From our Chinese Blue and White Collection, a lovely Kangxi Period (1662-1722) export dish with barbed rim, depicting a flowering tree in a fenced garden setting in the center medallion, with eight panels in smaller scale repeating the same pattern on the border, and with flowering branches and an auspicious buddhist symbol in double circles on the reverse, all painted in a deep and attractive Kangxi blue.
Size and Condition: 8 3/4 inches in diameter, 1 1/4 inches deep, one small chip to ...
From our Chinese Blue and White Collection, a very interesting late 18th century export porcelain plate, depicting an unusual subject matter of a gondolier in what is either an Italian canal in Venice, or a Dutch canal in Amsterdam. The plate is executed in a good underglaze blue with an unidentified edifice in the foreground, and a border of floral motifs. Perhaps architecture buffs can recognize with specificity what the edifice is, and nail down for us whether this is actually an Italian or D...
From our Chinese Monochrome Collection, a fine blanc de chine (dehua) porcelain figure of a seated dignitary, Kangxi Period (1662-1722), seated on a low plinth and crisply modeled with an elaborate dragon badge to chest, a ruyi scepter in his left hand, and a pensive downward gaze. Holes under the ears and around the mouth were originally for placement of animal hair to form the beard. In virtually perfect condition, there are two small firing cracks, but these are original to the manufacture an...
From our Japanese Collection, a very fine ivory carving, Meiji Period (1868-1912), probably Tokyo School but we cannot confirm the artist, depicting an elder carrying a rabbit in a basket along with a young boy who excitedly holds up a frog. The scene is expertly rendered as evidenced in the animation and excitement of the young boy's face, the expressiveness of the elder, the detail to the basketry, as well as the flow and fold to the robing, and the realism of the rabbit, the frog, and the eld...
From our Southeast Asia Collection, a stunning and large martaban-type lacquer jar from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223. We had the honor, privilege, and education of watching artisans in this famous lacquer workshop creating modern masterpieces in the yun style, an extremely labor i...
From our Early Chinese Collection, a large Machang Phase jar from the Majiayao Culture (2300 - 2000 BC), originating from what is now Gansu province, China. Of well-known and documented form, this fascinating vessel is approximately 4,000 years old and comes with an Oxford TL test. Larger and better potted than is usually found, it is painted with anthropomorphic designs in purplish-black mineral pigments typical of these wares. The meaning of these designs is still the subject of scholarly deba...
From our Chinese Polychrome Collection, a high quality Rose Medallion plate, 19th century either Tongzhi Period (1862-1874) or Guangxu Period (1875-1908). Executed in the typical palette of pinks, blues, greens, yellows, whites and gilt with four individual cartouches: Two contain various figures usually representing scenes from either The Romance of the Western Chamber or The Dream of Red Mansions, the other two contain birds and foliage. All are set against a ground of flowering tendrils and g...
From our Chinese Polychrome Collection, a high quality Rose Medallion plate, 19th century either Tongzhi Period (1862-1874) or Guangxu Period (1875-1908). Executed in the typical palette of pinks, blues, greens, yellows, whites and gilt with four individual cartouches: Two contain various figures usually representing scenes from either The Romance of the Western Chamber or The Dream of Red Mansions, the other two contain birds and foliage. All are set against a ground of flowering tendrils and ...
From our Chinese Blue and White Collection, a very high quality 19th century ginger jar done in the "1000 Antiques" design against a "cracked ice" ground, either Tongzhi (1862-1874) or Guangxu Period (1875-1908). One could be forgiven for thinking this piece is Kangxi (1662-1722) given the high quality of the paste, the high quality of the underglaze cobalt blue, and the proficiency of the painting. Indeed, if Kangxi, it should be two-three times our price. But buried within our research materia...
From our Chinese Blue and White Collection, a very fine and rare pair of Kangxi Mark and Period (1662 - 1722) aster dishes, ex- Christie's (see last photos for actual Christie's catalog listing), well-executed in a deep Mohammedan blue, with three aster blooms painted amidst a reserve of scrolling tendrils on shallow petal-lobed bodies. These are encircled by sixteen aster sprays symmetrically painted on the border and repeated on the reverse, along with the six character Kangxi Mark (and of the...
From our Chinese Blue and White Collection, a truly once in a lifetime find, this massive and breathtaking piece is an exceptionally rare Kangxi Period (1662- 1722) blue and white porcelain fishbowl, ex-Sotheby’s, potted in classic deep U-form with rolled rim. It is very well-painted in a rich underglaze blue of the highest quality, the design depicting Chinese style flower baskets within four individual lotus shaped cartouches, each separated by reserves of stylized aster sprays. Additionally...
From our Early Chinese Collection, an exceptional Northern Qi Dynasty Tomb Guardian (550 - 577 AD), boldly modeled in full military armor with chest and back plates, fringed mail tunics over knee guards, and battle helmet with leather side flaps. His left hand rests upon a leonine shield, the right hand would have clenched a wooden spear which has decomposed long ago. This imposing figure reflects the strong facial features typical of other known Northern Qi statuary, such as the ominous bulging...
From our Chinese Polychrome Collection, a truly superb example of Qianlong Period (1736-1795) Famille Rose porcelain, depicting a lady receiving what is either wine or tea, while her female servant attends to her with a fan. The outer border is decorated with eight individual reserves executed alternatively in either puce or black, with each puce reserve so well-executed that they are essentially miniature paintings in their own right. The inner border is decorated with smaller puce cartouches ...
From our Chinese Monochrome Collection, a very fine pair of blanc de chine (dehua) fu dogs modeled as taper stick holders, either late Ming / early Shunzhi (1620-1650), or possibly early Kangxi Period (circa 1662-1690), of well-known and documented form, with each fu dog perched atop a rectangular base with a brocaded ball under its paw and a ribbon held in its mouth. Additionally, each piece exhibits a high degree of hand applique modeling with respect to the ribbons, manes, bells, and tassels,...
From our Southeast Asia Collection, a very fine Burmese silver alms-style bowl, late 19th century, extremely well-executed in deep repousse technique with a continuous scene of thirteen figures depicting an episode from the Burmese Jataka Tales (previous lives of the Buddha), bordered on top by a row of maw-pan floral scrolls incorporating seven chin-thei (Burmese buddhist lions), and bordered on the bottom by a row of stylized acanthus leaves.
Despite the continued political and economic...
From our Chinese Blue and White Collection, a very fine Kangxi (1662-1722) Mark and Period porcelain dish depicting a scholar with two ladies on a terraced pavilion, bordered by two bunches of flowering branches on the outer rim. The scene is probably derived from an earlier wood-block print. The reverse is decorated with flower sprigs on the outer rim, with a well-drawn six character Kangxi mark of the period contained within double circles in the center. The dish is executed in high quality un...
From our Chinese Polychrome Collection, a beautiful pair of pith paintings, circa 1840-1860, each representing a lady of high stature, possibly royalty, being attended to by her servant. One is reclining upon an opium bed with a large screen while her servant lights her pipe; the second sits upon a throne in a dragon embossed robe, also backed by a large and well-painted screen, and is being presented a ruyi scepter by her servant. Both pieces are extremely well-painted and represent very fine e...
From our Japanese Collection, a fine and very attractive mid-century silk thread composition depicting a Shinto shrine nestled within a treed riverbank, with a foot-bridge and boats in the foreground. The composition uses rich but tasteful shades of burgundy, brown, cream, dark green, a touch of soft pink, and other subtle earth tones. The piece evokes a relaxed charm.
Size and Condition: Framed dimensions are 25 inches wide, 19 3/4 inches tall. There is some minor scuffing to the ...
From our Chinese Blue and White Collection, a very fine and unusual Kangxi Period (1662-1722) porcelain dish of European form, depicting two gentlemen discussing business alongside a boat dock while an attendant stands nearby with tea. This particular dish is extremely well-painted with a proficiency that rivals even some of our better mark and period pieces, and is executed in a very rich palette of four different shades of cobalt blue. On the reverse, there are stylized branch motifs along w...
From our Indian Subcontinent Collection, a truly delightful little enameled silver box from Jaipur, Rajasthan (India), with scrolling leaves and geometric designs in turquoise, royal blue, ruby red, and brownish gold, all executed upon high grade silver.
There is a plethora of arts and crafts throughout the Rajasthan region, but the different cities there tend to have a few art forms in particular that they each excel at. Jaipur, the so-called "Pink City," seemed to excel at these enamel...
From our Southeast Asia Collection, a fine and complete Burmese Kammavaca Manuscript, late 19th - early 20th century, containing all 16 leaves and the original teak wood covers.
Kammavaca manuscripts are a quintessentially Burmese artifact that reflect the general reverence afforded to the monastic system in that country. To Western eyes, they are usually just highly decorative ethnic handicrafts from an isolated and exotic culture. But to the Burmese, they are a rather important and quit...
From our Chinese Blue and White Collection, a very fine Kangxi (1662-1722) Mark and Period porcelain dish depicting two elegant ladies in a garden setting containing scholar’s rocks and banana leaf plants; one lady holds a fan while the other holds her hands clasped together. Cross-hatched motifs decorate the border along with four vignettes of peaches signifying longevity. The reverse is decorated with what appears to be a stylized “clouds and mountains” design on the outer rim, with the...
From our Southeast Asia Collection, an original and signed oil painting from Inle Lake, Burma. The piece depicts two men boating along a marsh with a wonderful view of some communal structures fronting a stunning mountainside. For those who have been fortunate to travel to the Inle Lake area, this certainly brings back memories. And for those who have never been, this painting makes you want to go.
Executed in an unusual color palette of straw, yellow, green, brown, taupe, orange, and ...
From our Chinese Blue and White Collection, an unusually fine Qianlong Period (1736-1795) tureen base or shallow basin, depicting a river scene with a large fenced pagoda, a stone bridge, and several people on boats and pontoons, together with a meticulously intricate border of ruyi heads, cash diaper motifs, key frets, butterflies, and other marvelous details.
This piece is top quality in terms of "Nanking Ware" (not to be confused with Nanking Cargo Shipwreck pieces); it really gets no ...
From our Southeast Asia Collection, a very fine gilded Burmese hsun-ok or offering vessel, late 19th to early 20th century. Gilded offering vessels such as this present example would have been owned by wealthy Burmese families, and used exclusively for bringing food gifts to the monastery. They are constructed of bamboo and turned wood bodies, and decorated with scrolling floral designs called "chupan." Crafting the chupan design is actually a deceptively meticulous and laborious process, one t...
An excellent pictorial reference book especially for novice collectors looking to train their eyes regarding how genuine pieces are supposed to look. Highly recommended with wonderful color photos throughout the entire volume. Four main sections addressing Satsuma, Imari, Hirado and Kutani. With so much fake imari and inferior satsuma on the internet these days, this is a must-have guide for novices collecting in these areas.
We have two of these books: This one has been sitting on our she...
Rare and out of print for many years, PJ Donnelly's treatise on Blanc de Chine was the first comprehensive book on this subject, and has become a collector's item in its own right. A must-have reference text for blanc de chine (dehua) collectors. Modern scholarship on blanc de chine has evolved considerably since Donnelly's time, but his work is an essential foundation, and this book remains the most thorough single issue treatment of this subject.
Frederick A. Praeger Publishers, 1st E...
From our Japanese Collection, a superb Kinkozan satsuma vase of tapered ovoid form, Meiji Period 1868-1912, most likely 1880-1890, depicting a finely painted bijin on one panel along with finely painted roosters and flying birds in a garden setting on the other panel. Both main panels are separated by reserves of elaborate gilt work set against a rich cobalt blue ground. Kinkozan signature and impressed mark on the bottom. As with all of our satsuma offerings, this piece is of the highest qual...
From our Southeast Asia Collection, a very fine 19th century Thai Rattanakosin bronze Buddha exhibiting the rarely seen Pang Ham Phra Kaen Chan mudra, also known as the "Stopping the Sandalwood Image" mudra. This Buddha is especially well-cast with sharp details. It has just the right balance of wear commensurate with age combined with a good amount of retained original gilding, ultimately giving the piece its undeniable air of age and authenticity.
As stated above, this particular mu...
From our Chinese Blue and White Collection, a very fine and elegant Kangxi Period (1662-1722) phoenix bowl, early Kangxi Period circa 1675-1690, decorated with two well-painted phoenixes and a treed outcropping, all well-executed in a strong blue against a delicately potted pure white body with everted rim. The interior features a single flower encircled within a medallion of double lines. The base is plain. The footrim is especially finely cut and very neatly glazed exposing just a narrow swath...
From our Chinese Monochrome Collection, a large carved ivory elephant bridge, late 19th century, depicting a procession of eight individual elephants of graduating size, nicely carved from a single tusk. The elephants are well-rendered and the ivory has a good buttery patina somewhat better than the photos reflect.
Interestingly, the artist's decision to carve eight elephants here is no accident: Those familiar with Chinese mythologies and cultural superstitions will immediately recognize...
From our Southeast Asia Collection, a large and absolutely stunning masterpiece of Annamese mother of pearl inlay work, 19th Century, Nguyen Dynasty Vietnam, depicting exquisitely rendered butterflies, flowers, crustaceans, scrolls, and geometric designs in superb quality mother of pearl inlaid against a dark brown rosewood base.
This fantastic tray truly represents the pinnacle of this art form. We have been fortunate to see the pieces held in the National Museum of Vietnamese History in...
From our Chinese Blue and White Collection, a very fine and well-painted Kangxi Period (1662-1722) porcelain dish with apocryphal Chenghua Period mark, depicting two elegant ladies looking out over a terrace with banana leaf plants and trees. Cross-hatched motifs decorate the border along with four vignettes of peaches signifying longevity. The reverse is decorated with stylized mountains on the outer rim, and a six character apocryphal Chengua Period mark is contained within double circles in ...
From our Indian Subcontinent Collection, a beautiful vintage Indian silk sari executed in a rich and lively multi-colored palette. The central panel uses purple and red silks along with gold thread woven into elaborate floral and geometric designs, and the borders use blue and green silks along with gold thread as well.
Size and Condition: This is a tremendous piece measuring 196 inches (16 1/3 feet) long, and 43 1/2 inches (3 1/2 feet) wide. Due to its size it is rather cumbersome t...
From our Indian Subcontinent Collection, a beautiful vintage Indian silk sari executed in a rich fuscia colored silk and using silver threads woven into floral and geometric motifs.
Size and Condition: This is a tremendous piece measuring 179 inches (15 feet) long and 44 inches (3 1/2 feet) wide. Due to its size it is rather cumbersome to photograph, and so the photos are showing the piece folded and at only a fraction of its actual size. But the sections photographed are fully repr...
From our Japanese Collection, a truly superb satsuma vase, Meiji period (1868-1912), of robust globular form, depicting seven separate circular reserves of figures set against a most unusual and very appealing variegated ground that morphs from emerald green, to celadon, to cream, and finally to brown, all heavily overlaid with a rich brocade of chrysanthemum heads and other floral and geometric motifs executed in gilt. The neck has a heavily gilded deep red ground which sets it off very nicely...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Textiles : Pre 1980
item #984258
From our Southeast Asia Collection, a fine and massive vintage Burmese Kalaga, intricately and painstakingly constructed of literally thousands of small metallic disks, colored threads, beads, and fabric swatches, all woven and assembled into a massive tapestry illustrating scenes from the life of the Buddha.
Burmese kalagas are often misidentified as being Thai in origin since they are routinely acquired across the border in Thailand where tourist travel is far more common than in Burma i...
From our Chinese Polychrome Collection, a stunning and large Chinese lacquered jumu cabinet, mid to late 19th century, featuring exquisitely painted birds and floral motifs on a rockwork base, executed in gilt and subtle polychromes that are contrasted against a rich red lacquer ground. The outer frame features medallions of split tail sea dragons, auspicious symbols, and textile motifs, while the sides feature depictions of stylized floral motifs. The interior has 2 levels along with a hidden...
From our Indian Subcontinent Collection, a fine vintage wool and silk Pakistani Bokhara rug in classic Tekke Gul design, handwoven on a vertical loom with cotton base, using a combination of natural mineral pigments and synthetic dyes. The Tekke Gul motifs as well as various tiers of the border elements, are all outlined in off-white / cream colored silk, a rather elaborate and more complicated execution seen on the higher quality examples.
Cheap machine made copies of Bokhara rugs (oft...
From our Southeast Asia Collection, this is the first offering from our four-part series of Burmese Hyper-Realism Masterpieces executed in charcoal. From a technical perspective, these are some of the most extraordinarily realistic renditions in charcoal that we have ever seen, from any culture and from any time period. The artistic talent reflected in the creation of these works is really nothing short of amazing, especially when considering the inherent limitations of working in charcoal com...
From our Southeast Asia Collection, this is the third offering from our four-part series of Burmese Hyper-Realism Masterpieces executed in charcoal. From a technical perspective, these are some of the most extraordinarily realistic renditions in charcoal that we have ever seen, from any culture and from any time period. The artistic talent reflected in the creation of these works is really nothing short of amazing, especially when considering the inherent limitations of working in charcoal compa...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980
item #1004204
From our Southeast Asia Collection, a massive Indonesian teak wood carved panel executed in high-relief, depicting a scene from the Ramayana.
Indonesia, like Burma, has a long standing and very accomplished woodcarving tradition where generations of craftsmen have been producing great woodwork for decades. This particular piece is especially large and animated with great depth to the carving, and makes for a very dramatic statement in any room where it is displayed.
Size and Con...
From our European Collection, a very fine Federal Giltwood Pier Mirror, early 19th century circa 1800-1820, featuring a looking glass surmounted by a good maritime scene, bordered on top by a pair of angels exquisitely rendered in gilded gesso suspended beneath an overhanging cornice, and flanked by gilded ribboned columns on the sides.
This particular mirror is an excellent example of its kind, and is especially well-preserved. The gilding is all original yet still very rich and lively,...
From our European Collection, a good and substantial pair of Continental hand-carved black walnut chairs, 19th century, featuring claw feet and floral motifs carved in deep relief. The seat cushions are a mustard / gold colored silk and are either original, or later 19th / early 20th century replacements.
Size and Condition: 36 inches tall, 19 inches wide.
From our Chinese Blue and White Collection, an absolutely superb Kangxi Mark and Period Charger, 1662-1722, depicting an elegant lady in a garden pavilion tending to a lit censer while her servant stands adjacent with a ruyi-shaped fan. An egret flies overhead and two rabbits sit in the foreground beneath a banana leaf plant. On the outer rim, there are four cartouches of other elegant ladies interspersed with four cartouches of flowering plants, all separated by key fret reserves. The reverse d...
From our Early Chinese Collection, a very fine Ming bronze of Guanyin, 16th-17th century, crisply cast with a wonderfully serene countenance, a tiered and pierced diadem (crown), urna on the forehead signifying divine sight, body jewelry, and seated with right hand in verada mudra upon a double lotus base. This piece has developed a nice deep brown / dark gray patina with several areas of greenish verdigris suggesting high copper content to the bronze. We think this piece compares well with tw...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : Himalayas : Pre 1980
item #1016288
From our Indian Subcontinent Collection, a large and fine vintage thangka, either Tibetan or Nepalese, executed in a subdued yet very elegant palette emphasizing substantial gold use, along with blue, coral, gray, brown, taupe, white, and light green, all painted in an unusually meticulous and finely detailed fashion that is almost more like satsuma workmanship than typical thangka painting. For those who enjoy the look and spirituality conveyed in thangka paintings but do not care for the gaudy...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Paintings : Pre 1980
item #1017499
From our Southeast Asia Collection, a small but fine Burmese ink on palm leaf sutra with thayo embossed wood covers, depicting Buddha under the Bodhi Tree of Enlightenment flanked by two adorants in the center medallion, then encircled by disciples and zoomorphic entities in the surrounding images. The reverse side contains sutra writings in Burmese script, not yet translated. Overall workmanship is quite fine with great attention to detail, reflecting the devotion, reverence, and skill of the c...
From our European Collection, a fine and elegant 19th century bronze tazza, probably French, featuring well-cast leonine head motifs with twisted serpentine handles, supported upon a tapering circular pedestal base with some very attractive and realistically cast floral motifs. This piece has acquired a nice chocolate-brown patina across most of the surfaces.
Size and Condition: 13 1/4 inches across handles, 7 inches tall. Some minor scratches to the serving surface of the tazza tray, a...
From our European Collection, a good late 19th century bronze figural inkwell, probably French.
Size and Condition: 9 inches wide, 5 1/4 inches tall, 6 1/4 inches deep. Some verdigris to the patina, the interior glass ink container liner has a small crack, and the inkwell lid does not fully close, though this can easily remedied with a competent repair. Still fine overall condition.
From our European Collection, a fine and very ornate cast iron letter holder, late 19th century, most likely French though possibly Italian or even Spanish, crisply cast with cherubs and other figures and very intricate openwork.
Size and Condition: 14 3/4 inches wide, 14 1/2 inches tall, 4 3/4 inches deep when opened. Excellent condition. Some minor rubbing on the periphery, and also on the facial extremities of some of the figures as shown in the photographs, but overall the wear is q...
From our European Collection, a fine and very ornate cast iron plant stand, late 19th century, most likely French though possibly Spanish, featuring highly detailed and animated figures gracing the corners, along with some very intricate openwork on the legs and stand surfaces.
Size and Condition: 30 inches tall, 15 inches wide, 15 inches deep. Some minor and general wear commensurate with age but really no notable flaws. This item was apparently very well-kept, and comes from the estat...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980
item #1024004
From our Southeast Asia Collection, a superb Indonesian ebony wood carving of Ruana, expertly rendered with such animation and ferocity that the character looks almost demon-like, so much so that we actually find this particular piece a bit creepy.....But that is ultimately testimony to the tremendous skill of the carver.
For those unfamiliar with the differences between ebony wood and the other woods in the hardwood / rosewood family, ebony wood is especially dense and heavy and very d...
All Items : Vintage Arts : Regional Art : Asian : Southeast Asian : Sculpture : Pre 1980
item #1024009
From our Southeast Asia Collection, a superb Indonesian ebony wood carving of a Legong dancer, expertly rendered capturing the marvelous grace and elegance of this traditional Balinese dance.
As Wikipedia describes it, "Legong is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions. Legong probably originated in the 19th century as royal entertainment. Legend has it that a pri...
From our Southeast Asia Collection, a very fine and intricate Indonesian original painting by N. Mandra of Ubud (Bali), depicting an offering scene executed in subdued earth tones. The painting is acrylic on canvas and is very well done.
Size and Condition: Framed dimensions are 32 inches tall, 24 1/2 inches wide. Perfect condition, no damages.
From our Indian Subcontinent Collection, a large and fine vintage Pakistani Bokhara rug using extra fine wool and silk in classic Tekke Gul design, handwoven on a vertical loom with cotton base, using a combination of natural mineral pigments and synthetic dyes in brown, black, taupe, cream, and pale green. Whilst Bokhara rugs are often perceived as utilitarian in nature and not seen as art objects by their makers, this particular rug is of such good quality that the maker decided to sign it. T...
All Items : Vintage Arts : Regional Art : Asian : Indian Subcontinent : India : Pre 1980
item #1032788
From our Indian Subcontinent Collection, a large and elegant hand-etched brass floor lamp from Southern India. The etched designs on this piece are really quite intricate, and it is clear that a tremendous amount of time and handiwork went into the layout and artistry of this piece.
Size and Condition: 71 inches tall (just shy of 6 feet), lampshade is 18 inches in diameter at widest point. The lamp has been fitted with American electrical hardware and is still in good working order. ...
From our Southeast Asia Collection, a fine and large Thai Rattanakosin bronze Buddha, early-to-middle 19th century, depicting Buddha with both hands raised shoulder level with palms forward in Ham Samut mudra, also known as "Calming the Waters" or "Calming the Ocean" mudra. Buddha is wearing regal attire here with traditional tall crown and body jewelry that is elaborately inset with lacquer and glass adornments. Gilding retention is relatively high on this example. Buddha's crown is removable...
From our Japanese Collection, a superb and large satsuma lidded jar / tea caddy by Ryozan, Meiji Period 1868-1912, stunningly executed with exceptional fineness depicting two cartouches of people gathering, alternating with two cartouches of ducks and birds in nature scenes, all separated and framed by intricate brocaded reserves of floral motifs using wonderful color variation and extensive gilt.
Size and Condition: A relatively large caddy at 7 1/4 inches tall, 6 1/8 inches wide.