Catalog: Antiques (191)

From our Chinese Blue and White Collection, a very fine, large, and rare late Shunzhi / early Kangxi porcelain charger circa 1645-1665. This charger is well-painted in a rich blue featuring symmetrically arranged peony sprays within a six-pointed star-shaped central medallion, surrounded on the cavetto with a continuous ring of ruyi head motifs. The reverse features an uncommon double footrim along with Buddhist symbols on the outer border...

From our Southeast Asia Collection, a fine gilt bronze Thai Reliquary, 19th century Rattanakosin Period (Thailand), consisting of a two-tiered bronze structure that houses a hollowed compartment for storing relics, with each tier elegantly cast with Buddha images in various poses and mudras. On the bottom tier, these include four Reclining Buddhas, four Standing Buddhas, and four Cambodian-influenced Cobra-Hooded Buddhas...

From our Chinese Blue and White Collection, a very fine Kangxi Period (1662-1722) porcelain plate with flower basket motif, the border executed with cash diaper design interspersed with four vignettes of floral sprigs. This piece is export ware but still arguably "Chinese taste" given the understated elegance and restraint from over-decoration...

From our European Collection, a good 19th century hand-carved hall chair with an armorial / heraldic shield, probably Spanish in origin. The wood used is a dense and heavy hardwood which appears to be either walnut or mahogany. The chair is armless and rests upon wooden casters.

Size and Condition: 50 inches tall, 18 inches wide, 18 inches deep. Overall very good condition with mostly minor surface wear to the wood commensurate with age and use...

From our Southeast Asia Collection, a very large and fine Burmese Standing Buddha, late 19th century, constructed of carved and gilded hardwood depicting Buddha in a classic Mandalay School rendering which features a broad oval face, downward gazing eyes, elongated earlobes that touch the shoulders, a glass inset fillet band around the forehead, a dome-shaped ushnisha on the top of Buddha's head, and perhaps most characteristic of this particular style, is an elaborately carved robe with ornamen...

From our Chinese Polychrome Collection, a fine Rose-Verte porcelain dish, Yongzheng Period (1723-1735), well-painted in the center depicting an elegant lady, a young boy, and a deer carrying peaches on its back signifying longevity. Bordered on the cavetto with floral sprays, and dressed on the rim with iron oxide.

Rose-Verte is a less commonly encountered version of the Famille Rose and Famille Verte palettes...

From our Chinese Polychrome Collection, a fine Famille Verte porcelain dish, Kangxi Period (1662-1722), well-painted with a figural scene of three people, two of which occupy an outdoor pavilion while a third looks on from the inside. Floral sprays, butterflies, and twin-fish are represented in the cavetto, while the border is executed in classic piecrust form...

From our Chinese Polychrome Collection, a very fine Qing Dynasty barber's bowl, Yongzheng Period (1723-1735), beautifully painted in soft famille rose enamels, depicting two elegant ladies in a fenced garden setting alongside a flowering tree with birds overhead. Floral sprays are on the outer rim and on the reverse. Batavia brown / iron oxide dressing to the rim edges...

From our Southeast Asia Collection, a fine and complete Burmese Kammavaca Manuscript, late 19th - early 20th century, containing all 16 leaves and the original teak wood covers.

Kammavaca manuscripts are a quintessentially Burmese artifact that reflect the general reverence afforded to the monastic system in that country. To Western eyes, they are usually just highly decorative ethnic handicrafts from an isolated and exotic culture...

From our Southeast Asia Collection, a fine and large pair of ornamental bronze Burmese gongsmen, early 20th century, crisply cast depicting two gongsmen carrying a large circular gong known as a "maung" suspended beneath a pole. During Burma's Konbaung Dynasty (1752-1885), official announcements were made to the townspeople by a King's Representative accompanied by two gongsmen, who would customarily alert the town to their announcement by striking the maung...

From our Japanese Collection, a good Meiji Period (1868-1912) imari lobed dish, executed in traditional palette using iron red, orange, blue, green, and gilt on a white porcelain body, depicting a stylized chrysanthemum head motif in the center well, along with dragon, phoenix, and floral motifs in the border reserves. An unpretentious but well-made traditional example.

Size and Condition: 8 3/8 inches in diameter...

From our Japanese Collection, a superb and large satsuma lidded jar / tea caddy by Ryozan, Meiji Period 1868-1912, stunningly executed with exceptional fineness depicting two cartouches of people gathering, alternating with two cartouches of ducks and birds in nature scenes, all separated and framed by intricate brocaded reserves of floral motifs using wonderful color variation and extensive gilt.

Size and Condition: A relatively large caddy at 7 1/4 inches tall, 6 1/8 inches wide.

From our Southeast Asia Collection, a fine and large Thai Rattanakosin bronze Buddha, early-to-middle 19th century, depicting Buddha with both hands raised shoulder level with palms forward in Ham Samut mudra, also known as "Calming the Waters" or "Calming the Ocean" mudra. Buddha is wearing regal attire here with traditional tall crown and body jewelry that is elaborately inset with lacquer and glass adornments. Gilding retention is relatively high on this example...

From our Southeast Asia Collection, a fine and rare Burmese dry lacquer Buddha, 19th century or earlier, exquisitely modeled with a beautifully serene meditative visage that is quintessentially Shan Burmese in form, featuring a broad sweeping forehead framed by a glass mosaic adorned fillet band, high-set eyebrows, a sharply linear nose with flared nostrils, a small mouth with thin lips gently curved upward into a half smile, three neck creases, and characteristically elongated earlobes that ext...

From our Japanese Collection, a published and very fine satsuma charger, Meiji Period (1868-1912), most likely between 1870-1880, depicting Kannon the Goddess of Mercy and Compassion surrounded by deities and adorants, executed in typical satsuma palette but with an especially rich, heavy, and quite skilful gold application...

From our Japanese Collection, a large and very regal pair of imari vases, Meiji Period 1868-1912, beautifully executed in traditional palette of iron red, orange, blue, and gilt on a white porcelain body, with kiln marks to the base.

Size and Condition: 12 1/4 inches tall, 6 1/2 inches wide. Some light rubbing to the gilt in places commensurate with age and handling, but essentially perfect condition.

From our Chinese Polychrome Collection, a good pair of hand-colored steel engravings circa 1843, drawn by Thomas Allom and engraved by W. Wetherhead and W.H. Capone...

From our Indian Subcontinent Collection, a fine 19th century brass surahi (water flask) paired with a large Kashmiri flashed-silver over lacquered-brass undertray, also 19th century. These two pieces were not originally part of a formal set, but we find that they make for an attractive and logical pairing...