Catalog (321)

An excellent pictorial reference book documenting the famed Anthony M. Solomon Collection of Chinese Tomb Sculptures. There are about 60 high quality, full color photos plus some very informative text by Virginia Bower. The pieces represented mostly cover the Han, Northern Wei, Northern Qi, and Tang Dynasties This is a very good book for anybody interested in tomb sculptures. In our candid opinion, it's not enough of a reason to purchase an antique merely for the sake of a free book, but any...

An excellent pictorial reference book specializing in Chinese tomb sculptures. There are about 70 high quality, full color photos with text both in Chinese and English. The pieces represented cover mostly the same periods as the Bower book on the Solomon Collection, namely the Han, Northern Wei, Northern Qi, and Tang Dynasties, but this book also goes a little further to cover the Song, Yuan, and Ming Dynasties as well. In our candid opinion, it's not enough of a reason to purchase an antique ...

An excellent pictorial reference specializing in blanc de chine (dehua) and a must-have book for anybody collecting within this field. The text by Robert Blumenthal is very good as well. We personally find that blanc de chine is probably the biggest area of fraud, abuse, and mistake by unscrupulous and /or unknowledgeable dealers, and as such it is probably the main area where novice collectors get burnt the most. From what we see, we estimate that a staggering 75% of so-called blanc de chine s...

An excellent pictorial reference book specializing in Song Dynasty ceramics with very good informative text by Rose Kerr. This is an especially well-photographed book with about 120 color photos covering all areas of Song Dynasty ceramics including Ru and Jun wares, Xing and Ding wares, Yaozhou wares, Cizhou wares, Celadon wares, Qingbai wares, and Jizhou and Jian wares. In our candid opinion, it's not enough of a reason to purchase an antique merely for the sake of a free book, but any client...

From our Japanese Collection, a published and very fine satsuma charger, Meiji Period (1868-1912), most likely between 1870-1880, depicting Kannon the Goddess of Mercy and Compassion surrounded by deities and adorants, executed in typical satsuma palette but with an especially rich, heavy, and quite skilful gold application. Signed Hodada.

Published in "Imari, Satsuma, and other Japanese Export Ceramics" by Nancy Schiffer, page 151, copyright 1997.

Size and Condition: 12 3/8 inch...

From our Chinese Blue and White Collection, a very fine, large, and rare late Shunzhi / early Kangxi porcelain charger circa 1645-1665. This charger is well-painted in a rich blue featuring symmetrically arranged peony sprays within a six-pointed star-shaped central medallion, surrounded on the cavetto with a continuous ring of ruyi head motifs. The reverse features an uncommon double footrim along with Buddhist symbols on the outer border. Interestingly, "chatter marks," (radial lines around t...

An elegant and highly stylized zun-shaped lacquered bronze vase, either Chinese Late Ming Period (1600's) or Japanese Early Edo Period (1600's). This very interesting and attractive piece with its splayed footed base, angular shoulder, and trumpet-shaped mouth that resembles opened floral petals when viewed from the interior, was most likely intended as a flower vase itself, but its intended purpose is no more certain than its actual country of origin. Indeed, despite its presentation of a figur...

From our Indian Subcontinent Collection, a stunningly beautiful 19th century Khavakend-influenced Kashmiri silver teapot of bulbous teardrop form, finely chased in the rosette pattern with paisley and chinar motifs. This extremely fine teapot sits atop a flat rounded base with an avian-form handle, beak-form spout, and a dome-shaped hinged lid. Though the workmanship of this piece is clearly Kashmiri, the overall aesthetic is heavily influenced by the architectural motifs and artistic iconograp...

From our Chinese Monochrome Collection, a very fine late 18th century / early 19th century carved cinnabar lacquer vase of compressed baluster form. The vase sits upon a splayed foot with a trumpet form neck containing reserves of floral springs atop a collar of wave motifs. Below this there are two separate scenes contained within trapezoidal shaped cartouches framed by ruyi head motifs:

In the main scene, we see the famous Jin Dynasty calligrapher Wang Xizhi (303 AD - 361 AD) sittin...

From our Indian Subcontinent Collection, a good Kashmiri silver surahi (water flask), 19th century, of compressed globular base with elongated neck and attached stopper secured by linked silver chain, well-decorated with chased vegetal and floral designs typical for Kashmiri silversmithing of this period. Overall a very attractive example with elegant proportions and good presence.

Size and Condition: 9 1/2 inches tall, 5 1/2 inches in diameter at its widest point on base. Excellent co...

From our European Collection, a fine 19th century original oil on panel by British painter and listed artist William Anslow Thornley (1857-1898), entitled "Moonlight on the Thames." Signed "Thornley" lower left.

Size and condition: 13 inches x 11 inches framed dimensions, approximately 10 inches x 8 inches unframed image size. This painting has been taken care of well, there is only some very minor age-related soiling and minor scuffing to the frame.

From our European Collection, #1 of a set of three fine 19th century stained and leaded glass architectural panels, ex-Christies, most likely of British origin, featuring a central heraldic crest or family coat of arms signified by three lions within a shield, flanked on both sides by mosaics of stained leaded glass in vibrant reds, yellows, golds, blues, whites, greens and browns, each containing various decorative, architectural, and figural elements such as fleur de lis motifs, other floral p...

From our European Collection, #2 of a set of three fine 19th century stained and leaded glass architectural panels, ex-Christies, most likely of British origin, featuring a central heraldic crest or family coat of arms signified by alternating panels of lions and bulls within a shield in the central panel, flanked on both sides by various mosaics of stained leaded glass in vibrant reds, yellows, golds, blues, whites, greens and browns, each containing various decorative, architectural, and figur...

From our European Collection, #3 of a set of three fine 19th century stained and leaded glass architectural panels, ex-Christies, most likely of British origin, featuring a central heraldic crest or family coat of arms within a shield in the central panel, flanked on both sides by various mosaics of stained leaded glass in vibrant reds, yellows, golds, blues, whites, greens and browns, each containing various decorative, architectural, and figural elements such as fleur de lis motifs, other flor...

PLEASE NOTE: WE HAVE RECENTLY RE-ACQUIRED THIS VERY FINE PLATE FROM A CLIENT WHO IS LIQUIDATING HIS ANTIQUE HOLDINGS DUE TO HEALTH ISSUES AND MEDICAL EXPENSES: WHILE WE ARE VERY SADDENED TO LEARN OF THIS CLIENT'S CONDITION AND CURRENT CIRCUMSTANCES, WE ARE GRATIFIED AT LEAST TO BE ABLE TO ASSIST THIS WONDERFUL GENTLEMAN IN THIS MANNER, AND TO RE-OFFER THIS FINE PLATE ONCE AGAIN: From our Chinese Blue and White Collection, a very finely painted "Tea Production Plate," early Qianlong Period circa ...

Ex Bonhams: From our Chinese Polychrome Collection, a large gilt copper alloy and lacquered repousse figure of Vajrapani, 18th century, standing pratyalidhasana with a ferocious expression on a repousse and chased lotus throne, left hand in tarjani mudra and his right hand raised above his five-leaf crowned head. The figure is clothed in flowing robes open at the chest to reveal ornamental body jewelry and jeweled necklaces. Vajrapani's face retains a lot of cold-painted flesh colored lacquer, ...

From our European Collection, a lovely and substantially-sized 19th century nautical oil painting of ships in a European port, signed and dated S. Brade 1871. This painting is in excellent condition with only the typical fine craquelure expected in paintings of its age. UV light inspection suggests possible small random areas of touch-up to the sky, but otherwise this piece has survived well in fine original, essentially unrestored condition.

Provenance: De-accessioned from a Boston a...

From our European Collection, a very fine and elegant Victorian era marquetry inlaid credenza, late 19th century circa 1865-1890. This beautiful piece is dark walnut inlaid in stylized foliate strapwork design, using a softer and lighter colored wood for the inlay material that is most likely either tulipwood or fruitwood. The piece is adorned with wonderful gilt bronze castings on the columns and base area that are essentially artwork unto themselves. There is one central panel door (with orig...

From our European Collection, a very large late 17th century / early 18th century oil on canvas painting believed to be titled "A Warning to the Wicked Ezekiel." This piece is obviously in relic condition with several notable tears, punctures, and heavy soiling both front and back. Please note that this piece is still currently under study and not fully researched, so we must refrain from posting pricing information at this time. As this piece is potentially significant, we have already put ou...

From our European Collection, a truly superb Victorian era marquetry inlaid credenza, late 19th century circa 1865-1890. This amazing example is a masterpiece of old world craftsmanship, intricately inlaid using at least 4 different types of wood, which we believe are most likely ebony, amboyna, tulipwood and fruitwood. The credenza features inlay to the side, top, and bottom friezes, as well as to the central door panel, all raised on a shaped plinth base, flanked by glass doors on either side,...

DUE TO RECENTLY ANNOUNCED CHANGES, AND FURTHER PROPOSED CHANGES THAT HAVE NOT YET BEEN FULLY IMPLEMENTED OR PROMULGATED BY THE US GOVERNMENT, IT IS NOT CLEAR TO US AND MOST ANTIQUE IVORY DEALERS, EXACTLY WHERE (WHAT JURISDICTIONS), TO WHOM, UNDER WHAT CIRCUMSTANCES, AND WHAT TYPE OF NEW PERMITS MIGHT BE REQUIRED FOR US TO CONTINUE MARKETING ANY OF OUR ANTIQUE IVORY PIECES FOR SALE. PLEASE CHECK BACK WITH US IN JULY OR AUGUST AFTER THE NEW RULES AND GUIDELINES ARE SUPPOSED TO HAVE BEEN MORE FUL...

From our European Collection, a very fine and elegant Vernis Martin style corner display cabinet, late 19th/early 20th century, probably French. This piece features a three-quarter gallery with a red velvet lined interior (original interior), and inset on the top with a lovely piece of reddish brown marble (also original), nicely veined with whitish / cream colored striations. There is a top frieze applied with fine metalwork consisting of gilt-bronze / dore bronze tassels and foliate scrolls, ...

From our Fine Arts and Americana Collection, a stunning Early American classical carved mahogany sofa, Philadelphia School circa 1815-1825. With wonderful clean lines, masculine yet very elegant, and with a fantastic grain/burl to the wood, this is a great example of early American craftsmanship from the early days of this then, still rather young country. Upholstery is new of course, executed in a red background with golden starburst motifs that really make the piece "pop," but does so in a...

From our European Collection, a stunning Napoleon III gilt bronze mounted boulle marquetry and ebonized "bureau en pente," or slope top writing desk, dating to the third quarter of the 19th century circa 1865-1885. This fantastic and nearly pristine example of boulle work features a rectangular top surmounted by a pierced brass gallery, set above a boulle inlaid slant front desk cover that opens to several drawers and pigeon holes above a larger scalloped drawer. This desk is raised upon gilt b...

From our European Collection, a beautiful, large, and imposing Renaissance Revival gilt pier mirror, third quarter 19th century circa 1875-1895, ex-Bonhams. From the collection of the famed Harry Denton, San Francisco California.

Size and Condition: Height including support base 92 inches; width 52 inches. Superb condition, probably re-gilt. Currently on corporate loan to a private restaurant enterprise in San Antonio, Texas: Please inquire for availability.

From our European Collection, a very fine oil on canvas by British painter William Robert Symonds, signed and dated 1875. Symonds, who lived from 1851-1934, was a genre painter known for touching scenes of people and animals, and most often of small children in random snapshots of everyday life, where he captured well their innocence and curious musings. His works are carried by several UK- based institutions, most notably the Colchester and Ipswich museums, and in his day, he was often exhibit...

From our European Collection, a large and very finely painted 19th century oil on canvas, English School, depicting Mary Queen of Scots bidding farewell to her followers on her way to the gallows in 1587.

Courtesy of Wikipedia: Mary, Queen of Scots (7 December 1542 – 8 February 1587), also known as Mary Stuart or Mary I of Scotland, was Queen of Scotland from 14 December 1542 to 24 July 1567 and Queen consort of France from 10 July 1559 to 5 December 1560.

Mary, the only surviving ...

From our European Collection, a fine and quite large oil on canvas of a seated gentleman, by Ignaz Marcel Gaugengigl 1855-1932. The painting here signed but undated, but most likely 3rd quarter 19th century, and likely no later than 1920. The following information courtesy of Wikipedia:

Gaugengigl was a German-American painter and engraver who worked primarily in the United States. He specialized in portraits and historical paintings. His father (also named Ignaz) was a teacher w...

From our European Collection, a very large and finely carved oak Prie Dieu, late 18th - early 19th century, probably Belgian/Flemish or possibly French. This Prie Dieu has a very well executed carved central panel, and is unusual for its size and overall workmanship. A dramatic statement piece for an elegant environment.

Size and Condition: 88 inches tall, 34 inches wide, 30 inches deep. There are random age related stress cracks and rubbing, but no significant losses. The piece shows its...

From our European Collection, a very fine historical oil painting on canvas by Robert Alexander Hillingford (1828-1904) entitled "Charles X of Sweden after the Battle of Pultova." Signed lower right "R. Hillingford". Inscribed on the back on an old fragmented paper label as follows: "Charles X ** Sweden/after the B****e of Pultova/"Twas after dread Pultovas day"/"When fortune left the Royal Swede"/"The wounded Charles was forced to flee"/--------- Surrounded by the faithful few"/--------Let non...

From our Fine Arts and Americana Collection, a stunning and massive alto-relief sculpture in bonded sand by American contemporary art legend Bill Mack.

For those who have followed the American Contemporary Art Movement over the last 20 years or so, Bill Mack needs no introduction. For those unfamiliar with his work, Bill Mack sculpts in what is referred to as “alto-relief,” which is a variation of bas-relief but incorporates even much greater depth and three dimensionality with portion...

From our European Collection, an absolutely marvelous Victorian sterling silver two-handled oval serving platter by Mappin & Webb, London, 1897, fully marked, with superb chasing and casting featuring floral scrolls and phoenix, open-work gallery lions, basins and ancient mask heads, and with curled serpents for handles. An extraordinary tour de force in silver workmanship, definitely one of the finest trays of its type we have encountered in awhile.

Size and Condition: 30 inches wide a...

From our European Collection, a fine late 19th-early 20th century carved marble bust of Madame Recamier, modeled after the original by Joseph Chinard circa 1801-02, which was previously on display at the Getty Center Los Angeles, where the museum description read as follows:

"Coyly looking down, Madame Recamier holds a veil across her chest. The sheath both demurely conceals and reveals her breasts. Sculptor Joseph Chinard cleverly compensated for the artificiality of the bust form by el...

From our European Collection, a very fine English oak refectory table, late 18th / early 19th century, hand-tooled from solid plank timbers and iron nails, using rustic style hand-carving for design motifs, and with crossbar support on the bottom. This piece has great natural patina to the wood that gives it wonderful character in addition to the charm of its obvious Olde Worlde masculine feel. An excellent example of this style of table making. Can be used as a dining table, work desk, display...

From our Chinese Polychrome Collection, a fine Famille Verte porcelain dish, Kangxi Period (1662-1722), well-painted with a figural scene of three people, two of which occupy an outdoor pavilion while a third looks on from the inside. Floral sprays, butterflies, and twin-fish are represented in the cavetto, while the border is executed in classic piecrust form.

While Kangxi era plates of this style and shape are by no means uncommon, this particular example was selected for the excell...

From our Early Chinese Collection, an excellent neolithic tripod (Li) pottery vessel from the Xiajiadian Culture of either Inner Mongolia or Liaoning Province, circa 2500-1500 BC. These strange, other-worldly looking vessels belie their true age, which is an astonishing 3500 to 4500 years old. Constructed of a buff colored earthenware with partially hollowed-out udder-shaped legs, it has a slender and well-burnished body that flares out to a wide rim. This particular piece has signs of root grow...

From our European Collection, a charming Rococo sofa, early 20th century circa 1900-1920, probably French, executed with lovely curvilinear lines true to the style, with hand-carved shell-shaped and floral motifs executed into the wood frame, and finished with an elegant but understated two-tone gold on gold damask fabric. The fabric is not original, but is quite likely a re-upholstery job from the 1950's or so, and has survived wonderfully since then. The sofa is structurally sound and fully f...

From our European Porcelain Collection, a very fine Doccia (Italian) tin-glazed, hard paste porcelain teacup and saucer, late 18th century circa 1780-1790, probably Ginori factory, very well-painted with a bucolic landscape of what looks like a country estate executed in puce, with a rich baroque border of gilding against a dark cobalt blue ground. This is a truly splendid high quality set.

Size and Condition: Saucer 5 1/4 inches diameter, teacup 3 inches across, 2 7/8 inches tall. Only s...

From our Japanese Collection, a large and attractive pair of bamboo carvings, late Meiji - Taisho Period, depicting a continuous battle scene of fighting samurai, with some on horseback and some on foot, all well-carved and with a good patina. This pair makes a strong decorative statement. There are several age splits to the base of each piece, ranging from a half inch to an inch long, but none threaten the structural integrity. There is one larger split, however, to the top of one piece about 2...

From our Japanese Collection, a good Fuyode Ko-Imari Arita blue and white porcelain dish, the term "Fuyode" referring to late 17th century Japanese porcelain painted in the style of Chinese Ming Dynasty porcelain. This is one of the earliest examples of Japanese Arita ware. This dish is painted in underglaze blue with a central panel of flowering peony, and with panels of the “Three Friends of Winter" design (pine, bamboo, and prunus) in the border. The reverse is sparsely painted with karaku...

From our Southeast Asia Collection, a large and classic 19th century Burmese Hsun-ok from Pagan, of well- known and documented form, constructed of wood that is first lacquered in black, and then covered in successive layers of cinnabar-colored lacquer called hinthabada. Over time, through use and handling, the cinnabar lacquer wears off to reveal the black lacquer base underneath. The negoro effect here is not as pronounced on this piece as it is on our other recently posted hsun-ok (see item ...

From our Shipwreck Porcelain Collection, a fine blue and white porcelain dish, ex-Christie's, executed in the "Boatman Pattern" from the so-called "Nanking Cargo," which is the term applied to the porcelain recovered from the wreck of the Geldermalsen that sank on January 3rd, 1752. The Geldermalsen was a cargo ship belonging to the Dutch East India Company that struck a reef on its way back from Canton China, and sank off the coast of Indonesia in the Linnga archipelago. It took with it to the ...

From our Shipwreck Porcelain Collection, a fine blue and white dish, ex-Christie’s, executed in the "Boatman Pattern" from the so-called "Nanking Cargo," which is the term applied to the porcelain recovered from the wreck of the Geldermalsen that sank on January 3rd, 1752. The Geldermalsen was a cargo ship belonging to the Dutch East India Company that struck a reef on its way back from Canton China, and sank off the coast of Indonesia in the Linnga archipelago. It took with it to the bottom ...

From our Fine Arts and Americana Collection, an elegant vintage console table circa 1950, constructed of solid hardwood most likely either American walnut or oak, featuring cabriole legs that are lathe turned and then hand-finished by bandsaw, rasp and scraper. The table is surmounted by a lovely white Italian marble beveled top with rose colored veining and striations. It is marked on the interior with "Weiman Heirloom Quality Tables," an American furniture manufacturer known to first be activ...

From our Shipwreck Porcelain Collection, a fine blue and white dish, ex-Christie's, executed in the "Peony and Pomegranate Pattern" from the so-called "Nanking Cargo," which is the term applied to the porcelain recovered from the wreck of the Geldermalsen that sank on January 3rd, 1752. The Geldermalsen was a cargo ship belonging to the Dutch East India Company that struck a reef on its way back from Canton China, and sank off the coast of Indonesia in the Linnga archipelago. It took with it to...

From our Indian Subcontinent Collection, a fine and intricately constructed silver filigree peacock adorned with turquoise stones in the tail feathers. Though modest in size, its stature should not belie the amount of work needed to create this wonderful little object, as filigree work is very intricate and time consuming. Sourced directly from Jaipur, the so-called "Pink City" and one of several marvelous cities in Rajasthan India with a rich culture of handicrafts production.

The peacoc...

From our Indian Subcontinent Collection, a large enameled silver box from Jaipur, Rajasthan (India), featuring a very attractively painted elephant in regal attire executed in royal blue against an irridescent turquoise background, with floral motifs in green, blue, and champagne color around the borders and on the sides, all executed upon high grade silver. This particular box is a larger example of another similar piece we offer, item # 937150.

There is a plethora of arts and crafts th...

From our European Porcelain Collection, a fine French Niderviller neoclassical-style porcelain saucer, heavily potted, late 18th century circa 1774-1784. This saucer is executed en grisaille in very fine detail of a sleeping cupid, rendered against a very dark cobalt blue ground that almost appears black. The border is richly gilded, and the reverse contains markings that stand for Count Philibert de Custine, who owned the Niderviller factory during this time period.

Size and Condition: ...

From our Southeast Asia Collection, a good contemporary nephrite jade carving of a mother elephant with her infant. Sourced directly from the Chiang Mai region of Thailand in the early 1990's, the jade is a very deep emerald green color, somewhat darker than the website photos which seem to have lightened the jade color due to the flash. A small but charming piece with an endearing subject matter, nicely carved with good weight and heft, and overall an attractive genuine example of Northern Thai...

From our Southeast Asia Collection, an extremely fine and very attractive dome-shaped, two-piece lacquerware box from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223. We had the honor, privilege, and education of watching artisans in this famous lacquer workshop creating modern masterpieces in the y...

From our European Porcelain Collection, a fine German Volkstedt neoclassical-style milk jug, late 18th century circa 1780-1790, depicting two reserves of young boys engaged in intellectual and artistic pursuits, all very well-executed in polychrome enamels with generous use of gilding.

Size and condition: 3 3/4 inches tall, 4 inches across spout to handle. Enamel and gilding are essentially 99% intact. There is one very small chip with associated gilding loss on the spout, visible only wh...

From our Shipwreck Porcelain Collection, a good teacup and saucer ex-Sotheby's, from the Ca Mau Cargo, Yongzheng Period (1723-1735), executed in the "Tu Hai" pattern in underglaze blue.

This particular teacup and saucer is a very good example that somehow managed to survive over two centuries under the sea, essentially unscathed. Shipwreck porcelain comes off the sea floor in a wide variety of conditions, with many pieces utterly destroyed, others cracked and chipped, others whole but enc...

From our Shipwreck Porcelain Collection, a good blue and white teacup and saucer in the "Batavian Bamboo Pattern," ex-Christie's, from the so-called "Nanking Cargo," which is the term applied to the porcelain recovered from the wreck of the Geldermalsen that sank on January 3rd, 1752. The Geldermalsen was a cargo ship belonging to the Dutch East India Company that struck a reef on its way back from Canton China, and sank off the coast of Indonesia in the Linnga archipelago. It took with it to th...

From our Chinese Blue and White Collection, a charming little export ware teacup and saucer, late Kangxi to Yongzheng Period (1700- 1735), with loosely painted floral motifs both on saucer and tea bowl, all executed in an attractive blue.

Size and Condition: Saucer 5 1/2 inches in diameter, teacup 3 1/4 inches across, 2 inches tall. Small nick to lip of teacup

From our Chinese Polychrome Collection, a charming and unpretentious Famille Rose teacup and saucer, Qianlong Period (1736-1795), most likely late Qianlong 1760-1785, decorated in a delicate floral pattern in Famille Rose palette, with a Batavian Brown (iron oxide) dressing on the reverse.

Size and Condition: The saucer is 5 inches in diameter, the teacup 2 7/8 inches across, 1 1/2 inches tall. Small inconsequential nick to footrim of teacup essentially perfect.

From our Indian Subcontinent Collection, a large carved marble caparisoned elephant from Southern India. Naturalistically carved from a cream / off-white colored marble, this makes for a good decorator's item for those looking to add an Indian flair.

Size and Condition: 12 inches tall, 10 inches long, and 4 inches deep. A very heavy and substantial piece of marble at approximately 20 pounds.

From our World Handicrafts Collection (Ex-Asia), a charming hand-carved mirror frame from Cuzco Peru, sister city of the famed Macchu Piccu ruins. The wood used here is an indigenous Andean softwood that has been very skillfully carved in Spanish Baroque style, not uncommon since Peru was colonized by the Spanish in the 1500's and Spanish architectural influence still pervades their culture and crafts. The mirrored glass was installed later in the States. A lovely and unique gift item.

...

From our Japanese Collection, a good Meiji Period (1868-1912) imari lobed dish, executed in traditional palette using iron red, orange, blue, green, and gilt on a white porcelain body, depicting a stylized chrysanthemum head motif in the center well, along with dragon, phoenix, and floral motifs in the border reserves. An unpretentious but well-made traditional example.

Size and Condition: 8 3/8 inches in diameter. Some light wear to gilding in the center, heavier wear to the gilding ...

From our World Handicrafts Collection (ex-Asia), a handsome painted wooden box from Veracruz, Mexico, depicting various flora and fauna including birds, butterflies, and parrots, rendered in green against a black background, all crafted upon a wooden body. A charming piece of authentic Mexican handicraft and a lovely gift item.

Size and condition: 15 3/4 inches wide, 8 inches tall, 7 1/2 inches deep. A few nicks.

From our European Porcelain Collection, an important and historically significant Meissen armorial plate, ex-Sotheby's, from the Munchhaussen family dinner service gifted by Augustus III to Gerlach Adolf von Munchhaussen in 1745. The decoration is executed in puce with gilt highlights, painted in the "fabletier" style of mythical beasts set against a landscape of birds and insects, all set beneath the Munchhaussen family coat of arms with a foliate scroll border on the rim. Meissen crossed sword...