals.高士賦閒圖水墨設色紙本立軸款識:廬山鬱岧嶢,上有香爐峰。影落碧天外,翠玉琢芙蓉。牽蘿讀書處,雲嶝無行踪。猶遺石上苔,花開紫之茸。愁心亂春雪,寶氣沉雙龍。應化蘇耽鶴,歸棲千歲松。仙巖採薇叟,久別怕相逢。大千居士爰.鈐印:張爰之印、大千居士。Hanging Scroll of A Scholar at Leisure Attributed to Zhang Daqian (1899-1983) Ink and Color on Paper 47 X 26 1/4 inches 119.4 X 66.7 cm Inscribed and signed with two artist seals. Dimensions: 52 X 19 1/4 inches 132.1 X 48.9 cm Artist or Maker: Zhang Daqian (1899-1983) Medium: Ink & Color on Paper Date: 1959 Condition Report: Hand-Painted, Good Condition Literature: Publications History: 1. Paintings of Daqian Zhang Collected by Shi Wai Yi Studio (Collection of Xu Bojiao), Plate 151; Published in April, 2005 by Wen Wu Publishing House (文物出版社:施萬逸著《詩外簃藏張大千書畫》) of China's National Heritage Bureau. 2. Series of Leading Chinese Artists : Selected Paintings and Calligraphy of Daqian Zhang, Plate 85; Published in March, 2009 by Fujian Provincial Publishing House (《張大千畫集》福建美術出版社中國名家畫集系列) Provenance: Property of a New York Collection